Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)?

Designing Character Connection in Only Murder in the Building
Barnwell, J. 2024. Designing Character Connection in Only Murder in the Building. Designs on Television: Production design and television aesthetics. University of Westminster, London 18 - 19 Apr 2024

‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,
Barnwell, J. 2023. ‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,. in: Histories, Adaptations and Legacies of Tinker, Tailor, Soldier, Spy New York Routledge.

Bond at 60 Conference paper
Barnwell, J. 2022. Bond at 60 Conference paper. Cinematic Bond at 60: National and International Perspectives. Bounemouth University (online) 04 Mar 2022 Bournemouth University.

The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson)
Jane Barnwell 2022. The Hero’s Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson). in: Production Design & the Cinematic Home Springer Nature. pp. 151-170

Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood)
Jane Barnwell 2022. Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood). in: Production Design & the Cinematic Home Springer Nature. pp. 129-150

Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential
Jane Barnwell 2022. Bridget Jones’s Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential. in: Production Design & the Cinematic Home Springer Nature. pp. 89-110

Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape
Jane Barnwell 2022. Returning Home: How the Byers’ Home in Stranger Things (2016—Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape. in: Production Design & the Cinematic Home Springer Nature. pp. 67-87

Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun)
Jane Barnwell 2022. Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun). in: Production Design & the Cinematic Home Springer Nature. pp. 23-44

Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith)
Jane Barnwell 2022. Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith). in: Production Design & the Cinematic Home Springer Nature. pp. 45-65

'Invisible Design. Invention and Emotion in The Crown'
Barnwell, J. 2022. 'Invisible Design. Invention and Emotion in The Crown'. TV Londons: Exploring Representations of London on Television Conference. University of Westminster, London 28 - 29 Jul 2022

Production Design & the Cinematic Home
Barnwell, J. 2022. Production Design & the Cinematic Home. Palgrave Macmillan.

How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time?
Barnwell, J. 2020. How does the design of the Byers’ home in Stranger Things (2016-2019 Netflix) reflect notions of nostalgia for a particular space in time? in: Investigating Stranger Things: Upside Down in the World of Mainstream Cult Entertainment London Palgrave Macmillan.

How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept?
Barnwell, J. 2020. How Does the Design of the Prison in Paddington 2 (2017) Convey Character, Story and Visual Concept? in: Harmes, M., Harmes, M. and Harmes, B. (ed.) The Palgrave Handbook of Incarceration in Popular Culture Australia Palgrave Macmillan. pp. 223-242

The Designer's Story: filmmaking from the perspective of the production designer
Barnwell, J. 2018. The Designer's Story: filmmaking from the perspective of the production designer. PhD thesis University of Brighton

How does the design of the Byers’ home in Stranger Things (2016 Netflix series) function within the narrative and wider context of the exterior landscape?
Barnwell, J. 2017. How does the design of the Byers’ home in Stranger Things (2016 Netflix series) function within the narrative and wider context of the exterior landscape? Landscapes in Television Drama Series Conference. Aarhus University 28 - 29 Sep 2017 Aarhus University.

Spies at home: How the design conveys character and narrative
Barnwell, J. 2017. Spies at home: How the design conveys character and narrative. Kosmorama . 268, pp. 1-11.

Production Design for Screen: Visual Storytelling in Film and Television
Barnwell, J. 2017. Production Design for Screen: Visual Storytelling in Film and Television. London Bloomsbury.

Axed
Barnwell, J. 2012. Axed.

British Film Design: A History, Laurie Ede
Barnwell, J. 2011. British Film Design: A History, Laurie Ede . Historical Journal of Film, Radio and Television. 31 (3), pp. 419-421. https://doi.org/10.1080/01439685.2011.597997

The Poetic Truth. Interview with production designer Stuart Craig
Barnwell, J. 2010. The Poetic Truth. Interview with production designer Stuart Craig . Wide Screen. 1 (2).

The Fundamentals of Film-making
Barnwell, J. 2008. The Fundamentals of Film-making. Switzerland AVA.

A Conversation with Peter Lamont
Barnwell, J. 2007. A Conversation with Peter Lamont. International Journal of Production & Costume Design. pp. 34-47.

Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema
Barnwell, J. 2005. Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema. Journal of British Cinema and Television. 2 (1), pp. 117-129. https://doi.org/10.3366/jbctv.2005.2.1.117

Production Design: Architects of the Screen
Barnwell, J. 2004. Production Design: Architects of the Screen . London Wallflower Press.