Introduction

Between Pandora and Diogenes: Fox Talbot and the gender of archives
Mays, S. 2013. Between Pandora and Diogenes: Fox Talbot and the gender of archives. Journal of Visual Culture. 13 (3), pp. 450-471.

Witnessing the archive: art, capitalism and memory
Mays, S. 2013. Witnessing the archive: art, capitalism and memory. in: Vaknin, J., Stuckey, K. and Lane, V. (ed.) All this stuff: archiving the artist Faringdon Libri Publishing. pp. 141-156

Technologies, spiritualisms, and modernities
Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Literary digital humanities and the politics of the infinite
Mays, S. 2013. Literary digital humanities and the politics of the infinite. New Formations. 78, pp. 7-21.

From the premodern to the postmodern: mnemotechnics and the ghost of "the folk"
Mays, S. 2013. From the premodern to the postmodern: mnemotechnics and the ghost of "the folk". in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive
Mays, S. 2009. Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive. Cultural Politics. 5 (1), pp. 73-96.

Ansel Adams: the gender politics of literary-philosophical and photographic archives
Mays, S. 2005. Ansel Adams: the gender politics of literary-philosophical and photographic archives. in: Cunningham, D.I., Fisher, A. and Mays, S. (ed.) Photography and literature in the twentieth century Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 87-108