Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong

K. Rajagopal on making films for and on the ethnic minority in Singapore
Ng, H. 2020. K. Rajagopal on making films for and on the ethnic minority in Singapore. Asian Cinema. 31 (1), pp. 139-142. https://doi.org/10.1386/ac_00019_7

Boo Junfeng on funding, festivals and Chinese privilege
Ng, H. 2020. Boo Junfeng on funding, festivals and Chinese privilege. Asian Cinema. 31 (1), pp. 131-137. https://doi.org/10.1386/ac_00018_7

Unpacking the 'Singapore New Wave'
Fong, S.Y. and Ng, H. 2020. Unpacking the 'Singapore New Wave'. Asian Cinema. 31 (1), pp. 3-15. https://doi.org/10.1386/ac_00010_2

Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation
Ng, H. 2020. Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation. Asian Cinema. 31 (1), pp. 99-122. https://doi.org/10.1386/ac_00015_1

Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s
Ng, H. 2020. Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s. Inter-Asia Cultural Studies. 21 (2), pp. 238-250. https://doi.org/10.1080/14649373.2020.1759879

The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters!
Ng, H.W. 2019. The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Router: A Journal of Cultural Studies. (29), pp. 123-160. https://doi.org/10.6752/JCS.201906_(28).0002

Rethinking Censorship in China: The Case of "Snail House (Woju)"
Ng, H. 2015. Rethinking Censorship in China: The Case of "Snail House (Woju)". in: Bai, R. and Song, G. (ed.) Chinese Television in the Twenty–First Century: Entertaining the Nation Routledge. pp. 87-103