Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology

Muriel Swijghuisen Reigersberg 2019. Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology. in: Janis Jefferies and Sarah Kember (ed.) Whose Book Is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity OpenBook Publishers. pp. 309-346

Chapter titleEthical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology
AuthorsMuriel Swijghuisen Reigersberg
EditorsJanis Jefferies and Sarah Kember
Abstract

Drawing on ethnomusicological and anthropological theory alongside my own ethnographic experiences I will explore the notions of cultural ownership, writing and copyright further and how these relate to, for example, the United Nations Declaration for the Rights of Indigenous People and Western European ethical codes of conduct. I shall show that Western ethical codes of conduct define authorship crudely, particularly in the arts, humanities and the social sciences. I will argue that these definitions make little allowance for the cross-cultural co-creation of musical practice. Open access publishing and writing approaches may be one way in which academics might to some extent redress the balance.

Book titleWhose Book Is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity
Page range309-346
Year2019
PublisherOpenBook Publishers
Publication dates
PublishedMar 2019
ISBN9781783746484
9781783746491
9781783746507
9781783746521
9781783746514
9781783746538
Digital Object Identifier (DOI)https://doi.org/10.11647/obp.0159.12
File
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Web address (URL)https://doi.org/10.11647/OBP.0159.12

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