Filmmaking as critical affection: Michelle Williams Gamaker and Laura Mulvey in conversation with Lucy Reynolds

Speculative Materializations in Erika Tan’s Barang Barang: Spectral Entanglements (2021)
Lucy Reynolds 2026. Speculative Materializations in Erika Tan’s Barang Barang: Spectral Entanglements (2021). in: ARTCHAE. For a Media Ar(t)chaeology of Telepresence Milano University Press. pp. 89-105

Editorial
Michael Mazière and Lucy Reynolds 2025. Editorial. The Moving Image Review & Art Journal (MIRAJ). 14 (1), pp. 5-7. https://doi.org/10.1386/miraj_00140_2

Women in Revolt: Art and Activism in the UK 1970 to 1990
Reynolds, L. 2024. Women in Revolt: Art and Activism in the UK 1970 to 1990. Tate Britain, London 07 Nov 2023 - 07 Apr 2024

Editorial
Michael Mazière and Lucy Reynolds 2024. Editorial. The Moving Image Review & Art Journal (MIRAJ). 13 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00126_2

An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn
Reynolds, L. 2024. An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn. in: Knowles, K. and Walley, J. (ed.) The Palgrave Handbook of Experimental Cinema Palgrave Macmillan. pp. 453-471

Experiment, Cybernetics and the Formal Film in Britain
Reynolds, L. 2023. Experiment, Cybernetics and the Formal Film in Britain. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Hoboken NJ Wiley-Blackwell. pp. 260-283

Review of: Barang-Barang, Erika Tan
Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5

Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

Shezad Dawood in conversation with Lucy Reynolds
Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7

Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2

'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953)
Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

A Feminist Chorus for Glasgow School of Art
Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.

Introduction: Raising voices
Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18

Moving Image Review Journal
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

Un Refrain Féministe/A Feminist Chorus
Reynolds, L. 2017. Un Refrain Féministe/A Feminist Chorus.

Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London
Reynolds, L. 2017. Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London. in: Applin, Jo, Spencer, Catherine and Tobim, Amy (ed.) London Art Worlds: Mobile, Contingent and Ephemeral Networks, 1960-1980 Pennslyvania, USA Pennsylvania State University Press. pp. 133-150

Whose History? Feminist Advocacy and Experimental Film and Video
Reynolds, L. 2017. Whose History? Feminist Advocacy and Experimental Film and Video. in: Clayton, S. and Mulvey, L. (ed.) Other Cinemas: Politics, culture and Experimental Film in the 1970s London I.B. Tauris. pp. 138-149

Ballet Black
Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

A Feminist Chorus for Feminist Revolt
Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

A Feminist Chorus at Wysing Arts Centre
Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson
Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

"Non-institution": finding expanded cinema in the terrains vagues of 1960s London
Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

A collective response: Feminism, film, performance and Greenham Common
Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

A Feminist Chorus, Glasgow
Reynolds, L. 2014. A Feminist Chorus, Glasgow.

A Feminist Chorus for Voices at 5 Blythwood Square
Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.

The Question of the Subject and the Autobiographic in Artists Moving Image Practice
Pucill, S., Hatfield, J. and Reynolds, L. 2004. The Question of the Subject and the Autobiographic in Artists Moving Image Practice. Filmwaves Magazine. 24 (2), pp. 5-9.