James VanDerZee’s New Negro vision

White, R. 2017. James VanDerZee’s New Negro vision. European Journal of American Culture. 36 (2), pp. 121-135. https://doi.org/10.1386/ejac.36.2.121_1

TitleJames VanDerZee’s New Negro vision
TypeJournal article
AuthorsWhite, R.
Abstract

In her article ‘Selecting the Harlem Renaissance’, Daylanne English notes that ‘we must not underestimate the importance of photographs for the period’s construction of the New Negro, nor for our construction of the Harlem Renaissance’. As one of the foremost photographers working in Harlem in the 1920s, James VanDerZee played a pivotal role in conveying and perpetuating the image of Jazz Age Harlem as a flourishing black community. Despite his self-confessed distance from many of the cultural movements of the time, this article argues that much of VanDerZee’s approach was consistent with elements of New Negro philosophy and ideology, particularly that articulated by W. E. B. DuBois. That ideology viewed, as Henry Louis Gates Jr observes, the public self as something to be fashioned and shaped. Drawing upon a variety of visual tropes, some old such as cartes de visites and cabinet card portraiture, and some much more modern such as publicity photographs found in film magazines of the time, VanDerZee’s images chronicled the aspirational lifestyles of the emergent black middle class of ‘Strivers Row’ (north beyond 139th Street) and the various religious and sporting organizations that permeated Harlem and played a crucial role in developing a civic culture. In doing so, VanDerZee challenged prevailing stereotypes of African Americans then in circulation within American popular culture and helped to change the image of African Americans in the United States.

JournalEuropean Journal of American Culture
Journal citation36 (2), pp. 121-135
ISSN1466-0407
1758-9118
Year2017
PublisherIntellect
Digital Object Identifier (DOI)https://doi.org/10.1386/ejac.36.2.121_1
Publication dates
Published2017

Related outputs

Positivism and Evolutionism in Flávio de Barros’s Photographs of the Canudos War
Russell White 2023. Positivism and Evolutionism in Flávio de Barros’s Photographs of the Canudos War. Journal of Iberian and Latin American Research. 29 (1), pp. 96-115. https://doi.org/10.1080/13260219.2023.2218071

The Role of Postcards in Disseminating the Nuevo Ideal Nacional of Marcos Pérez Jiménez
White, R. 2023. The Role of Postcards in Disseminating the Nuevo Ideal Nacional of Marcos Pérez Jiménez. Bulletin of Contemporary Hispanic Studies. 5 (2). https://doi.org/10.3828/bchs.2023.8

Tito Caula’s photographic imaginary and mid-century Caraqueño modernity
Russell White 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

Tito Caula’s photographic imaginary and mid-century Caraqueño modernity
White, R. 2021. Tito Caula’s photographic imaginary and mid-century Caraqueño modernity. Journal of Urban Cultural Studies. 8 (1), pp. 57-79. https://doi.org/10.1386/jucs_00034_1

Agustín Victor Casasola’s engagement with positivism and spectacle in his imagining of Mexico City during the Late Porfiriato, 1900-1910
White, R. 2019. Agustín Victor Casasola’s engagement with positivism and spectacle in his imagining of Mexico City during the Late Porfiriato, 1900-1910. Hispanic Research Journal. 20 (5), pp. 515-532. https://doi.org/10.1080/14682737.2019.1734351

The Nicaragua Grand Canal – Economic Miracle or Folie de Grandeur?
White, R. 2015. The Nicaragua Grand Canal – Economic Miracle or Folie de Grandeur? Practical Action Publishing.

“Drums are not for Gentlemen”: Class and Race in Langston Hughes’ Haitian Encounter
White, R. 2011. “Drums are not for Gentlemen”: Class and Race in Langston Hughes’ Haitian Encounter. International Journal of Francophone Studies. 14 (1-2), pp. 107-122. https://doi.org/10.1386/ijfs.14.1-2.107_1

“Behind the Mask”: Eminem and Post-Industrial Minstrelsy
White, R. 2006. “Behind the Mask”: Eminem and Post-Industrial Minstrelsy. European Journal of American Culture. 25 (1), pp. 65-79. https://doi.org/10.1386/ejac.25.1.65/1

‘Samuel L. Jackson: Beyond the Post-Soul Male’
White, R. 2005. ‘Samuel L. Jackson: Beyond the Post-Soul Male’. in: Moseley, R. (ed.) Fashioning Film Stars: Dress, Culture, Identity BFI Publishing.

Sign of a Black Planet: Hip-Hop and Globalisation
White, R. 2004. Sign of a Black Planet: Hip-Hop and Globalisation. in: Davies, J., Campbell, N. and McKay, G. (ed.) Issues in Americanization and Culture Edinburgh University Press.

Permalink - https://westminsterresearch.westminster.ac.uk/item/wwv0q/james-vanderzee-s-new-negro-vision


Share this

Usage statistics

1 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.