New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain

Dominici, S. 2019. New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain . Science Museum Group Journal. (12). doi:10.15180/191204

TitleNew Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain
TypeJournal article
AuthorsDominici, S.
Abstract

This article looks at the relationship between two very popular middle-class activities in Late Victorian Britain, photographing and cycling, and explores the influence that the new technology of physical mobility had on visual experiences and related photographic practices. It focuses, in particular, on the significance that new practices of mobility and visuality had for a growing body of amateur photographers as they negotiated these experiences as a temporality of late nineteenth century modernity. Drawing on the everyday historical experiences of cycle and photography users as these were articulated at the time, the article offers new insight into the role that such body-machine interactions had on the development of what was, effectively, a modern, moving, gaze. My argument is that the sense of control over the new ways of moving and seeing enabled by cycling contributed to shape a new visual self and that, in turn, this fuelled the desire for a new visual language and means of representation that could challenge dominant photographic practices, in a manner that foresees the emergence of snapshot photography.

Keywordscamera technology, cycling, cycle technology, instantaneous photography, mobility, pictorialism, snapshot photography, visual modernity
JournalScience Museum Group Journal
Journal citation(12)
ISSN2054-5770
Year2019
PublisherDepartment of Research and Public History, based at the Science Museum (London)
Publisher's versionnew-mobile-experiences-of-vision.pdf
Digital Object Identifier (DOI)doi:10.15180/191204
Web address (URL)http://journal.sciencemuseum.ac.uk/browse/issue-12/new-mobile-experiences-of-vision/
Publication dates
Published31 Oct 2019
LicenseCC BY 4.0

Related outputs

From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative.

Interview with Chloe Dewe Mathews
Dominici, S. 2019. Interview with Chloe Dewe Mathews. Source Magazine. (99), pp. 50-60.

How to go from A to B
Dominici, S. 2019. How to go from A to B. Source Magazine. (97), pp. 22-25.

‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s
Dominici, S. 2018. ‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s. History of Photography. 42 (1), pp. 46-60. doi:10.1080/03087298.2018.1423739

Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image
Dominici, S. 2018. Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image. New York and Abingdon, Oxon Routledge.

The PTA: Promoting Swiss Tours, 1888-1939
Dominici, S. and Maitland, R. 2016. The PTA: Promoting Swiss Tours, 1888-1939. Annals of Tourism Research. 60, pp. 31-47. doi:10.1016/j.annals.2016.05.010

Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939
Dominici, S. 2015. Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939. Photography and Culture. 8 (3), pp. 297-323. doi:10.1080/17514517.2015.1091178

The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939)
Dominici, S. 2014. The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939). PhD thesis University of Westminster Faculty of Social Sciences and Humanities

Permalink - https://westminsterresearch.westminster.ac.uk/item/qvw76/new-mobile-experiences-of-vision-and-modern-subjectivities-in-late-victorian-britain


Restricted files

Accepted author manuscript
Under embargo indefinitely

Share this
Tweet
Email