Introduction: Raising voices
Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18
Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18
Chapter title | Introduction: Raising voices |
---|---|
Authors | Reynolds, L. |
Book title | Women Artists, Feminism and the Moving Image: Contexts and Practices |
Page range | 1-18 |
Year | 2019 |
Publisher | Bloomsbury Academic |
Place of publication | London |
ISBN | 9781784537005 |
Review of: Barang-Barang, Erika Tan
Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5
Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2
Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2
Shezad Dawood in conversation with Lucy Reynolds
Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7
Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2
'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.
Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2
Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953)
Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.
A Feminist Chorus for Glasgow School of Art
Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.
Moving Image Review Journal
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2
Un Refrain Féministe/A Feminist Chorus
Reynolds, L. 2017. Un Refrain Féministe/A Feminist Chorus.
Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London
Reynolds, L. 2017. Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London. in: Applin, Jo, Spencer, Catherine and Tobim, Amy (ed.) London Art Worlds: Mobile, Contingent and Ephemeral Networks, 1960-1980 Pennslyvania, USA Pennsylvania State University Press. pp. 133-150
Whose History? Feminist Advocacy and Experimental Film and Video
Reynolds, L. 2017. Whose History? Feminist Advocacy and Experimental Film and Video. in: Clayton, S. and Mulvey, L. (ed.) Other Cinemas: Politics, culture and Experimental Film in the 1970s London I.B. Tauris. pp. 138-149
Ballet Black
Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012
A Feminist Chorus for Feminist Revolt
Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.
A Feminist Chorus at Wysing Arts Centre
Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.
Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson
Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.
"Non-institution": finding expanded cinema in the terrains vagues of 1960s London
Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.
A collective response: Feminism, film, performance and Greenham Common
Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1
A Feminist Chorus, Glasgow
Reynolds, L. 2014. A Feminist Chorus, Glasgow.
A Feminist Chorus for Voices at 5 Blythwood Square
Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.
The Question of the Subject and the Autobiographic in Artists Moving Image Practice
Pucill, S., Hatfield, J. and Reynolds, L. 2004. The Question of the Subject and the Autobiographic in Artists Moving Image Practice. Filmwaves Magazine. 24 (2), pp. 5-9.
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