Garden Self Portraits after Claude Cahun and Marcel Moore

Pucill, S. and Gewurtz, M. 2019. Garden Self Portraits after Claude Cahun and Marcel Moore. Ottawa Municipal Art Gallery

CreatorsPucill, S. and Gewurtz, M.
CollaboratorsTierney, C, Danger, D., Taler, L., Clintberg, M. and Muholi, Z.
Description

Group exhibition. My work: film installation of an extract from Confessions to the Mirror, "Garden Self Portraits", with a re-staging of a set - film projection in a water reflection. Curated by Michelle Gewurtz at Ottawa Municipal Art Gallery.

Date14 Sep 2019
Media typeVideo

Related outputs

A Dialogue with the work of Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror
Pucill, S. 2020. A Dialogue with the work of Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Schmid, M. and Knowles, K. (ed.) Cinematic Intermedialities Edinburgh Edinburgh University Press.

"Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror
Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

The provocation of intermediality in the tableaux vivants in Magic Mirror and Confessions To The Mirror
Pucill, S. 2017. The provocation of intermediality in the tableaux vivants in Magic Mirror and Confessions To The Mirror . Pratschke, K. (ed.) Photofilm: Sampling the Archive. GUGA (Centre of Architecture), in co-operation with the Metropolitan University, Budapest, Hungary. 19 Sep - 19 Nov 2017

Confessions To The Mirror
Pucill, S. 2016. Confessions To The Mirror. London Film Festival Official Selection: Premiere Screening, October 2016.

Magic Mirror
Pucill, S. 2015. Magic Mirror. The Nunnery Gallery, London

Magic mirror
Pucill, S. 2013. Magic mirror.

Phantom rhapsody
Pucill, S. 2010. Phantom rhapsody.

Fall in frame
Pucill, S. 2009. Fall in frame.

Taking my skin
Pucill, S. 2007. Taking my skin. Toronto, Canada

Blind light (2007)
Pucill, S. 2007. Blind light (2007). 66 East 4th Street, New York, NY 10003

The 'autoethnographic' in Chantal Akerman's news from home, and an analysis of almost out and stages of mourning
Pucill, S. 2006. The 'autoethnographic' in Chantal Akerman's news from home, and an analysis of almost out and stages of mourning. in: Hatfield, J. (ed.) Experimental film and video: an anthology Eastleigh, UK John Libbey. pp. 83-92

Stages of mourning
Pucill, S. 2006. Stages of mourning. 66 East 4th Street, New York, NY 10003

The question of the subject and the autobiographic in artists moving image practice
Pucill, S., Hatfield, J. and Reynolds, L. 2004. The question of the subject and the autobiographic in artists moving image practice. Filmwaves Magazine. 24 (2), pp. 5-9.

Permalink - https://westminsterresearch.westminster.ac.uk/item/qv8wv/garden-self-portraits-after-claude-cahun-and-marcel-moore


Share this
Tweet
Email

Usage statistics

16 total views
0 total downloads
3 views this month
0 downloads this month
These values are for the period from September 2nd 2018, when this repository was created

Export as