Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith)

Designing Character Connection in Only Murder in the Building
Barnwell, J. 2024. Designing Character Connection in Only Murder in the Building. Designs on Television: Production design and television aesthetics. University of Westminster, London 18 - 19 Apr 2024

‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,
Barnwell, J. 2023. ‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,. in: Histories, Adaptations and Legacies of Tinker, Tailor, Soldier, Spy New York Routledge.

The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson)
Jane Barnwell 2022. The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson). in: Production Design & the Cinematic Home Springer Nature. pp. 151-170

Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood)
Jane Barnwell 2022. Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood). in: Production Design & the Cinematic Home Springer Nature. pp. 129-150

Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)?
Jane Barnwell 2022. Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)? in: Production Design & the Cinematic Home Springer Nature. pp. 111-128

Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential
Jane Barnwell 2022. Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential. in: Production Design & the Cinematic Home Springer Nature. pp. 89-110

Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape
Jane Barnwell 2022. Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape. in: Production Design & the Cinematic Home Springer Nature. pp. 67-87

Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun)
Jane Barnwell 2022. Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun). in: Production Design & the Cinematic Home Springer Nature. pp. 23-44

'Invisible Design. Invention and Emotion in The Crown'
Barnwell, J. 2022. 'Invisible Design. Invention and Emotion in The Crown'. TV Londons: Exploring Representations of London on Television Conference. University of Westminster, London 28 - 29 Jul 2022

Production Design & the Cinematic Home
Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time?
Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept?
Barnwell, J. 2020. How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan. pp. 223-242

Spies at home: How the design conveys character and narrative
Barnwell, J. 2017. Spies at home: How the design conveys character and narrative. Kosmorama . 268, pp. 1-11.

Production Design for Screen: Visual Storytelling in Film and Television
Barnwell, J. 2017. Production Design for Screen: Visual Storytelling in Film and Television. London Bloomsbury.

Axed
Barnwell, J. 2012. Axed.

British Film Design: A History, Laurie Ede
Barnwell, J. 2011. British Film Design: A History, Laurie Ede . Historical Journal of Film, Radio and Television. 31 (3), pp. 419-421. https://doi.org/10.1080/01439685.2011.597997

The Poetic Truth. Interview with production designer Stuart Craig
Barnwell, J. 2010. The Poetic Truth. Interview with production designer Stuart Craig . Wide Screen. 1 (2).

The Fundamentals of Film-making
Barnwell, J. 2008. The Fundamentals of Film-making. Switzerland AVA.

A Conversation with Peter Lamont
Barnwell, J. 2007. A Conversation with Peter Lamont. International Journal of Production & Costume Design. pp. 34-47.

Production Design: Architects of the Screen
Barnwell, J. 2004. Production Design: Architects of the Screen . London Wallflower Press.