Animistic Apparatus: A Gathering

Flaherty Film Seminar 2024: To Commune
Ingawanij, M.A. 2024. Flaherty Film Seminar 2024: To Commune. 2024

To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi
Ingawanij, M.A. 2023. To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi. Hocken Collections, University of Otago.

Araya Rasdjarmrearnsook’s Relational Tableaux
Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

Legacies
Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions
Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Vivre après la catastrophe
Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Art and Communication: A Regional Genealogy
Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

Rebellion of the Body: Hijikata Tatsumi, Performance Documentation and Japanese Experimental Film
Ross, J. 2022. Rebellion of the Body: Hijikata Tatsumi, Performance Documentation and Japanese Experimental Film. in: Windhausen, F. (ed.) A Companion to Experimental Film Wiley-Blackwell. pp. 307-322

Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices
Ingawanij, M.A. 2021. Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices. Screen. 62 (4), pp. 549-558. https://doi.org/10.1093/screen/hjab056

Philippine Noir: The Cinema of Lav Diaz
Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Stories of Animistic Cinema
Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. 54 (Summer 1), pp. 84-103.

Killer Joe’s: 1960s Japanese Expanded Cinema in Discotheques
Ross, J. 2020. Killer Joe’s: 1960s Japanese Expanded Cinema in Discotheques. The Broadcast.

Ghost Cinema for a Damaged World
Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57

Experimental Film
Ross, J. 2020. Experimental Film. in: Fujiki, H. and Philips, A. (ed.) The Japanese Cinema Book London BFI Publishing.

Animistic Apparatus screening programme: Landscape of Spirits
Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus @ Berwick Film and Media Arts Festival
Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead
Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus: Screening
Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Blackout
Ross, J. 2019. Blackout. Greylight Projects, Brussels 06 - 14 Apr 2019

Blackout
Ross, J. 2019. Blackout. Ambika P3, London 12 - 17 Mar 2019

Cauleen Smith: Calling Planet Earth
Ross, J. 2019. Cauleen Smith: Calling Planet Earth. Rotterdam 23 Jan - 03 Feb 2019

Blackout
Ross, J. 2019. Blackout. Kunsthal, Rotterdam 24 Jan - 03 Feb 2019

Animistic Apparatus
Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Interview with Lukas Marxt
Ross, J. 2019. Interview with Lukas Marxt. in: Slanar, C. (ed.) Lukas Marxt: From Light to Cold Vienna VfmK Verlag für moderne Kunst GmbH.

(Reopening) the Open Frame
Dornieden, A, Gonzáles, J.D. and Ross, J. 2019. (Reopening) the Open Frame. in: Greenfield, L., Philips, D.S., Schroedinger, K., Speidel, B. and Widmann, P. (ed.) Film in the Present Tense: Why can’t we stop talking about analogue film? Berlin Archive Books. pp. 111-114

America, America, America: Japanese artists in the United States in the Sixties and Seventies
Ross, J. 2019. America, America, America: Japanese artists in the United States in the Sixties and Seventies. in: Jhaveri, S. (ed.) America: Films from Elsewhere India The Shoestring Publisher.

Comedy of Entanglement: The Karrabing Film Collective
Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125

Making Line and Medium
Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001

Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films
Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164

The Open Frame
Ross, J. 2018. The Open Frame.

Hyphen - An Evening with NANG
Ross, J. 2018. Hyphen - An Evening with NANG.

Other Tongue - An Evening with NANG
Ross, J. 2018. Other Tongue - An Evening with NANG.

See Through
Ross, J. 2018. See Through. Tokyo Photographic Art Museum 08 - 24 Feb 2019

Japanese Artists' Film in 1968-69
Ross, J. 2018. Japanese Artists' Film in 1968-69. in: Reichardt, J. (ed.) Fluorescent Chrysanthemum Remembered Gdansk Laznia Centre for Contemporary Art. pp. 58-60

Performance in Print: Channeling Tōmatsu Shōmei’s NO.541
Ross, J. and Stojkovic, J. 2018. Performance in Print: Channeling Tōmatsu Shōmei’s NO.541. Photography and Culture. 11 (2), pp. 181-196. https://doi.org/10.1080/17514517.2018.1467087

Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation
Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Itinerant Cinematic Practices In and Around Thailand During the Cold War
Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

A Taste of Terayama
Ross, J. 2017. A Taste of Terayama.

