Technologies, spiritualisms, and modernities

Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio
Matheson, N. 2021. Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio. Photographies. 14 (2), pp. 331-356. https://doi.org/10.1080/17540763.2021.1877790

Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph
Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Surrealism and the Gothic: Castles of the Interior
Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]
Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Desert Islands: Magic and Modernity in the work of Ithell Colquhoun
Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Introduction
Mays, S. 2014. Introduction. in: Mays, S. (ed.) Libraries, literatures, and archives Abingdon, Oxon Routledge. pp. 1-19

Between Pandora and Diogenes: Fox Talbot and the gender of archives
Mays, S. 2013. Between Pandora and Diogenes: Fox Talbot and the gender of archives. Journal of Visual Culture. 13 (3), pp. 450-471. https://doi.org/10.1177/1470412913506008

Witnessing the archive: art, capitalism and memory
Mays, S. 2013. Witnessing the archive: art, capitalism and memory. in: Vaknin, J., Stuckey, K. and Lane, V. (ed.) All this stuff: archiving the artist Faringdon Libri Publishing. pp. 141-156

Literary digital humanities and the politics of the infinite
Mays, S. 2013. Literary digital humanities and the politics of the infinite. New Formations. 78, pp. 7-21. https://doi.org/10.3898/neWF.78.06.2013

From the premodern to the postmodern: mnemotechnics and the ghost of "the folk"
Mays, S. 2013. From the premodern to the postmodern: mnemotechnics and the ghost of "the folk". in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Fear of reflections: the photoworks of Paul McCarthy
Matheson, N. 2012. Fear of reflections: the photoworks of Paul McCarthy. in: Bleyen, M. (ed.) Minor photography: connecting Deleuze and Guttari to photography theory University of Leuven Press.

Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive
Mays, S. 2009. Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive. Cultural Politics. 5 (1), pp. 73-96. https://doi.org/10.2752/175174309X388482

National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz
Matheson, N. 2008. National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz. Journal of War and Culture Studies. 1 (3), pp. 261-274. https://doi.org/10.1386/jwcs.1.3.261_1

Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction
Matheson, N. 2008. Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction. in: Holmgren Troy, M. and Wenno, E. (ed.) Space, haunting, discourse Newcastle Cambridge Scholars Publishing.

He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens
Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.

Gursky, Ruff, Demand: allegories of the real and the return of history
Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47

The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359

Ansel Adams: the gender politics of literary-philosophical and photographic archives
Mays, S. 2005. Ansel Adams: the gender politics of literary-philosophical and photographic archives. in: Cunningham, D.I., Fisher, A. and Mays, S. (ed.) Photography and literature in the twentieth century Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 87-108

The phantom of surrealism: photography, cultural identity and the reception of surrealism in England
Matheson, N. 2005. The phantom of surrealism: photography, cultural identity and the reception of surrealism in England. History of Photography. 29 (2), pp. 149-162.