The Question of the Subject and the Autobiographic in Artists Moving Image Practice

An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn
Reynolds, L. 2024. An Ethics of Place and Ways of Telling: Finding a Feminist Eco-cinema in Moving Image’s Ecological Turn. in: Knowles, K. and Walley, J. (ed.) The Palgrave Handbook of Experimental Cinema Palgrave Macmillan. pp. 453-471

Experiment, Cybernetics and the Formal Film in Britain
Reynolds, L. 2023. Experiment, Cybernetics and the Formal Film in Britain. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Hoboken NJ Wiley-Blackwell. pp. 260-283

Review of: Barang-Barang, Erika Tan
Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5

Confessions to the Mirror
Pucill, S. 2022. Confessions to the Mirror. Kunsthal Museum Gallery, Rotterdam 21 May - 28 Aug 2022

“Eruption, rupture, suture and disruption” A text by Sarah Pucill on two films by Sandra Lahire, “Arrows “(1984) and “Night dances” (1995)
Pucill, S. 2022. “Eruption, rupture, suture and disruption” A text by Sarah Pucill on two films by Sandra Lahire, “Arrows “(1984) and “Night dances” (1995). in: Maria Palacios Cruz and Charlotte Proctor (ed.) ‘Cahier’ booklet to accompany a screening at Courtisane Film Festival, April/May 2021

'Eruption, Rupture, Suture, Disruption'
Pucill, S. 2022. 'Eruption, Rupture, Suture, Disruption'. in: María Palacios Cruz and Charlotte Procter (ed.) 'Living on Air: The films and words of Sandra Lahire Courtisane.

Editorial
Michael Mazière and Lucy Reynolds 2022. Editorial. Moving Image Review & Art Journal (MIRAJ), The. 11 (2), pp. 161 - 164. https://doi.org/10.1386/miraj_00092_2

Editorial
Maziere, M. and Reynolds, L. 2022. Editorial. The Moving Image Review & Art Journal (MIRAJ). 11 (1), pp. 5-7. https://doi.org/10.1386/miraj_00080_2

'Confessions to the Mirror' (16mm, col 68min 2016)
Pucill, S. 2021. 'Confessions to the Mirror' (16mm, col 68min 2016) . Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Shezad Dawood in conversation with Lucy Reynolds
Reynolds, L. and Dawood, S. 2021. Shezad Dawood in conversation with Lucy Reynolds. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 74-102. https://doi.org/10.1386/miraj_00064_7

Editorial
Lucy Reynolds and Maziere, M. 2021. Editorial. The Moving Image Review & Art Journal (MIRAJ). 10 (1-2), pp. 5-7. https://doi.org/10.1386/miraj_00060_2

'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
Pucill, S. 2021. A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press. pp. 194-201

Confessions to the Mirror Staged in an Exhibition
Pucill, S. 2020. Confessions to the Mirror Staged in an Exhibition. Cobra Museum, Amstelveen, Netherlands 13 Sep 2020 - 10 Jan 2021

Jersey Premiere Screening of Confessions to the Mirror
Pucill, S. 2020. Jersey Premiere Screening of Confessions to the Mirror. Jersey, Channel Islands May 2020

Frankfurt Screening: Confessions to the Mirror
Pucill, S. 2020. Frankfurt Screening: Confessions to the Mirror. Schirn Kunsthalle Frankfurt 13 Feb - 24 May 2020

Editorial
Maziere, M. and Reynolds, L. 2020. Editorial. Moving Image Review & Art Journal . 9 (1), pp. 5-7. https://doi.org/10.1386/miraj_00019_2

Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953)
Reynolds, L. 2020. Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953). in: Jacobs, S., Cleppe, B. and Latsis, D. (ed.) Art in the Cinema: The Mid-Century Art Documentary London Bloomsbury Academic.

Ottawa Art Gallery Screening: Confessions to the Mirror
Pucill, S. 2019. Ottawa Art Gallery Screening: Confessions to the Mirror. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020

Garden Self Portraits after Claude Cahun and Marcel Moore
Pucill, S. 2019. Garden Self Portraits after Claude Cahun and Marcel Moore. Ottawa Municipal Art Gallery 14 Sep 2019 - 09 Feb 2020

Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror
Pucill, S. 2019. Dortmund / Cologne Women's International Film Festival Official Selection: Confessions to the Mirror. Dortmund, Germany 08 - 14 Apr 2019

A Feminist Chorus for Glasgow School of Art
Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.

Introduction: Raising voices
Reynolds, L. 2019. Introduction: Raising voices. in: Women Artists, Feminism and the Moving Image: Contexts and Practices London Bloomsbury Academic. pp. 1-18

Moving Image Review Journal
Maziere, M. and Reynolds, L. 2019. Moving Image Review Journal. The Moving Image Review & Art Journal (MIRAJ). 8 (1-2). https://doi.org/10.1386/miraj_00001_2

UCL Art Museum Screening: Confessions To The Mirror + Q+A with Maria Walsh
Pucill, S. 2018. UCL Art Museum Screening: Confessions To The Mirror + Q+A with Maria Walsh. Bloomsbury Studio, UCL, London 22 May 2018

Bagdam Lesbian Festival, Toulouse, France, screening of Confessions to the Mirror
Pucill, S. 2018. Bagdam Lesbian Festival, Toulouse, France, screening of Confessions to the Mirror . Toulouse, France 29 Mar - 14 Apr 2018