Throw Away Your Books: The Films of Shuji Terayama
Ross, J. 2017. Throw Away Your Books: The Films of Shuji Terayama.

Shuji Terayama's Laura/The Trial
Ross, J. 2017. Shuji Terayama's Laura/The Trial.

Japanese Expanded Cinema project
Ross, J. 2017. Japanese Expanded Cinema project.

Shuji Terayama, Emperor of the Underground
Ross, J. 2017. Shuji Terayama, Emperor of the Underground.

Forces and Volumes
Ingawanij, M.A. 2017. Forces and Volumes .

Lav Diaz: Journeys
Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Fields: On Attachments and Unknowns
Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Lav Diaz: Journeys
Ingawanij, M.A. 2017. Lav Diaz: Journeys .

Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship
Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Explorers of Boundaries: 1960-70s Expanded Cinema in Japan
Ross, J. 2017. Explorers of Boundaries: 1960-70s Expanded Cinema in Japan. in: Japanese Expanded Cinema Revisited Tokyo Tokyo Photographic Art Museum. pp. 149-164

Japanese Expanded Cinema Revisited
Ross, J. 2017. Japanese Expanded Cinema Revisited. Tokyo Photographic Arts Museum, Tokyo, Japan 15 Aug - 15 Oct 2017

Lav Diaz: Journeys
Ross, J. 2017. Lav Diaz: Journeys. London Gallery West, Regent Street Cinema, UoW campus 27 Jan - 12 Mar 2017

Rikuro Miyai's Expanded Cinema
Ross, J. 2017. Rikuro Miyai's Expanded Cinema. Art Institute of Chicago 09 - 09 Feb 2017

Su Huiyu: The Midnight Hours
Ross, J. 2017. Su Huiyu: The Midnight Hours. International Film Festival Rotterdam 29 - 29 Jan 2017

Imai Norio: Severed Film / Jointed Film
Ross, J. 2017. Imai Norio: Severed Film / Jointed Film. Gallery Joey Ramone 26 Jan - 04 Feb 2017

Norio Imai: Time Severed, Jointed and Stretched
Ross, J. 2017. Norio Imai: Time Severed, Jointed and Stretched. BOZAR, Centre for Fine Arts, Brussels 22 Jan 2017

Southern Collectives screening programmes and discussion
Ingawanij, M.A. 2016. Southern Collectives screening programmes and discussion . Buenos Aires 29 Oct - 13 Nov 2016

Throwing Shadows: Japanese Expanded Cinema
Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema.

Game Play: Artists playing video games
Ross, J. 2016. Game Play: Artists playing video games. Art Cinema OFFoff 14 - 14 Nov 2016

Cosmos - Takashi Makino
Ross, J. 2016. Cosmos - Takashi Makino. London Gallery West 22 Jan - 21 Feb 2016

Fluorescent Chrysanthemum
Ross, J. 2016. Fluorescent Chrysanthemum. ICA, London 04 Oct - 27 Nov 2016

STILL MOVING – Een expositie van diafilms
Ross, J. 2016. STILL MOVING – Een expositie van diafilms. Art Cinema OFFoff, Ghent, as part of Film Fest Gent 11 - 21 Oct 2016

Throwing Shadows: Japanese Expanded Cinema in the Time of Pop
Ross, J. 2016. Throwing Shadows: Japanese Expanded Cinema in the Time of Pop. Tate Modern 22 - 24 Jan 2016

Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals
Ross, J. 2016. Ethics of the Landscape Shot: AKA Serial Killer and James Benning's Portrait of Criminals. in: De Luca, T. and Jorge, N. Barradas (ed.) Slow Cinema Edinburgh, Scotland Edinburgh University Press. pp. 261-272

