Children watching reality TV

Participation in Reality Television: Entertainment Mobilization in Dance Talent Shows
Kondo, K. and Hill, A. 2020. Participation in Reality Television: Entertainment Mobilization in Dance Talent Shows. in: Polson, E., Clark, L.S. and Gajjala, R. (ed.) The Routledge Companion to Media and Class Oxon Routledge. pp. 51-62

Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence
Hill, A., Askanius, T., Kondo, K. and Urueta, J.L. 2019. Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence. International Journal of Cultural Studies . 22 (5), p. pp. 662–677. https://doi.org/10.1177/1367877919849961

Live Reality Television: care structures within the production and reception of talent shows
Hill, A., Askanius, A. and Kondo, K. 2019. Live Reality Television: care structures within the production and reception of talent shows. Critical Studies in Television: The International Journal of Television Studies. 14 (1), pp. 7-21. https://doi.org/10.1177/1749602018774458

‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’
Kondo, K. and Hill, A. 2015. ‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’. Comparing Children's Media Around the World: Policies, Texts and Audiences. University of Westminster 04 Sep 2015

Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home
Tsekleves, E., Whitham, R., Kondo, K. and Hill, A. 2013. Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home. Universal Access in the Information Society. 12 (2), pp. 217-231. https://doi.org/10.1007/s10209-012-0270-3

The audience is the show
Hill, A. 2011. The audience is the show. in: Nightingale, V. (ed.) The handbook of media audiences Oxford Wiley. pp. 472-489

Paranormal media: audiences, spirits and magic in popular culture
Hill, A. 2011. Paranormal media: audiences, spirits and magic in popular culture. Abingdon Routledge.

Big formats, small nations: does size matter?
Hill, A. and Steemers, J. 2011. Big formats, small nations: does size matter? in: Lowe, G.F. and Nissen, C. (ed.) Broadcasting in smaller states Göteborg Nordicom. pp. 203-218

Documentary modes of engagement
Hill, A. 2008. Documentary modes of engagement. in: Austin, T. and de Jong, W. (ed.) Rethinking documentary: new perspectives, new practices Maidenhead Open University Press.

Designing interactive TV with users in mind
Cruickshank, L., Sekleves, E.T., Whitham, R., Hill, A. and Kaoruko, K. 2007. Designing interactive TV with users in mind. User Experience Magazine. 6 (3), pp. 201-206.

Public and popular: British and Swedish audience trends in factual and reality television
Hill, A., Weibull, L. and Nilsson, A. 2007. Public and popular: British and Swedish audience trends in factual and reality television. Cultural Trends. 16 (1), pp. 17-41. https://doi.org/10.1080/09548960601106920

Mapping lifestyle
Hill, A. and Dover, C. 2007. Mapping lifestyle. in: Heller, D. (ed.) Makeover television: realities remodelled London, UK I.B. Tauris.

Vampire hunters: the UK marketing and reception of Buffy the Vampire Slayer and Angel
Hill, A. and Calcutt, I. 2007. Vampire hunters: the UK marketing and reception of Buffy the Vampire Slayer and Angel. in: Levine, E. and Parks, L. (ed.) Undead TV: essays on Buffy the Vampire Slayer Durham, USA Duke University Press. pp. 43-56

Restyling factual TV: audiences and news, documentary and reality genres
Hill, A. 2007. Restyling factual TV: audiences and news, documentary and reality genres. London, UK Routledge.

Mapping genres: broadcaster and audience perceptions of makeover television
Dover, C. and Hill, A. 2007. Mapping genres: broadcaster and audience perceptions of makeover television. in: Heller, D. (ed.) Makeover television: realities remodelled London, UK I.B. Tauris. pp. 23-38

Making interactive TV easier to use: interface design for a second screen approach
Cruickshank, L., Sekleves, E.T., Whitham, R., Hill, A. and Kaoruko, K. 2007. Making interactive TV easier to use: interface design for a second screen approach. Design Journal. 10 (3), pp. 41-52. https://doi.org/10.2752/146069207789271920

Value, form and viewing in current affairs television: Tonight with Trevor McDonald
Corner, J. and Hill, A. 2006. Value, form and viewing in current affairs television: Tonight with Trevor McDonald. Journal of British Cinema and Television. 3 (1).

A case study of British factual television
Hill, A. 2006. A case study of British factual television. The Stationary Office.

Synen pa icke-fiktion i TV: resultatredovisning
Nilsson, A., Weibull, L. and Hill, A. 2005. Synen pa icke-fiktion i TV: resultatredovisning. Goteborgs Universitet, Institutionen fur Journalistik och Masskommunikation, Arbetsrapport. 33.

Audiences and factual and reality television in Sweden
Hill, A., Weibull, L. and Nilsson, A. 2005. Audiences and factual and reality television in Sweden. Jonkoping, Sweden Hogskolan i Jonkoping.

Reality TV: performance, authenticity, and television audiences
Hill, A. 2005. Reality TV: performance, authenticity, and television audiences. in: Wasko, J. (ed.) A companion to television Oxford, UK Blackwell.

The idea of learning: young viewers of reality TV in the UK
Hill, A. 2004. The idea of learning: young viewers of reality TV in the UK. in: von Feilitzen, C. (ed.) Young people, soap operas and reality TV Goteborg, Sweden Nordicom.

Watching Big Brother
Hill, A. 2004. Watching Big Brother. in: Mathijs, E. and Jones, J. (ed.) Big brother international: format, critics and publics London, UK Wallflower. pp. 25-39

Reality TV: audiences and popular factual television
Hill, A. 2004. Reality TV: audiences and popular factual television. London, UK Routledge.

Fernsehzuschauer und factual-TV in Grossbrittannien (Television audiences and British factual programming)
Hill, A. 2004. Fernsehzuschauer und factual-TV in Grossbrittannien (Television audiences and British factual programming). TV Diskurs. 30, pp. 4-9.

TV audiences and everyday life (British Film Institute audience tracking study)
Hill, A. 2003. TV audiences and everyday life (British Film Institute audience tracking study). in: Miller, T. (ed.) Television studies London, UK British Film Institute. pp. 64-66

Big Brother: the real audience
Hill, A. 2002. Big Brother: the real audience. Television & New Media. 3 (3), pp. 323-340.

Media risks: the social amplification of risk and the media violence debate
Hill, A. 2001. Media risks: the social amplification of risk and the media violence debate. Journal of Risk Research. 4 (3), pp. 209-225. https://doi.org/10.1080/13669870152023773

'Looks like it hurts': women's responses to shocking entertainment
Hill, A. 2001. 'Looks like it hurts': women's responses to shocking entertainment. in: Barker, M. and Petley, J. (ed.) Ill effects: the media/violence debate. 2nd ed. London, UK Routledge. pp. 135-149

TV living: television, culture and everyday life
Gauntlett, D. and Hill, A. 1999. TV living: television, culture and everyday life. Routledge.