The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities

Dominici, S. 2020. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959

TitleThe Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities
TypeJournal article
AuthorsDominici, S.
Abstract

The launch of the Royal Mail’s parcel post service in 1883 was concurrent with the increase of amateur photographers in Britain, supporting new ways for this group of practitioners to come together: the postal photographic clubs. This article explores the influence that members’ active participation in assembling and distributing the portfolios that each club shared had on photographers’ understanding of their own role in the production of photographic meanings and values. It does so by discussing the postal service as a technology of communication and transport; the virtual space created through circulating portfolios as a modern network; and the conjoint acts of writing, reading and looking at photographs that constituted each portfolio as reframing photographers’ idea of self. It covers the period that goes from the early 1880s to the early 1910s, by which time postal photographic clubs had become almost ubiquitous in Britain. The article demonstrates that this process implicitly challenged the institutionalisation of this period’s dominant photographic discourse.

Keywordsamateur photography
circulating portfolios
modern infrastructures
parcel post
photographic network
postal photographic clubs
postal service
Royal Mail
JournalHistory of Photography
Journal citation44 (2-3), pp. 111-127
ISSN0308-7298
2150-7295
Year2020
PublisherTaylor & Francis
Accepted author manuscript
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Publisher's version
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1080/03087298.2021.1907959
Web address (URL)https://www.tandfonline.com/doi/full/10.1080/03087298.2021.1907959
Publication dates
Published17 Jun 2021
Published in print2020
Supplemental file
License
CC BY 4.0
File Access Level
Open (open metadata and files)

Related outputs

Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial"
Dominici, S. 2024. Guest editorial: Locating the Darkroom. Special issue on "The Darkroom: Chemical, Cultural, Industrial". PhotoResearcher. 41, pp. 4-15.

Photography and Early Motor Touring in Britain
Dominici, S. 2023. Photography and Early Motor Touring in Britain. History of Photography. 47 (3), pp. 234-255. https://doi.org/10.1080/03087298.2024.2338610

Wish You Were Here?
Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.

Sonata by Aaron Schuman
Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.

Early Photographic Federations and the Pursuit of Collaborative Education
Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.

The Tricycle and the Camera: New Technologies for Self-Determination
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.

DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s
Dominici, S. 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186

From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.

The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject
Dominici, S. 2019. The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject. Trigger. 1 (1), pp. 50-54.

Interview with Chloe Dewe Mathews
Dominici, S. 2019. Interview with Chloe Dewe Mathews. Source Magazine. (99), pp. 50-60.

New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain
Dominici, S. 2019. New Mobile Experiences of Vision and Modern Subjectivities in Late Victorian Britain . Science Museum Group Journal. (12). https://doi.org/10.15180/191204

How to go from A to B
Dominici, S. 2019. How to go from A to B. Source Magazine. (97), pp. 22-25.

‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s
Dominici, S. 2018. ‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s–1890s. History of Photography. 42 (1), pp. 46-60. https://doi.org/10.1080/03087298.2018.1423739

Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image
Dominici, S. 2018. Travel Marketing and Popular Photography in Britain, 1888–1939: Reading the Travel Image. New York and Abingdon, Oxon Routledge.

The PTA: Promoting Swiss Tours, 1888-1939
Dominici, S. and Maitland, R. 2016. The PTA: Promoting Swiss Tours, 1888-1939. Annals of Tourism Research. 60, pp. 31-47. https://doi.org/10.1016/j.annals.2016.05.010

Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939
Dominici, S. 2015. Tourist Photographers and the Promotion of Travel: the Polytechnic Touring Association, 1888–1939. Photography and Culture. 8 (3), pp. 297-323. https://doi.org/10.1080/17514517.2015.1091178

The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939)
Dominici, S. 2014. The Democratisation of Photography and the Promotion of Tourism: the Polytechnic Touring Association (1888-1939). PhD thesis University of Westminster Faculty of Social Sciences and Humanities https://doi.org/10.34737/8yq7q

Permalink - https://westminsterresearch.westminster.ac.uk/item/v4104/the-postal-service-circulating-portfolios-and-the-cultural-production-of-modern-networked-identities


Share this

Usage statistics

527 total views
130 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.