Wilson, L. 2020. Acts of Judgment and the Small Press: Learning from F.R. Leavis. in: Colby, G. and Marczewska, K. (ed.) The Contemporary Small Press: Making Publishing Visible Basingstoke Palgrave Macmillan. pp. 219-236
Wilson, L.G. 2017. Anna Kavan's Ice and Alan Burns' Europe After the Rain: Repetition With A Difference. Women: A Cultural Review. 28 (4), pp. 327-342. https://doi.org/10.1080/09574042.2017.1388582
Wilson, L. 2023. C.K. Ogden, I.A. Richards and ‘Word Magic’: Rethinking the Relation of Language to Myth. in: Edinburgh Companion to Modernism, Myth and Reigion Edinburgh Edinburgh University Press. pp. 151-165
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186
Colby, G. 2016. Death and the Contemporary (Special double issue of New Formations journal). New Formations. 89/90, pp. 5-278. https://doi.org/10.3898/NEWF:89/90.INTRODUCTION.2016
Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710
Bratchford, B., Dominici, S., Horne, V. and Coomasaru, E. 2024. Editorial: 24 Years of Visual Culture in Britain: The Relaunch Issue. Visual Culture in Britain. 22 (1-3), pp. 1-9. https://doi.org/10.1080/14714787.2024.2428042
Charles, M. 2018. Erziehung: the critical theory of education and counter-education. in: Best, B., Bonefeld, W. and O'Kane, C. (ed.) The Sage Handbook of Frankfurt School Critical Theory London Sage. pp. 988-1005
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.
Dominici, S. 2024. Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial". PhotoResearcher. 41, pp. 4-15.
Beck, J. and Cornford, M. 2021. Harmony, Contrast & Discord: Rochdale and the Art Schools of the North West. Touchstones Rochdale 18 May - 03 Jul 2021
Beck, J. 2021. Landscape as Weapon: Cultures of Exhaustion and Refusal. London Reaktion Press.
Wilson, L.G. 2015. Modernism and Magic: Experiments with Spiritualism, Philosophy and the Occult, paperback. Edinburgh Edinburgh University Press.
Beck, J. 2021. On the Beach. Cultural Politics. 17 (1), pp. 135-144. https://doi.org/10.1215/17432197-8797627
Cunningham, D.I. and Beck, J. 2016. Photography and Abstraction [Special Issue of Photographies journal]. Photographies. 9 (2), pp. 129-228.
Dominici, S. 2023. Photography and Early Motor Touring in Britain. History of Photography. 47 (3), pp. 234-255. https://doi.org/10.1080/03087298.2024.2338610
Wilson, L.G. 2019. Post-millennial Literature. in: Boxall, P. (ed.) The Cambridge Companion to British Fiction 1980-2018 Cambridge Cambridge University Press. pp. 47-66
Wilson, L.G. 2015. Reality Effects: The Historical Novel and the Crisis of Fictionality in the First Decade of the Twenty-first Century. in: Bentley, N., Hubble, N. and Wilson, L.G. (ed.) The 2000s: a decade of contemporary British fiction London Bloomsbury. pp. 145-171
Cunningham, D.I. 2016. Renouncing the Single Image: Photography and the Realism of Abstraction. Photographies. 9 (2), pp. 147-165. https://doi.org/10.1080/17540763.2016.1194551
Taylor, E. 2012. Review Essay: Recovering Thirties Fiction. Key Words: A Journal of Cultural Materialism . 10 (141), p. 150.
Charles, M. 2018. Secret Signals from Another World: Walter Benjamin’s Concept of Innervation. New German Critique. 45 (3(135)), pp. 39-72. https://doi.org/10.1215/0094033X-6977791
Wilson, L.G. 2020. Should We Believe? The Fictional, The Virtual and the Real in the Contemporary Novel. Textual Practice. 34 (2), pp. 215-233. https://doi.org/10.1080/0950236X.2018.1508063
Wilson, L.G. 2015. Small Press Book Fair. Fyvie Hall, Regent Street 20 Feb 2015
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.
Wilson, L. 2022. Talking about Ann Quin: An Interview with Claire-Louise Bennett. Women: A Cultural Review. 33 (1), pp. 114-130. https://doi.org/10.1080/09574042.2022.2020013
Charles, M. 2018. Teaching, In Spite of Excellence: Recovering a Practice of Teaching-led Research. Studies in Philosophy and Education. 37 (1), pp. 15-29. https://doi.org/10.1007/s11217-017-9568-1
Beck, J. and Bishop, R. 2020. Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde. Durham, North Carolina Duke University Press.
Hubble, N., Tew, P. and Wilson, L.G. (ed.) 2015. The 1990s: a decade of contemporary British fiction. London Bloomsbury.
Bentley, N., Hubble, N. and Wilson, L.G. (ed.) 2015. The 2000s: a decade of contemporary British fiction. London Bloomsbury.
Beck, J. and Cornford, M. 2024. The Art School and the Everyday: No Life Without Art. in: Co-operative Education, Politics, and Art: Creative, Critical, and Community Resistance to Corporate Higher Education London Routledge.
Beck, J. and Cornford, M. 2018. The Art Schools of North West England. Bluecoat, Liverpool 17 Nov 2018 - 31 Mar 2019
Beck, J. and Cornford, M. 2023. The Art Schools of the East Midlands. Bonington Gallery, Nottingham Trent University 22 Sep - 02 Dec 2023
Beck, J. 2024. The Art Schools of the Midlands. Martin Hall Gallery, University of Loughborough 16 May - 28 Jun 2024
Beck, J. and Cornford, M. 2023. The Art Schools of the West Midlands. The New Art Gallery Walsall 17 Feb - 02 Jul 2023
Wilson, L., Colby, G. and Marczewska, K. (ed.) 2020. The Contemporary Small Press: Making Publishing Visible. Basingstoke Palgrave Macmillan.
Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum 12 Oct 2019 - 25 Jan 2020