BEEF Bristol Screening: Confessions To The Mirror and Q+A with Vicky Smith
Pucill, S. 2018. BEEF Bristol Screening: Confessions To The Mirror and Q+A with Vicky Smith. Cube Microplex Cinema, Bristol 20 Feb 2018

Encounters of the Space Between: a Collaboration with Claude Cahun in Magic Mirror and Confessions to the Mirror
Pucill, S. 2018. Encounters of the Space Between: a Collaboration with Claude Cahun in Magic Mirror and Confessions to the Mirror. à la croisée des approches et des disciplines. Dialogue intercontinental. CNRS, Site Pouchet, 75017 Paris 25 - 26 Jun 2018

"Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror
Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

White Cube, Bermondsey, London: Screening: Magic Mirror, Confessions To The Mirror
Pucill, S. 2017. White Cube, Bermondsey, London: Screening: Magic Mirror, Confessions To The Mirror. 28 Jun - 17 Sep 2017

Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope
Pucill, S. 2017. Cinematek, Oslo: Screening of Confessions To The Mirror + Q+A Greg Pope. Cinemateket, Oslo 2010 - 2019

Un Refrain Féministe/A Feminist Chorus
Reynolds, L. 2017. Un Refrain Féministe/A Feminist Chorus.

National Portrait Gallery: Screening of Confessions To The Mirror
Pucill, S. 2017. National Portrait Gallery: Screening of Confessions To The Mirror. National Portrait Gallery, London 09 Mar - 29 May 2017

Creteil International Women's Film Festival Official Selection: Confessions To The Mirror
Pucill, S. 2017. Creteil International Women's Film Festival Official Selection: Confessions To The Mirror. Maison des Arts, Place Salvador Allende, Creteil, Paris 10 - 19 Mar 2017

Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016)
Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London
Reynolds, L. 2017. Circulations and Co-operations: Art, Feminism and film in 1960s and 1970s London. in: Applin, Jo, Spencer, Catherine and Tobim, Amy (ed.) London Art Worlds: Mobile, Contingent and Ephemeral Networks, 1960-1980 Pennslyvania, USA Pennsylvania State University Press. pp. 133-150

The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror
Pucill, S. 2017. The Provocation of Intermediality in the Tableaux Vivants in Magic Mirror and Confessions To The Mirror. Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Whose History? Feminist Advocacy and Experimental Film and Video
Reynolds, L. 2017. Whose History? Feminist Advocacy and Experimental Film and Video. in: Clayton, S. and Mulvey, L. (ed.) Other Cinemas: Politics, culture and Experimental Film in the 1970s London I.B. Tauris. pp. 138-149

BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min)
Pucill, S. 2016. BFI London Film Festival Premiere of Confessions To The Mirror (16mm col, 68min). BFI Southbank, London 05 - 16 Oct 2016

Confessions to the Mirror (16mm, col, 68min, 2016)
Pucill, S. 2016. Confessions to the Mirror (16mm, col, 68min, 2016). University of Westminster. https://doi.org/10.34737/qvq82

Ballet Black
Reynolds, L. 2016. Ballet Black. Screen. 57 (1), pp. 80-86. https://doi.org/10.1093/screen/hjw012

Confessions To The Mirror
Pucill, S. 2016. Confessions To The Mirror.

A Feminist Chorus for Feminist Revolt
Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

A Feminist Chorus at Wysing Arts Centre
Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Alchemy Moving Image Art Festival, Official Selection
Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Roundtable Discussion: The Women of the London Filmmaker’s Co-op
Danino, N., Matthee, J., Novaczek, R., Pucill, S. and Syed, A. 2015. Roundtable Discussion: The Women of the London Filmmaker’s Co-op. The Moving Image Review & Art Journal (MIRAJ). 4 (1&2), pp. 164-179. https://doi.org/10.1386/miraj.4.1-2.164_1

Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson
Reynolds, L. 2015. Controlling Agent: Artist and Spectator in the Film Actions of Gill Eatherley and Annabel Nicolson. in: Bovier, F. and Mey, A. (ed.) Cinéma Exposé/Exhibited Cinema Lausanne, Dijon ECAL.

"Non-institution": finding expanded cinema in the terrains vagues of 1960s London
Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

A collective response: Feminism, film, performance and Greenham Common
Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Magic Mirror (exhibition)
Pucill, S. 2015. Magic Mirror (exhibition). The Nunnery Gallery, London 14 Apr - 14 Jun 2015

A Feminist Chorus, Glasgow
Reynolds, L. 2014. A Feminist Chorus, Glasgow.

A Feminist Chorus for Voices at 5 Blythwood Square
Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.

Magic Mirror
Pucill, S. 2013. Magic Mirror.

Phantom Rhapsody
Pucill, S. 2010. Phantom Rhapsody.

Fall in Frame
Pucill, S. 2009. Fall in Frame.

Taking My Skin
Pucill, S. 2007. Taking My Skin. Toronto, Canada 12 Apr 2007

Blind Light (2007)
Pucill, S. 2007. Blind Light (2007). 66 East 4th Street, New York, NY 10003 01 Dec 2007

The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning
Pucill, S. 2006. The 'Autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92

Stages of Mourning
Pucill, S. 2006. Stages of Mourning. 66 East 4th Street, New York, NY 10003 18 Nov 2006