Cumulus (sculpture) Towards a flower (video)

Cummings, P. 2023. Cumulus (sculpture) Towards a flower (video). Lismore Castle Arts, Ireland 25 Mar - 17 May 2023

CreatorsCummings, P.
Collaborators
CuratorSusan Bright
Description

An exhibition held at Lismore Castle Arts, Ireland Mar-May 2023.
To Walk in the Image directly responds to the site of St. Carthage Hall as a former chapel and ideas of spirituality, ritual and the land. Early Christian chapels were often built on ancient pagan sites of worship where respect was sewn into human behaviour around the rhythms by which the land breathes, grows, dies back, and rejuvenates.

It is this circular, seasonal and spiritual understanding and engagement with the land that underpins the work shown. The exhibiton explores collective and individual connections, where the artists let the materials florish, emerge and re-emerge thinking about what is beneath us, but also beyond us.

Featuring Phoebe Cummings, Sabine Mirlesse and Alexander Mourant.

Year25 Mar 2023
2023
Files
Measurements
Installation view
Media type
Image
File Access Level
Open (open metadata and files)
FunderLismore Castle Arts
Arts Council of Ireland

Related outputs

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

Studies (between heaven and earth)
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Cummings, P. 2023. Deepfake Eden.

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Cummings, P. 2019. Ornamental Chronology. Istanbul

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Cummings, P. 2019. An Ugly Aside. Warwickshire

Honorary Doctorate of Arts
Cummings, P. 2019. Honorary Doctorate of Arts. University of Brighton.

Source
Cummings, P. 2018. Source.

Recipients
Cummings, P. 2018. Recipients. London

Season
Cummings, P. 2018. Season. London

Model for a Common Room
Cummings, P. 2018. Model for a Common Room. Post-Medium Collecting Study Day (Seminar). Victoria Gallery & Museum, University of Liverpool 02 Feb 2018

Material Performance: Presentation/panel discussion
Cummings, P. 2018. Material Performance: Presentation/panel discussion. Beyond the Object Symposium. Uppsala Konstmuseum, Sweden 03 Jun 2018

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Cummings, P. 2018. Beyond the Studio. Re-Stating Clay Conference. Centre of Ceramic Art, York 19 - 20 Mar 2018

Fugitive Objects
Cummings, P. 2018. Fugitive Objects. Association for Art History 2018 Summer Symposium: (Re-)Forming Sculpture. The Hepworth Museum and University of Leeds 26 - 27 Jun 2018

Seminar Presentation and Panel Discussion - Agenda Art & Craft: What is your question?
Cummings, P. 2018. Seminar Presentation and Panel Discussion - Agenda Art & Craft: What is your question? Agenda Art and Craft: What is your question?. Cinema, Kunstnernes Hus, Wergelandsveien 17, Oslo 23 Nov 2018

Critical Mass
Cummings, P. 2018. Critical Mass. South Korea

A Ripening Surveillance - Material Environments exhibition
Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Model for a Common Room
Cummings, P. 2018. Model for a Common Room. Victoria Gallery and museum - University of Liverpool 19 Jan - 23 Jun 2018

Residue: Early Ancient Stage Chandelier
Cummings, P. 2017. Residue: Early Ancient Stage Chandelier . Galway Arts Centre, Ireland 12 - 27 Oct 2017

Woman's Hour Craft Prize
Cummings, P. 2017. Woman's Hour Craft Prize.

Triumph of the Immaterial
Cummings, P. 2017. Triumph of the Immaterial. Victoria and Albert Museum, London

Of Desire
Cummings, P. 2017. Of Desire . France

Early Ornament
Cummings, P. 2016. Early Ornament. Montreal

Antediluvean Swag
Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Collected Activity: Making in the Museum
Cummings, P. 2016. Collected Activity: Making in the Museum. in: Twomey, C., Brown, C. and Stair, J. (ed.) Contemporary Clay and Museum Culture Routledge.

Production Line
Cummings, P. 2015. Production Line. Southampton

Peripatetic Making: a borrowed space, time continuum
Cummings, P. 2015. Peripatetic Making: a borrowed space, time continuum. The Journal of Modern Craft. 8 (3), pp. 359-371. https://doi.org/10.1080/17496772.2015.1099250

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