| Ms Sunyoung Kim | Expanded photography in East Asia in dialogue with developments in contemporary western photography | Active |
| Mr Redmond Entwistle | Gestures in a Map of Hidden Time: Acting in cinema as a technics of individuation | Active |
| Ms Ellen Nolan | The Nita Harvey Archive: Hidden History, Experience And Objectification In The 1930s Hollywood Star System. | Active |
| Miss Susan Ribeiro | An Immigrants Biscuit Tin: Reframing a Family Archive | Active |
| Miss Yue Li | Shan Shui Narratives: Unveiling the Multifaceted Allegories of Politics, Sexuality, and Philosophy in Contemporary Chinese photography | Active |
| Mr David Stevenson | Can Jeremy Bentham’s panopticon be usefully examined as a model for the modern self and what are the implications of such a model in an age where visibility is becoming more omnipresent? | Active |
| Ms Maren Hahnfeld | Beyond Home and Exile: Encounters between Syrian Refugee and Local Women in Germany | Active |
| Ms Megan Carnrite | Cameraless Photography and the Body | Active |
| Miss Karin Bareman | Doctoral Research Project: Appalachia on Repeat: A Critical Investigation of the Photographic Representation of an American Region | Active |
| Mr Francesco Arese Visconti | Re-thinking Photographic Portraiture of 21st Century Italian Migrants in the Arc Lémanique area | Completed |
| Mr John Aitken | Frames of accumulation: Visualising Creative Destruction in Salford. | Active |
| Miss Veronica Posada Alvarez | Representation, Diaspora, and the Latin American community in London (1970s onwards) | Active |
| Miss Camille Waring | Whoretography – The Sex Worker As Image-Maker: A critical analysis of sex workers’ self-representation in online public spaces | Completed |
| Miss Reka Komoli | This Too Shall Pass: An Art-Photographic Interrogation of Post-Communist Hungary | Active |
| Ms Vita Upeniece | THE REPRESENTATION OF THE VIOLATED BODY AND ITS SPECTATORSHIP: THE NEGATIVE APPROACH (1970s to 2016) | Completed |
| Ms Georgina Mind | Women and the Practice of Studio Portraiture in Britain 1888 – 1914: Politics, Commerce and Constructions of Femininity | Completed |
| Miss Federica Chiocchetti | Photo-Texts: Critical Intersections in History | Completed |
| Mr William Saunders | Harry Partch: A Catalyst for Queer Compositionism | Completed |
| Miss Ana Janeiro Fernandes | Gazing at the family: archives, performance and Portuguese photography (1940-1975) | Completed |
| Miss Estefani Bouza Arnoso | Taming Contingency: Photography at the Crossroads between Collections, Archives and Atlases | Completed |
| Mrs Susan Fahy | Fugitive Testimonies - commentary | Completed |
| Miss Layal Ftouni | Layal Ftouni_ Amendments Report_10.11.2017 | Completed |
| Ms Ingrid Pollard | Home and Away: Home Migrancy and Belong through landscape photographic practice. | Completed |
| Mr Luis Machado | A palimpsest-image: place, space and film geographies | Completed |
| Ms Nina Mangalanayagam | Living with Contradictions - Re-reading the representation of Hybridity in Visual Art | Completed |
| Ms Wendy Mcmurdo | Children and Computers – collected works (1995 – 2014) | Completed |
| Ms Andreia Alves De Oliveira | Doctoral research project | Completed |
| Ms Maria Da Fonseca Moreira Santos | Doctoral research project | Completed |
| Ms Jelena Stojkovic | Doctoral research project | Completed |
| Jonathan Ilan | Doctoral research project | Completed |
| Elzbieta Buslowska | Doctoral research project | Completed |
| Yin-Hua Chu | Doctoral research project | Completed |
| Paulo Catrica | Doctoral research project | Completed |
| Marcus Bohr | Doctoral research project | Completed |
