| Ms Alice Mercier | What photography was: A study of nineteenth-century photography’s unseen spaces through short and episodic storytelling | Active |
| Ms Rosemary Reynolds | Aunthood and Narrative Voice: Virginia Woolf’s Materteral Form | Completed |
| Mr Richard Brammer | Exploring Lean-Agile Adoption in Publishing: MVBs, Porous Books and Feedback Loops | Completed |
| Mrs Francesca Bonafede | Towards a Phenomenology of Literary Language: Wyndham Lewis and the Expressions of Being | Completed |
| Mr Piero Latino | The Initiatory Rose | Completed |
| Ms Alessandra Pino | Hunger and Meaning in the Novels of Cristina García | Completed |
| Miss Kimberly Melin Schyllert | Sacrifice as a Narrative Strategy: The Construction and Destruction of the Self in May Sinclair, Mary Butts, and H. D. | Completed |
| Ms Isabelle Coy-dibley | New Orientations: Touch in Women’s Experimental Writing | Completed |
| Mrs Tessa Moore | 'The Bridge': How The Penguin New Writing (1940 -1950) shaped twentieth-century China | Completed |
| Miss Johanna Kirby | Heroines, Anti-Heroines and New Women: The Early Drama of Michael Field: 1884-1896 | Completed |
| Mr Suneel Mehmi | FICTION AND THE REACTION TO PHOTOGRAPHY: LITERALISM, THE LAW AND THE CONDITIONS AND THE CONTROL OF READING FROM THE INVENTION OF PHOTOGRAPHY TO THE 1920S | Completed |
| Mrs Tanmayee Banerjee | Doctoral research project | Completed |
| Miss Kate Turner | The Queer Moment: Post-Devolution Scottish Literature | Completed |
| Miss Michelle Charalambous | "My people seem to be falling to bits": Impotence, Memory, and the co-possibility of Body and Mind in Samuel Beckett's works | Completed |
