He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens

Matheson, N. 2007. He who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens. in: Allmer, P. and van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Leuven University Press.

Chapter titleHe who has never dreamt of Mae West: surrealist masculinity and the late collages of ELT Mesens
AuthorsMatheson, N.
EditorsAllmer, P. and van Gelder, H.
Abstract

This book chapter critically analyses the late collages and writings of the Belgian surrealist E.L.T. Mesens in relation to the issue of masculinity. The discussion is focused on the late works produced after Mesens's return to collage in 1953 and forms part of a collection that aims to rethink the marginal role traditionally accorded to surrealism in Belgium.

Despite his extensive contribution to the surrealist movement, including his heavy involvement in the Belgian group and his leadership of the English surrealist group, Mesens remains a little known figure, with little writing available in English. Given Mesens's importance in relation to the transfer of surrealism to England, his role as a gallerist and publisher of the London Bulletin, as well as his role as a visual artist working in England, this is very much a neglected part of English and Belgian art history and this essay makes a significant contribution to the analysis of this under-researched field. The work should also be seen in relation to growing interest within the field of surrealist studies of the late works of the postwar period, long neglected in critical studies and currently undergoing re-evaluation. The analysis focuses on masculinity explored in terms of a performative model of gender that draws on the work of Judith Butler and others, and thus also constitutes a contribution to gender studies.

Book titleCollective inventions: surrealism in Belgium
Year2007
PublisherLeuven University Press
Publication dates
Published2007
SeriesLGC series
ISBN9789058675927
Journal citation(5), pp. 116-136

Related outputs

Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio
Matheson, N. 2021. Material Ecstasy: cultural alienation and the influence of the nouveau roman in the work of Nakahira Takuma and J.M.G. Le Clézio. Photographies. 14 (2), pp. 331-356. https://doi.org/10.1080/17540763.2021.1877790

Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph
Matheson, N. 2018. Hiroshima-Nagasaki remembered through the body: haptic visuality and the skin of the photograph. Photographies. 11 (1), pp. 73-93. https://doi.org/10.1080/17540763.2017.1399289

Surrealism and the Gothic: Castles of the Interior
Matheson, N. 2017. Surrealism and the Gothic: Castles of the Interior. London and New York Routledge.

Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]
Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Desert Islands: Magic and Modernity in the work of Ithell Colquhoun
Matheson, N. 2016. Desert Islands: Magic and Modernity in the work of Ithell Colquhoun. in: Allmer, P. (ed.) Intersections: Women Artists / Surrealism / Modernism Manchester, UK Manchester University Press. pp. 255-278

Technologies, spiritualisms, and modernities
Mays, S. and Matheson, N. 2013. Technologies, spiritualisms, and modernities. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Fear of reflections: the photoworks of Paul McCarthy
Matheson, N. 2012. Fear of reflections: the photoworks of Paul McCarthy. in: Bleyen, M. (ed.) Minor photography: connecting Deleuze and Guttari to photography theory University of Leuven Press.

National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz
Matheson, N. 2008. National identity and the 'melancholy of ruins': Cecil Beaton's photographs of the London Blitz. Journal of War and Culture Studies. 1 (3), pp. 261-274. https://doi.org/10.1386/jwcs.1.3.261_1

Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction
Matheson, N. 2008. Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction. in: Holmgren Troy, M. and Wenno, E. (ed.) Space, haunting, discourse Newcastle Cambridge Scholars Publishing.

Gursky, Ruff, Demand: allegories of the real and the return of history
Matheson, N. 2007. Gursky, Ruff, Demand: allegories of the real and the return of history. in: Sutton, D., Brind, S. and McKenzie, R. (ed.) The state of the real: aesthetics in the digital age London, UK I.B. Tauris. pp. 38-47

The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography
Matheson, N. 2006. The ghost stamp, the detective and the hospital for boots: light and the postwar battle over spirit photography. Early Popular Visual Culture. 4 (1), pp. 35-51. https://doi.org/10.1080/17460650600590359

The phantom of surrealism: photography, cultural identity and the reception of surrealism in England
Matheson, N. 2005. The phantom of surrealism: photography, cultural identity and the reception of surrealism in England. History of Photography. 29 (2), pp. 149-162.

Permalink - https://westminsterresearch.westminster.ac.uk/item/91z17/he-who-has-never-dreamt-of-mae-west-surrealist-masculinity-and-the-late-collages-of-elt-mesens


Share this

Usage statistics

305 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.