| Ms Yige Tong | Fragments of Labour, Traces of Memory: A Moving Image Practice Study of Women’s Frontline Work under China’s One-Child Policy | Active |
| Ms Yuki Nakamura | Clay as Collaborator: Exploring Material Agency | Active |
| Ms Songwon Han | Embodying South Korean Intergenerational Trauma through the Mother-Daughter Relationship by Practice | Active |
| Ms Fiona Jack | Gathering a Vocabulary Universe. Extended Dialogues: Art, Education and Emergent Practice | Active |
| Miss Mary Martins | Animated Documentary as a Conduit for Decoloniality: Reframing the Bloco Afro Ilê Aiyê and Fanti Carnival Bridge | Active |
| Ms Stav Bee | My lesbian exile, my body, my voice: displacement, autobiography and language in London’s clubs and performance spaces (1988-2019) | Active |
| Ms Lauren Houlton | Making Publics, Practicing Solidarity: a Feminist Study of Collaboration in Artists' Moving Image | Active |
| Ms Deborah Forbes | Doctoral Research Project | Completed |
| Ms Gail Pickering | Near Real Time | Completed |
| Miss Jing Wang | In Place: Visualising Migrant and Diasporic Home-making in Contemporary London | Completed |
| Miss Barbara Asante | That Bird is Singing Us an Invitation to Meet Our Future: Listening to the Call of Sankofa to Develop Memory Practice Methodologies for Performative Practice | Completed |
| Ms Barbara Matas Moris | THE POLITICS OF SELF-REPRESENTATION | Completed |
| Mr Peter-arne Sjogren | Diving: using fiction narrative and intermedial assemblage to understand family histories in colonial India between 1933-1947 | Completed |