Pafōmansu to shite no ekusupande'do cinema
Ross, J. 2016. Pafōmansu to shite no ekusupande'do cinema. in: American Avant-Garde Movies Japan Shinwasha. pp. 161-181

Curating Problems for Expanded Cinema
Ross, J. 2016. Curating Problems for Expanded Cinema. in: Ferreboeuf, R., Noble, F. and Plunkett, T. (ed.) Preservation, Radicalism and the Avant-Garde Canon Palgrave Macmillan. pp. 35-49

Short Special: Basim Magdy
Ross, J. 2015. Short Special: Basim Magdy. International Film Festival Rotterdam 25 - 25 Jan 2015

Spectral Presence: Expanded cinema from Britain and beyond
Ross, J. 2015. Spectral Presence: Expanded cinema from Britain and beyond. Art Cinema OFFoff 23 - 23 Oct 2015

Ito Takashi: Moving Still
Ross, J. 2015. Ito Takashi: Moving Still. Eye Film Institute 01 - 01 Dec 2015

An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art
Ross, J. 2015. An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art. PhotoResearcher. 24, pp. 32-37.

Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun
Ross, J. 2015. Geologic Time, the Anthropocene, and Earthquake Sensitives: Interview with Kodwo Eshun. in: The Geologic Imagination Sonic Acts Press. pp. 53-63

Long Walk to Life: the Films of Lav Diaz
Ingawanij, M.A. 2015. Long Walk to Life: the Films of Lav Diaz . Afterall . 40.

Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand
Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Comparing Experimental Cinemas
Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

In & Out of Japan: Documenting Travels in Japanese Experimental Film and Art 1960-1980
Ross, J. 2014. In & Out of Japan: Documenting Travels in Japanese Experimental Film and Art 1960-1980. Eye Film Institute 18 - 18 Feb 2014

Screen Play: an evening with Takahiko Iimura
Ross, J. 2014. Screen Play: an evening with Takahiko Iimura. Rongwrong, Amsterdam 20 - 20 Oct 2014

Takahiko Iimura: Movies & Performances
Ross, J. 2014. Takahiko Iimura: Movies & Performances. Eye Film Institute 2014

「もうヨーロッパに何も期待しなくていいんだ」 日本の非商業映画・実験映画ヨーロッパ公開史
Ross, J. 2014. 「もうヨーロッパに何も期待しなくていいんだ」 日本の非商業映画・実験映画ヨーロッパ公開史. 言語文化. 31.

Eiga o chokusetsu kōdō toshite
Ross, J. 2014. Eiga o chokusetsu kōdō toshite. in: Akseagawa Genpei Japan Kawade Shobo Shinsha. pp. 225-233

In the Realm of the Senses
Ross, J. 2014. In the Realm of the Senses. in: The Routledge Encyclopedia of Films Routledge.

Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives
Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Animism and the performative realist cinema of Apichatpong Weerasethakul
Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Mother India in six voices: melodrama, voice performance, and Indian films in Siam
Ingawanij, M.A. 2012. Mother India in six voices: melodrama, voice performance, and Indian films in Siam. Bioscope: South Asian Screen Studies. 3 (2), pp. 99-121. https://doi.org/10.1177/097492761200300202

Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur
Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134

Nang Nak: Thai bourgeois heritage cinema
Ingawanij, M.A. 2007. Nang Nak: Thai bourgeois heritage cinema. Inter-Asia Cultural Studies. 8 (2), pp. 180-193. https://doi.org/10.1080/14649370701295599

Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema
Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium

Un-Thai sakon: the scandal of teen cinema
Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.

Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur
Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1

Transistor and temporality: the rural as modern Thai cinema's pastoral
Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100

The value of an impoverished aesthetic: the iron ladies and its audiences
Ingawanij, M.A. and MacDonald, R.L. 2004. The value of an impoverished aesthetic: the iron ladies and its audiences. Spectator: University of Southern California Journal of Film and Television Criticism. 24 (2), pp. 73-81.