Institute for Modern and Contemporary Culture

Marczewska, K. 2016. The Iterative Turn. PARSE. 3, pp. 13-28.

Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum 12 Oct 2019 - 25 Jan 2020

Dominici, S. 2026. The Photographic Darkroom, Early Screen Media and Animated Images. Transbordeur. Photographie histoire société. 10.

Taylor, E. 2018. The Popular Front Novel in Britain, 1934-1940. Leiden Brill.

Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959

Taylor, E. 2020. The Problem of Hope: Orwell’s Workers. in: Waddell, N. (ed.) The Cambridge Companion to Nineteen Eighty-Four Cambridge Cambridge University Press. pp. 155-167

Beck, J. and Bishop, R. 2018. The Return of the Art and Technology Lab. Cultural Politics. 14 (2), pp. 225-243. https://doi.org/10.1215/17432197-6609102

Beck, J. and Dorrian, M. 2020. The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe. Theory, Culture & Society. 37 (7-8), pp. 95-114. https://doi.org/10.1177/0263276420958049

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

Taylor, E. 2017. ‘The voice speaking, desired, awaited’: Jack Lindsay’s 1649, Textual Form and Communist Historiography. Twentieth Century Communism . 12, pp. 15-36.

Wilson, L. 2021. Whose sister? ‘Convenient pigeonholes’, Peter Owen and the publishing of Anna Kavan. in: British Experimental Women's Fiction, 1945-75: 'Slipping Through the Labels' Basingstoke Palgrave Macmillan. pp. 83-101

Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.