Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial"

Photography and Early Motor Touring in Britain
Dominici, S. 2023. Photography and Early Motor Touring in Britain. History of Photography. 47 (3), pp. 234-255. https://doi.org/10.1080/03087298.2024.2338610

Wish You Were Here?
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.

Sonata by Aaron Schuman
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.

Early Photographic Federations and the Pursuit of Collaborative Education
Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities
Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959

From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.

The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.

Interview with Chloe Dewe Mathews
Dominici, S. 2019. Interview with Chloe Dewe Mathews. Source Magazine. (99), pp. 50-60.

New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain
Dominici, S. 2019. New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain . Science Museum Group Journal. (12). https://doi.org/10.15180/191204

How to go from A to B
Dominici, S. 2019. How to go from A to B. Source Magazine. (97), pp. 22-25.

‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s
Dominici, S. 2018. ‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s. History of Photography. 42 (1), pp. 46-60. https://doi.org/10.1080/03087298.2018.1423739

Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image
Dominici, S. 2018. Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image. New York and Abingdon, Oxon Routledge.

The PTA: Promoting Swiss Tours, 1888-1939
Dominici, S. and Maitland, R. 2016. The PTA: Promoting Swiss Tours, 1888-1939. Annals of Tourism Research. 60, pp. 31-47. https://doi.org/10.1016/j.annals.2016.05.010

Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939
Dominici, S. 2015. Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939. Photography and Culture. 8 (3), pp. 297-323. https://doi.org/10.1080/17514517.2015.1091178

The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939)
Dominici, S. 2014. The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939). PhD thesis University of Westminster Faculty of Social Sciences and Humanities https://doi.org/10.34737/8yq7q