Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion

Lee, Yeseung 2015. Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion. Luxury: History, Culture, Consumption. 2 (1), pp. 61-80. https://doi.org/10.1080/20511817.2015.11428565

TitleSeaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion
TypeJournal article
AuthorsLee, Yeseung
Abstract

The perpetual crisis of subjectivity experienced today means that the modern self is always partial and relative to what is “other.” This corresponds to the more individualized and coded values relevant to what is currently regarded as “original” or “authentic,” notions that are inseparable from luxury in fashion. This article analyzes the handmade in contemporary fashion as the product of liminality and our reflexive response to it—a necessary process in the renewal of existing values. This analysis derives from my experience of making a series of seamless woven garments, entirely by hand. The handcrafted elements and seamlessness of these garments, qualities traditionally associated with luxury production, are reappraised in this article, as the process which offers a luxury experience for the maker: the act of making becomes a method of displacement, creating a space for contemplation and self-reflection, which is then communicated to the users via the material trace left by the making hands. Certain modes of making and using material objects can thus be seen as our own “rites of passage,” which heighten the awareness of the link between self and other in contemporary society. This article therefore suggests an alternative notion of luxury, one which reflects the value arising from attentive modes of interaction with material objects and people, and the reflexivity this experience allows. This new luxury is thus a more graspable one, as it can be self-generated here and now.

JournalLuxury: History, Culture, Consumption
Journal citation2 (1), pp. 61-80
ISSN2051-1817
2051-1825
Year2015
PublisherTaylor & Francis
Digital Object Identifier (DOI)https://doi.org/10.1080/20511817.2015.11428565
Web address (URL)https://www.tandfonline.com/doi/abs/10.1080/20511817.2015.11428565
Publication dates
Published07 May 2015

Related outputs

The white-clad people: The white hanbok and Korean nationalism
Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. 34 (4), pp. 271-296. https://doi.org/10.1177/09213740221117811

Eyes in the skin I live in: The incorporation of surveillance in mediatized culture
Lee, Yeseung 2022. Eyes in the skin I live in: The incorporation of surveillance in mediatized culture. Fashion Theory. 26 (2), pp. 185-210. https://doi.org/10.1080/1362704X.2019.1697509

Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий
Lee, Yeseung 2021. Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий. Теория моды: одежда, тело, культура (Fashion Theory, Russian edition). 62 (April), pp. 162-187.

Distinction by indistinction: luxury, stealth, minimalist fashion
Lee, Yeseung 2021. Distinction by indistinction: luxury, stealth, minimalist fashion. Luxury: History, Culture, Consumption. 6 (3), pp. 203-225. https://doi.org/10.1080/20511817.2021.1897265

The Textilesphere: The threshold of everyday contacts
Lee, Yeseung 2020. The Textilesphere: The threshold of everyday contacts. Textile: Cloth and Culture. 18 (2), pp. 160-179. https://doi.org/10.1080/14759756.2019.1652429

Apparition: the (im)materiality of Modern Surface
Lee, Yeseung 2018. Apparition: the (im)materiality of Modern Surface. Apparition: the (im)materiality of Modern Surface. De Montfort University, Leicester 09 Mar 2018

Textilesphere: To mark is to be marked
Lee, Yeseung 2018. Textilesphere: To mark is to be marked. Textile and Place. Manchester Metropolitan University 12 - 13 Apr 2018

Rethinking luxury through the handmade
Lee, Y. 2017. Rethinking luxury through the handmade. Animate Objects: Encounters between People and Things. Anglia Ruskin University, Cambridge 13 Oct 2017

Seaming, Writing and Making Strange: Between material and text
Lee, Y. 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

The Authentic Surface: Making Garments, Selves and Others
Lee, Yeseung 2016. The Authentic Surface: Making Garments, Selves and Others. In Pursuit of Luxury 2. LIM College, New York 06 May 2016

Seaming, Writing and Making Strange: Between material and text
Lee, Yeseung 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

Seamlessness: Making and (Un)Knowing in Fashion Practice
Lee, Yeseung 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol and Chicago Intellect.

The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion
Lee, Yeseung 2015. The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion. Critical Studies in Fashion & Beauty. 6 (1), pp. 75-93. https://doi.org/10.1386/csfb.6.1.75_1

Seaming, Writing and Making Strange: Between material and text
Lee, Yeseung 2014. Seaming, Writing and Making Strange: Between material and text. The Art of Research V: Experience, Materiality, Articulation Conference. Aalto University, School of Arts, Design and Architecture, Helsinki, Finland 26 - 27 Nov 2014 Empirica.

The Poetics of Self-fashioning: Between nonsense and meaning
Lee, Yeseung 2014. The Poetics of Self-fashioning: Between nonsense and meaning. Fashion in fiction: style stories and transglobal narratives. City University of Hong Kong, China 12 - 14 Jun 2014

The Skin, the Garment Surface and the Production of Modern Magic
Lee, Yeseung 2014. The Skin, the Garment Surface and the Production of Modern Magic. Association of Art Historians 40th Anniversary Annual Conference. Historians 40th Anniversary Annual Conference. Royal College of Art, London 11 - 12 Apr 2014 Association of Art Historians.

Permalink - https://westminsterresearch.westminster.ac.uk/item/vqq24/seaming-hands-the-meaning-and-value-of-the-handmade-in-contemporary-fashion


Share this

Usage statistics

87 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.