Early Photographic Federations and the Pursuit of Collaborative Education

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

TitleEarly Photographic Federations and the Pursuit of Collaborative Education
TypeJournal article
AuthorsDominici, S.
Abstract

In 1899, a group of photographic societies and camera clubs in the north of England came together to form the Yorkshire Photographic Union. Soon after, five other photographic federations were founded by societies and clubs in Northumberland and Durham (1901), Scotland (1903), Lancashire and Cheshire (1905), the Midlands (1907), and East Anglia (1910). These umbrella organisations supported their federated members by coordinating the circulation of photographic materials, lecturers, and judges, and by organising joint meetings, outings, and competitions. At a time when formal photographic education was still in its infancy and largely open to professionals only, and in line with this period’s concerns with rational recreation and mutual support, the photographic federations fostered opportunities for a growing body of amateur photographers to learn from one another. This article reconstructs the largely under-researched emergence of these organisations, and asks what their educational project tells us about their understanding of how people ought to be taught and learn photography, and the values and meanings that they attached to these practices. It reveals that their vision was shaped not simply by a desire to combine instruction with sociability but, most fundamentally, by the recognition that the acquisition of theoretical and practical photographic knowledge depended on collaborative practices. The article argues that doing photography with others at the level of clubs and societies had brought them first to imagine, and then to realise, an educational infrastructure that conceptualised the transmission of photographic knowledge as a shared social responsibility supported by a cooperative network.

Keywordsamateur photography
camera club
collaborative education
grassroot movement
photographic federations
photographic society
JournalEarly Popular Visual Culture
Journal citation20 (4), pp. 388-411
ISSN1746-0654
1746-0662
Year2022
PublisherTaylor & Francis
Publisher's version
License
CC BY-NC-ND 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1080/17460654.2022.2087710
Publication dates
Published online06 Jul 2022

Related outputs

Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial"
Dominici, S. 2024. Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial". PhotoResearcher. 41, pp. 4-15.

Photography and Early Motor Touring in Britain
Dominici, S. 2023. Photography and Early Motor Touring in Britain. History of Photography. 47 (3), pp. 234-255. https://doi.org/10.1080/03087298.2024.2338610

Wish You Were Here?
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.

Sonata by Aaron Schuman
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities
Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959

From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.

The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.

Interview with Chloe Dewe Mathews
Dominici, S. 2019. Interview with Chloe Dewe Mathews. Source Magazine. (99), pp. 50-60.

New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain
Dominici, S. 2019. New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain . Science Museum Group Journal. (12). https://doi.org/10.15180/191204

How to go from A to B
Dominici, S. 2019. How to go from A to B. Source Magazine. (97), pp. 22-25.

‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s
Dominici, S. 2018. ‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s. History of Photography. 42 (1), pp. 46-60. https://doi.org/10.1080/03087298.2018.1423739

Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image
Dominici, S. 2018. Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image. New York and Abingdon, Oxon Routledge.

The PTA: Promoting Swiss Tours, 1888-1939
Dominici, S. and Maitland, R. 2016. The PTA: Promoting Swiss Tours, 1888-1939. Annals of Tourism Research. 60, pp. 31-47. https://doi.org/10.1016/j.annals.2016.05.010

Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939
Dominici, S. 2015. Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939. Photography and Culture. 8 (3), pp. 297-323. https://doi.org/10.1080/17514517.2015.1091178

The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939)
Dominici, S. 2014. The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939). PhD thesis University of Westminster Faculty of Social Sciences and Humanities https://doi.org/10.34737/8yq7q

Permalink - https://westminsterresearch.westminster.ac.uk/item/vwq28/early-photographic-federations-and-the-pursuit-of-collaborative-education


Share this

Usage statistics

235 total views
136 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.