A Feminist Chorus, Glasgow : WestminsterResearch

Creators	Reynolds, L.
Description	A Feminist Chorus was a collaborative participatory sound work made with Glasgow Women's Library and MAP. It was presented as a performance at the Glasgow Women’s Library on 4th April 2014, the participants were the different user groups of the library, from refugee groups and theatre groups to volunteers and staff. They were invited to each choose a short extract from one of their favourite books in the library - which comprises non male writers only. Taken from novels, poetry books, history and science books as well as knitting patterns, their chosen extracts were used to form the score for the spoken word chorus, which was spoken in unison to create a cacophony of feminist sound. A Feminist Chorus, Glasgow was produced in collaboration with MAP, the online curatorial organization based in Glasgow, and was performed as part of the Glasgow International Festival 2014. It received funding from MAP and Creative Scotland. A song book was produced and published by MAP, it is deposited in the Glasgow Women's Library, the British Library, The Women's Library and other academic contexts. Entitled A Feminist Chorus: A Score in Three Parts, the book contains a commissioned essay about A Feminist Chorus by Sarah Neely. (ISBN 9780993142406) A review by Maria Fusco was included in Frieze, Issue June 2014. https://frieze.com/article/glasgow-international-2014 Presentations to Glasgow School of Art (the Friday Lecture) and Edinburgh School of Art.
Keywords	feminism
	library
	archive
	voice
Year	05 Apr 2014
Files	A Feminist Chorus HD h264.mp4
Files
Files	IMG_0927.JPG
Image credit	Documentation of A Feminist Chorus, Glasgow Women's Library. Credit: Michelle Deignan
	Still from documentation of A Feminist Chorus by Michelle Deignan
	documentation of A Feminist Chorus songbook, published 2016
Media type	Video
	Image
	Image
Rights	Lucy Reynolds

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Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

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Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

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Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

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A collective response: Feminism, film, performance and Greenham Common
Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

A Feminist Chorus for Voices at 5 Blythwood Square
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The Question of the Subject and the Autobiographic in Artists Moving Image Practice
Pucill, S., Hatfield, J. and Reynolds, L. 2004. The Question of the Subject and the Autobiographic in Artists Moving Image Practice. Filmwaves Magazine. 24 (2), pp. 5-9.

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A Feminist Chorus, Glasgow

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