Moving Image Review Journal

An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn
Reynolds, L. 2024. An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn. in: Knowles, K. and Walley, J. (ed.) The Palgrave Handbook of Experimental Cinema Palgrave Macmillan. pp. 453-471

Experiment, Cybernetics and the Formal Film in Britain
Reynolds, L. 2023. Experiment, Cybernetics and the Formal Film in Britain. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Hoboken NJ Wiley-Blackwell. pp. 260-283

Review of: Barang-Barang, Erika Tan
Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5

Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Falling Away - Vertigo
Maziere, M. 2021. Falling Away - Vertigo. Ambika P3 21 Oct 2021 - 20 Nov 2022

Shezad Dawood in conversation with Lucy Reynolds
Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7

Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2

'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953)
Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

“Curating the Nomadic: Film and Video at Ambika P3.”
Maziere, M. 2020. “Curating the Nomadic: Film and Video at Ambika P3.” . in: Fatehrad, Azadeh (ed.) ReFocus: The Films of Sohrab Shahid-Saless: Exile, Displacement and the Stateless Moving Image Edinburgh University Press Edinburgh University Press. pp. pp. 123–130

A Feminist Chorus for Glasgow School of Art
Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.

Introduction: Raising voices
Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18

Chantal Akerman in London
Maziere, M. 2019. Chantal Akerman in London. Camera Obscura. 34 (1), pp. 184-195.

Curating the Nomadic – Film and Video at Ambika P3
Maziere, M. 2018. Curating the Nomadic – Film and Video at Ambika P3. Fatehrad, A. (ed.) Sohrab Shahid Saless: Exile, Displacement and the Stateless Moving Image . Goethe-Institut London, 50 Princes Gate, Exhibition Road, London SW7 2PH 19 - 19 Jan 2018 Edinburgh University Press.

CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film
Maziere, M. 2017. CASEBOOKS Six contemporary artists and an extraordinary medical archive - Film. London

Un Refrain Féministe/A Feminist Chorus
Reynolds, L. 2017. Un Refrain Féministe/A Feminist Chorus.

Au Revoir, Chantal [French]
Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.

Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London
Reynolds, L. 2017. Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London. in: Applin, Jo, Spencer, Catherine and Tobim, Amy (ed.) London Art Worlds: Mobile, Contingent and Ephemeral Networks, 1960-1980 Pennslyvania, USA Pennsylvania State University Press. pp. 133-150

AMBIKA P3 CATALOGUES VOLUME 1/2/3/4
Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

CASEBOOKS
Maziere, M. Maziere, M. (ed.) 2017. CASEBOOKS. London University of Westminster.

Whose History? Feminist Advocacy and Experimental Film and Video
Reynolds, L. 2017. Whose History? Feminist Advocacy and Experimental Film and Video. in: Clayton, S. and Mulvey, L. (ed.) Other Cinemas: Politics, culture and Experimental Film in the 1970s London I.B. Tauris. pp. 138-149

CASEBOOKS - Six contemporary artists and an extraordinary medical archive
Maziere, M. 2017. CASEBOOKS - Six contemporary artists and an extraordinary medical archive. Ambika P3, University of Westminster. 17 Mar - 23 Apr 2017

Testing the Curatorial in Artists’ Film and Video Installation
Maziere, M. 2017. Testing the Curatorial in Artists’ Film and Video Installation. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/9zx1z

Curating in the post-industrial landscape case study: Ambika P3
Maziere, M. 2017. Curating in the post-industrial landscape case study: Ambika P3. in: The Post-Industrial Landscape as Site for Creative Practice: Material Memory Cambridge Scholars Publishing. pp. Chapter 6

Akerman_Maziere Rear Window - TV Interview
Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

AFTER CHANTAL: An International Conference
Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Cinema of the Body
Maziere, M. 2016. Cinema of the Body. National Film Theatre 02 - 02 Nov 2016

Ballet Black
Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

TV Interview with Michael Maziere on BSkyB and CNC TV
Maziere, M. 2015. TV Interview with Michael Maziere on BSkyB and CNC TV . Broadcast BSKYB

A Feminist Chorus for Feminist Revolt
Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

A Feminist Chorus at Wysing Arts Centre
Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson
Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

"Non-institution": finding expanded cinema in the terrains vagues of 1960s London
Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

A collective response: Feminism, film, performance and Greenham Common
Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Contemporary Screen-Based Curatorial Practice
Maziere, M. 2015. Contemporary Screen-Based Curatorial Practice. Artists' Moving Image Practice in Britain: From 1990 to Today. Whitechapel Gallery 07 Nov 2015

Chantal Akerman NOW
Maziere, M. 2015. Chantal Akerman NOW. Ambika P3 University of Westminster Nov 2016

Au Revoir, Chantal
Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1

A Feminist Chorus, Glasgow
Reynolds, L. 2014. A Feminist Chorus, Glasgow.

A Feminist Chorus for Voices at 5 Blythwood Square
Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.

Roundtable discussion: London Film-makers’ Co-op – the second generation
Maziere, M. and Danino, N. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal . 3 (2), pp. 236-247. https://doi.org/10.1386/miraj.3.2.236_7

Victor Burgin A Sense of Place
Maziere, M. and Campany, D. 2013. Victor Burgin A Sense of Place. Ambika P3 01 Nov - 01 Dec 2013

From floor to sky
Maziere, M. 2010. From floor to sky.

Actor
Maziere, M. 2010. Actor. Moscow October 28 - November 07, 2010

The dispersed subject
Maziere, M. 2007. The dispersed subject. Art in-sight. 33.

Final cut: media art and cinema
Maziere, M. 2007. Final cut: media art and cinema.

Assassin
Maziere, M. 2007. Assassin. Kunsthalle Dominikanerkirche, Osnabruck, Germany 25 Apr - 20 May 2007

The Question of the Subject and the Autobiographic in Artists Moving Image Practice
Pucill, S., Hatfield, J. and Reynolds, L. 2004. The Question of the Subject and the Autobiographic in Artists Moving Image Practice. Filmwaves Magazine. 24 (2), pp. 5-9.

Flight
Maziere, M. 2004. Flight. Amsterdam, Netherlands 11 - 20 Jun 2004

Die einsamkeit eines systems. Vom kino in die galerie
Maziere, M. 2004. Die einsamkeit eines systems. Vom kino in die galerie. in: Broeckmann, A. and Frieling, R. (ed.) Bandbreite: Medien zwischen Kunst und Politik Berlin, Germany Kadmos. pp. 87-96

Towards a specific practice
Maziere, M. 2002. Towards a specific practice. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 43-45

The solitude of a system
Maziere, M. 2002. The solitude of a system. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 4-8

Mother desire
Maziere, M. 2002. Mother desire. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 102

John Smith's films: reading the visible
Maziere, M. 2002. John Smith's films: reading the visible. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 96-100

Delirium
Maziere, M. 2002. Delirium.

Content in context
Maziere, M. 2002. Content in context. in: Maziere, M. and Danino, N. (ed.) The Undercut reader: critical writings on artists' film and video London, UK Wallflower Press. pp. 238-241

Blackout
Maziere, M. 2002. Blackout. Tate Britain, London 17 Mar - 15 Sep 2002

The poetic necessity
Maziere, M. 2001. The poetic necessity. in: Amaducci, A. (ed.) Invideo 2001: altrove: video d'arte e ricerca Milan, Italy Charta. pp. 38-48