From the premodern to the postmodern: mnemotechnics and the ghost of "the folk"

Introduction
Mays, S. 2014. Introduction. in: Mays, S. (ed.) Libraries, literatures, and archives Abingdon, Oxon Routledge. pp. 1-19

Between Pandora and Diogenes: Fox Talbot and the gender of archives
Mays, S. 2013. Between Pandora and Diogenes: Fox Talbot and the gender of archives. Journal of Visual Culture. 13 (3), pp. 450-471. https://doi.org/10.1177/1470412913506008

Witnessing the archive: art, capitalism and memory
Mays, S. 2013. Witnessing the archive: art, capitalism and memory. in: Vaknin, J., Stuckey, K. and Lane, V. (ed.) All this stuff: archiving the artist Faringdon Libri Publishing. pp. 141-156

Technologies, spiritualisms, and modernities
Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Literary digital humanities and the politics of the infinite
Mays, S. 2013. Literary digital humanities and the politics of the infinite. New Formations. 78, pp. 7-21. https://doi.org/10.3898/neWF.78.06.2013

Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive
Mays, S. 2009. Consigning Badiou to the past: the encyclopaedia and philosophy's gendered thought of the endless archive. Cultural Politics. 5 (1), pp. 73-96. https://doi.org/10.2752/175174309X388482

Ansel Adams: the gender politics of literary-philosophical and photographic archives
Mays, S. 2005. Ansel Adams: the gender politics of literary-philosophical and photographic archives. in: Cunningham, D.I., Fisher, A. and Mays, S. (ed.) Photography and literature in the twentieth century Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 87-108