Contemporary Screen-Based Curatorial Practice : WestminsterResearch

Title	Contemporary Screen-Based Curatorial Practice
Authors	Maziere, M.
Type	Conference paper
Abstract	Ambika P3 is an experimental research space for international contemporary art and architecture whose recent and upcoming moving image exhibitions include Anthony McCall (2011), David Hall (2012), Ilya & Emilia Kabakov (2013), Victor Burgin (2013), Elizabeth Ogilvie (2014), Martina Amati (2015), Chantal Akerman (2015) and Shezad Dawood (2016). The Ambika P3 project is situated among screen-based curatorial practices and is concerned with exploring issues of sculpture, cinema, architecture and projection. This paper will address the important work of contemporary film and video artists as a form of problematic intervention in the field of the visual arts and further reinstated its resistance to delivering artefacts within a commercial or institutional context.
Keywords	Art Film Installation
Year	2015
Conference	Artists' Moving Image Practice in Britain: From 1990 to Today
Accepted author manuscript	MAZIERE_artists-moving-image-in-britain.pptx
Web address (URL) of conference proceedings	http://www.whitechapelgallery.org/events/artists-moving-image-in-britain/

Related outputs

Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Falling Away - Vertigo
Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022

Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2

Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

“Curating the Nomadic: Film and Video at Ambika P3.”
Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130

Moving Image Review Journal
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

Chantal Akerman in London
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.

Curating the Nomadic – Film and Video at Ambika P3
Maziere, M. 2018. Curating the Nomadic – Film and Video at Ambika P3. Fatehrad, A. (ed.) Sohrab Shahid Saless: Exile, Displacement and the Stateless Moving Image . Goethe-Institut London, 50 Princes Gate, Exhibition Road, London SW7 2PH 19 - 19 Jan 2018 Edinburgh University Press.

CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film
Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London

Au Revoir, Chantal [French]
Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.

AMBIKA P3 CATALOGUES VOLUME 1/2/3/4
Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

CASEBOOKS
Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.

CASEBOOKS - Six contemporary artists and an extraordinary medical archive
Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Testing the Curatorial in Artists’ Film and Video Installation
Maziere, M. 2017. Testing the Curatorial in Artists’ Film and Video Installation. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zx1z

Curating in the post-industrial landscape case study: Ambika P3
Maziere, M. 2017. Curating in the post-industrial landscape case study: Ambika P3. in: The Post-Industrial Landscape as Site for Creative Practice: Material Memory Cambridge Scholars Publishing. pp. Chapter 6

Akerman_Maziere Rear Window - TV Interview
Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

AFTER CHANTAL: An International Conference
Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Cinema of the Body
Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

TV Interview with Michael Maziere on BSkyB and CNC TV
Maziere, M. 2015. TV Interview with Michael Maziere on BSkyB and CNC TV . Broadcast BSKYB

Chantal Akerman NOW
Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016

Au Revoir, Chantal
Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1

Roundtable discussion: London Film-makers’ Co-op – the second generation
Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7

Victor Burgin A Sense of Place
Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

From floor to sky
Maziere, M. 2010. From floor to sky.

Actor
Maziere, M. 2010. Actor. Moscow October 28 - November 07, 2010

The dispersed subject
Maziere, M. 2007. The dispersed subject. Art in-sight. 33.

Final cut: media art and cinema
Maziere, M. 2007. Final cut: media art and cinema.

Assassin
Maziere, M. 2007. Assassin. Kunsthalle Dominikanerkirche, Osnabruck, Germany 25 Apr - 20 May 2007

Flight
Maziere, M. 2004. Flight. Amsterdam, Netherlands 11 - 20 Jun 2004

Die einsamkeit eines systems. Vom kino in die galerie
Maziere, M. 2004. Die einsamkeit eines systems. Vom kino in die galerie. in: Broeckmann, A. and Frieling, R. (ed.) Bandbreite: Medien zwischen Kunst und Politik Berlin, Germany Kadmos. pp. 87-96

Towards a specific practice
Maziere, M. 2002. Towards a specific practice. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 43-45

The solitude of a system
Maziere, M. 2002. The solitude of a system. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 4-8

Mother desire
Maziere, M. 2002. Mother desire. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 102

John Smith's films: reading the visible
Maziere, M. 2002. John Smith's films: reading the visible. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 96-100

Delirium
Maziere, M. 2002. Delirium.

Content in context
Maziere, M. 2002. Content in context. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 238-241

Blackout
Maziere, M. 2002. Blackout. Tate Britain, London 17 Mar - 15 Sep 2002

The poetic necessity
Maziere, M. 2001. The poetic necessity. in: Amaducci, A. (ed.) Invideo 2001: altrove: video d'arte e ricerca Milan, Italy Charta. pp. 38-48

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Contemporary Screen-Based Curatorial Practice

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