Prof Rosie Thomas

2022

Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films
Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.

2020

She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike
Thomas, R. 2020. She’s Everything That’s Unpardonable: Hema Malini, Dream Girl on a Motorbike. in: Lawrence, M. (ed.) Indian Film Stars: New Critical Perspectives London BFI/Bloomsbury.

2013

Thieves of the Orient: the Arabian Nights in early Indian cinema
Thomas, R. 2013. Thieves of the Orient: the Arabian Nights in early Indian cinema. in: Kennedy, P.F. and Warner, M. (ed.) Scheherazade's children: global encounters with the Arabian Nights New York New York University Press. pp. 362-393

2011

Distant voices, magic knives: Lal-e-Yaman and the transition to sound in Bombay cinema
Thomas, R. 2011. Distant voices, magic knives: Lal-e-Yaman and the transition to sound in Bombay cinema. in: Dwyer, R. and Pinto, J. (ed.) Beyond the boundaries of Bollywood: the many forms of Hindi cinema Oxford Oxford University Press.

2009

MY GOD! WHAT SPEED! Miss frontier mail and the race for box-office gold
Thomas, R. 2009. MY GOD! WHAT SPEED! Miss frontier mail and the race for box-office gold. in: Gopalan, L. (ed.) The Cinema of India London Wallflower Press.

2007

Miss Frontier Mail: the film that mistook its star for a train
Thomas, R. 2007. Miss Frontier Mail: the film that mistook its star for a train. in: Narula, M., Sengupta, S., Bagchi, J. and Sundaram, R. (ed.) Sarai Reader 07: Frontiers Delhi, India Centre for the Study of Developing Societies. pp. 294-309

2005

Zimbo and son meet the girl with a gun
Thomas, R. 2005. Zimbo and son meet the girl with a gun. in: Blamey, D. and D'Souza, R. (ed.) Living pictures: perspectives on the film poster in India London, UK Open Editions. pp. 27-44

2005

Not Quite (Pearl) White: Fearless Nadia, queen of the stunts
Thomas, R. 2005. Not Quite (Pearl) White: Fearless Nadia, queen of the stunts. in: Kaur, R. and Sinha, A.J. (ed.) Bollywood: popular Indian cinema through a transnational lens London, UK Sage. pp. 35-69

1995

Melodrama and the negotiation of morality in mainstream Hindi film
Thomas, R. 1995. Melodrama and the negotiation of morality in mainstream Hindi film. in: Breckenridge, C. (ed.) Consuming modernity: public culture in a South Asian world University of Minnesota Press. pp. 157-182

2014

Bombay before Bollywood: film city fantasies
Thomas, R. 2014. Bombay before Bollywood: film city fantasies. New Delhi, India Orient BlackSwan.

2010

Still magic: an Aladdin’s cave of 1950s B-movie fantasy
Thomas, R. 2010. Still magic: an Aladdin’s cave of 1950s B-movie fantasy. Tasveer Ghar: A Digital Archive of South Asian Popular Visual Culture.

2010

A vision for screen studies in South Asia
Vasudevan, R.S., Thomas, R., Majumdar, N. and Biswas, M. 2010. A vision for screen studies in South Asia. Bioscope: South Asian Screen Studies. 1 (1), pp. 5-9. https://doi.org/10.1177/097492760900100102

2006

Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania
Bradeanu, A. and Thomas, R. 2006. Indian summer, Romanian winter: a 'procession of memories' in post-communist Romania. South Asian Popular Culture. 4 (2), pp. 141-146. https://doi.org/10.1080/14746680600797129

2005

Supervising and examining practice-based PhDs in the moving image
Dowmunt, T. and Thomas, R. 2005. Supervising and examining practice-based PhDs in the moving image. Journal of Media Practice. 6 (2), pp. 121-126. https://doi.org/10.1386/jmpr.6.2.121/7

2010

Editorial: BioScope: South Asian Screen Studies
Vasudevan, R.S., Thomas, R., Majumdar, N. and Biswas, M. 2010. Editorial: BioScope: South Asian Screen Studies. Bioscope: South Asian Screen Studies. 1 (1), pp. 1-3. https://doi.org/10.1177/097492760900100101


Usage Statistics
3559 total views of outputs
259 total downloads of outputs
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.