Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction

Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio
Matheson, N. 2021. Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio. Photographies. 14 (2), pp. 331-356. https://doi.org/10.1080/17540763.2021.1877790

Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph
Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Surrealism and the Gothic: Castles of the Interior
Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]
Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Desert Islands: Magic and Modernity in the work of Ithell Colquhoun
Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Technologies, spiritualisms, and modernities
Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Fear of reflections: the photoworks of Paul McCarthy
Matheson, N. 2012. Fear of reflections: the photoworks of Paul McCarthy. in: Bleyen, M. (ed.) Minor photography: connecting Deleuze and Guttari to photography theory University of Leuven Press.

National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz
Matheson, N. 2008. National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz. Journal of War and Culture Studies. 1 (3), pp. 261-274. https://doi.org/10.1386/jwcs.1.3.261_1

He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens
Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.

Gursky, Ruff, Demand: allegories of the real and the return of history
Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47

The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359

The phantom of surrealism: photography, cultural identity and the reception of surrealism in England
Matheson, N. 2005. The phantom of surrealism: photography, cultural identity and the reception of surrealism in England. History of Photography. 29 (2), pp. 149-162.