The dispersed subject
Maziere, M. 2007. The dispersed subject. Art in-sight. 33.
Maziere, M. 2007. The dispersed subject. Art in-sight. 33.
| Title | The dispersed subject |
|---|---|
| Authors | Maziere, M. |
| Abstract | The idea of subjectivity has been a recurring point of interest, particularly in relation to the role of the camera in film. In artists’ film and video, the relationship between the self and the camera is explored extensively. Even in the most austere works subjectivity is located somewhere in the film chain. From the disembodied self of Michael Snow's 'La Region Centrale' (1971) and the fragmented, obscure and withheld subjectivity in Peter Gidal's 'Room Film 1973' (1973) to the all seeing spectator in Douglas Gordon's 'Zidane' (2006), concerns with individual experience and consciousness are central to artists film and video. Furthermore, the complex relationship between perception and the cinematic apparatus explored in artist’s film and video questions equally the subjectivity of the maker and that of the viewer. |
| Journal | Art in-sight |
| Journal citation | 33 |
| Year | 2007 |
| Web address (URL) | http://www.filmwaves.co.uk/ |
| Publication dates | |
| Published | 2007 |
Editorial
Michael Mazière and Lucy Reynolds 2025. Editorial. The Moving Image Review & Art Journal (MIRAJ). 14 (1), pp. 5-7. https://doi.org/10.1386/miraj_00140_2
Editorial
Michael Mazière and Lucy Reynolds 2024. Editorial. The Moving Image Review & Art Journal (MIRAJ). 13 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00126_2
Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2
Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2
Falling Away - Vertigo
Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022
Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2
Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2
“Curating the Nomadic: Film and Video at Ambika P3.”
Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130
Moving Image Review Journal
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2
Chantal Akerman in London
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.
Curating the Nomadic – Film and Video at Ambika P3
Maziere, M. 2018. Curating the Nomadic – Film and Video at Ambika P3. Fatehrad, A. (ed.) Sohrab Shahid Saless: Exile, Displacement and the Stateless Moving Image . Goethe-Institut London, 50 Princes Gate, Exhibition Road, London SW7 2PH 19 - 19 Jan 2018 Edinburgh University Press.
CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film
Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London
Au Revoir, Chantal [French]
Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.
AMBIKA P3 CATALOGUES VOLUME 1/2/3/4
Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.
CASEBOOKS
Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.
CASEBOOKS - Six contemporary artists and an extraordinary medical archive
Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017
Testing the Curatorial in Artists’ Film and Video Installation
Maziere, M. 2017. Testing the Curatorial in Artists’ Film and Video Installation. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zx1z
Curating in the post-industrial landscape case study: Ambika P3
Maziere, M. 2017. Curating in the post-industrial landscape case study: Ambika P3. in: The Post-Industrial Landscape as Site for Creative Practice: Material Memory Cambridge Scholars Publishing. pp. Chapter 6
Akerman_Maziere Rear Window - TV Interview
Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast
AFTER CHANTAL: An International Conference
Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016
Cinema of the Body
Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016
TV Interview with Michael Maziere on BSkyB and CNC TV
Maziere, M. 2015. TV Interview with Michael Maziere on BSkyB and CNC TV . Broadcast BSKYB
Contemporary Screen-Based Curatorial Practice
Maziere, M. 2015. Contemporary Screen-Based Curatorial Practice. Artists' Moving Image Practice in Britain: From 1990 to Today. Whitechapel Gallery 07 Nov 2015
Chantal Akerman NOW
Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016
Au Revoir, Chantal
Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1
Roundtable discussion: London Film-makers’ Co-op – the second generation
Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7
Victor Burgin A Sense of Place
Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013
From floor to sky
Maziere, M. 2010. From floor to sky.
Actor
Maziere, M. 2010. Actor. Moscow October 28 - November 07, 2010
Final cut: media art and cinema
Maziere, M. 2007. Final cut: media art and cinema.
Assassin
Maziere, M. 2007. Assassin. Kunsthalle Dominikanerkirche, Osnabruck, Germany 25 Apr - 20 May 2007
Flight
Maziere, M. 2004. Flight. Amsterdam, Netherlands 11 - 20 Jun 2004
Die einsamkeit eines systems. Vom kino in die galerie
Maziere, M. 2004. Die einsamkeit eines systems. Vom kino in die galerie. in: Broeckmann, A. and Frieling, R. (ed.) Bandbreite: Medien zwischen Kunst und Politik Berlin, Germany Kadmos. pp. 87-96
Towards a specific practice
Maziere, M. 2002. Towards a specific practice. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 43-45
The solitude of a system
Maziere, M. 2002. The solitude of a system. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 4-8
Mother desire
Maziere, M. 2002. Mother desire. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 102
John Smith's films: reading the visible
Maziere, M. 2002. John Smith's films: reading the visible. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 96-100
Delirium
Maziere, M. 2002. Delirium.
Content in context
Maziere, M. 2002. Content in context. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 238-241
Blackout
Maziere, M. 2002. Blackout. Tate Britain, London 17 Mar - 15 Sep 2002
The poetic necessity
Maziere, M. 2001. The poetic necessity. in: Amaducci, A. (ed.) Invideo 2001: altrove: video d'arte e ricerca Milan, Italy Charta. pp. 38-48
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