| Miss Emma Mccourt | Religion in the work of Mary Elizabeth Coleridge | Active |
| Miss Paula Stabler | The Sensual Body and the Erotic Word: (Re)reading Libertine Literature | Active |
| Miss Ellie Mcdougall | 'Calling to theory, calling to bed': Trans Semiotics and the Pleasure of the Sign | Active |
| Ms Rosemary Reynolds | Aunthood and Narrative Voice: Virginia Woolf’s Materteral Form | Completed |
| Ms Alessandra Pino | Hunger and Meaning in the Novels of Cristina García | Completed |
| Ms Isabelle Coy-dibley | New Orientations: Touch in Women’s Experimental Writing | Completed |
| Mrs Tessa Moore | 'The Bridge': How The Penguin New Writing (1940 -1950) shaped twentieth-century China | Completed |
| Miss Johanna Kirby | Heroines, Anti-Heroines and New Women: The Early Drama of Michael Field: 1884-1896 | Completed |
| Ms Kelly Cordes | It's All Relative: The Small Craft Museum's Contribution to Intangible Cultural Heritage | Completed |
| Miss Kate Turner | The Queer Moment: Post-Devolution Scottish Literature | Completed |
| Miss Caroline Watkinson | Engaging Nuns: Exiled English Convents and the Politics of Exclusion 1680-1829 | Completed |
| Ms Ksenia Shcherbino | "IN THE BLANK OF MERE POSSIBILITY": LIMINAL TRANSFORMATIONS IN THE POETRY OF CHRISTINA ROSSETTI | Completed |
| Mrs Joanna Wargen | Doctoral research project | Completed |
