Site-integrity: An embedded and embodied approach to practice-based research

Marsh, J. 2023. Site-integrity: An embedded and embodied approach to practice-based research. Scene. 11 (1-2), pp. 7-20. https://doi.org/10.1386/scene_00061_1

TitleSite-integrity: An embedded and embodied approach to practice-based research
TypeJournal article
AuthorsMarsh, J.
AbstractPractice-based research in the arts typically uses artistic processes and creative artefacts as part of its methods and approach. The focus is often on exploring and understanding the creative process itself rather than simply producing a final product or outcome. Such approaches have evolved from the understanding that life and experiences of the world are multifaceted, and that art offers ways of knowing the world through a more experiential approach compared to the intellectual and verbal ways that have traditionally dominated western discourses of knowledge. When it comes to practice-based research in the arts, audiences can engage with representations in a sensory, emotional, psychological and intellectual manner, expanding and deepening their understanding and knowledge. This article examines the key features of practice-based research through an analysis of ‘site-integrity’. By making artworks with and for a site-specific community, site-integrity directly responds to the social, religious, political and architectural discourses present. By implicitly performing involvements in, as opposed to observations on site, the research activity becomes an embedded engagement in the world of which it is part. The aim of site-integrity is to ensure that the research process is beneficial to both the researcher and the site community and that the research outcomes are useful, relevant and applicable in the real world. The focus of this article is to critically examine the role of artistic fieldwork in research, as well as to explore the ethical implications and effectiveness of such methods of engagement. By questioning the role and impact of such methods, the article may contribute to ongoing debates around the use of artistic and creative approaches in research and the broader implications of such approaches for knowledge production and dissemination.
KeywordsGeneral Medicine
JournalScene
Journal citation11 (1-2), pp. 7-20
ISSN2044-3714
2044-3722
Year2023
PublisherIntellect
Accepted author manuscript
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1386/scene_00061_1
Publication dates
Published in print01 Dec 2023
Published online07 Mar 2024

Related outputs

Assembly
Marsh, Julie 2024. Assembly. Architecture and Culture. 10 (4), pp. 559-561. https://doi.org/10.1080/20507828.2023.2337456

Performing the Symbiotic Relationship Between the Adapted Mosque and its Congregation
Marsh, J. 2024. Performing the Symbiotic Relationship Between the Adapted Mosque and its Congregation. in: Lamb, T. and Wang, C. (ed.) Negotiating Identities, Language and Migration in Global London: Bridging Borders, Creating Spaces London Multilingual Matters. pp. 170-186

Assembly: Investigating the Role That Artist Fieldwork Can Play in Islamic Sites of Worship
Marsh, Julie 2022. Assembly: Investigating the Role That Artist Fieldwork Can Play in Islamic Sites of Worship. Architecture and Culture. 10 (4), pp. 753-770. https://doi.org/10.1080/20507828.2024.2336325

Virtual Assembly
Marsh, J. 2021. Virtual Assembly .

British Mosques
Marsh, J. Saleem, S., Turner, C. and Kilgallon, E. (ed.) 2021. British Mosques. Foolscap Editions.

Jamaat at Harrow Mosque (2020)
Marsh, J. 2020. Jamaat at Harrow Mosque (2020). Harrow Mosque 16 - 16 Oct 2020

Jamaat at Old Kent Road Mosque (2019-20)
Marsh, J. 2020. Jamaat at Old Kent Road Mosque (2019-20) . 20 Jun 2020

2021 Venice Architecture Biennale - Three British Mosques/Assembly
Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Assembly
Marsh, J. 2020. Assembly. University of Westminster. https://doi.org/10.34737/v844y

Site-integrity: a dynamic exchange between site, artist, device and audience
Marsh, J. 2019. Site-integrity: a dynamic exchange between site, artist, device and audience. Journal for Artistic Research. Issue 19 19. https://doi.org/10.22501/jar.596787

Assembly: catalogue of research findings
Marsh, J. 2019. Assembly: catalogue of research findings. London Shelter Press, France.

Jamaat at Brick Lane Mosque (2018-9)
Marsh, J. 2018. Jamaat at Brick Lane Mosque (2018-9) . Brick Lane Mosque Oct - Nov 2018

Assembly: Performing the materiality of Muslim prayer spaces
Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Assembly: Artist Talk at Closeup Film Centre
Marsh, J. 2018. Assembly: Artist Talk at Closeup Film Centre. Julie Marsh.

Salat at Birmingham Central Mosque (2016-17)
Marsh, J. 2017. Salat at Birmingham Central Mosque (2016-17). Birmingham Central Mosque 06 - 06 May 2016

Lokomotywownia (2016)
Marsh, J. 2017. Lokomotywownia (2016). Płaszów, Poland 10 - 24 Feb 2017

Assembly: performing the materiality of Muslim prayer spaces
Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Pestera (2015)
Marsh, J. 2015. Pestera (2015). Atelier Contemporary Art Space, Bucharest 21 - 28 Jul 2017

Permalink - https://westminsterresearch.westminster.ac.uk/item/w8vw4/site-integrity-an-embedded-and-embodied-approach-to-practice-based-research


Share this

Usage statistics

70 total views
2 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.