Participation in Reality Television: Entertainment Mobilization in Dance Talent Shows

‘The Very Latest, Modom’: The British Commercial Gas Association, the Gas Light and Coke Company and Content Marketing in Interwar Britain
Heller, M., Kohil, G. and Kondo, K. 2024. ‘The Very Latest, Modom’: The British Commercial Gas Association, the Gas Light and Coke Company and Content Marketing in Interwar Britain. Business History. Advanced online publication. https://doi.org/10.1080/00076791.2024.2401404

Entertainment Mobilisation
Hill, A. and Kondo, K. 2022. Entertainment Mobilisation. in: Trandafoiu, R. (ed.) Border Crossings and Mobilities on Screen Routledge.

Children's rights to information: The responsibility of public service media during the Corona pandemic
Kondo, K., Sjöberg, U., Kourti, E, Nyholm, M, Watanabe, K and Sundin, E. 2021. Children's rights to information: The responsibility of public service media during the Corona pandemic. in: Pielos. G, Skamnkis, A. and Theocharidis, S. (ed.) The Media and Covid Papazissis Athens Greece. pp. 183-196

Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence
Hill, A., Askanius, T., Kondo, K. and Urueta, J.L. 2019. Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence. International Journal of Cultural Studies . 22 (5), p. pp. 662–677. https://doi.org/10.1177/1367877919849961

Live Reality Television: care structures within the production and reception of talent shows
Hill, A., Askanius, A. and Kondo, K. 2019. Live Reality Television: care structures within the production and reception of talent shows. Critical Studies in Television: The International Journal of Television Studies. 14 (1), pp. 7-21. https://doi.org/10.1177/1749602018774458

Media Audiences: Local to Global (Implications for international business strategies)
Kondo, K. 2017. Media Audiences: Local to Global (Implications for international business strategies). Big in Japan. Tallinn University 22 - 22 Nov 2017

Seeking for a sense of place: beyond the digital space
Kondo, K. 2017. Seeking for a sense of place: beyond the digital space. ECREA 2017 Audiences 2030. Catholic University Lisbon 28 - 29 Sep 2017

Seeking for a sense of place: beyond the digital space
Kondo, K. 2017. Seeking for a sense of place: beyond the digital space. Audiences 2030: Lisbon Conference. Universidade Católica Portuguesa 28 - 29 Sep 2017

Children’s media engagement in the U.K: a case of Got to Dance audiences and performers
Kondo, K. 2016. Children’s media engagement in the U.K: a case of Got to Dance audiences and performers . IAMCR 2016. Leicester 27 - 31 Jul 2016

The Bridge fans in the UK: case of older generation’s media engagement
Kondo, K. 2016. The Bridge fans in the UK: case of older generation’s media engagement. Ageing celebrities and ageing fans in popular media culture. University of Copenhagen 19 May 2016

Classic fandom? The Bridge fans in the UK.
Kondo, K. 2016. Classic fandom? The Bridge fans in the UK. Media Engagement: Connecting Production, Texts and Audiences. University of Westminster 04 May 2016

‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’
Kondo, K. and Hill, A. 2015. ‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’. Comparing Children's Media Around the World: Policies, Texts and Audiences. University of Westminster 04 Sep 2015

Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home
Tsekleves, E., Whitham, R., Kondo, K. and Hill, A. 2013. Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home. Universal Access in the Information Society. 12 (2), pp. 217-231. https://doi.org/10.1007/s10209-012-0270-3

Children’s Perspectives through the Camera Lens Reflections on Meaning-making Processes and Participatory Research
Kondo, K. and Sjöberg, U. 2013. Children’s Perspectives through the Camera Lens Reflections on Meaning-making Processes and Participatory Research. Nordicom Review. 33 (1), pp. 3-18 1. https://doi.org/10.2478/nor-2013-0001

Media as an Identity Negotiator Among “Swedish” Children in Athens and “Japanese” in London
Kondo, K. 2012. Media as an Identity Negotiator Among “Swedish” Children in Athens and “Japanese” in London. Journalism and Mass Communication. 2 (1), pp. 250-262.

The audience is the show
Hill, A. 2011. The audience is the show. in: Nightingale, V. (ed.) The handbook of media audiences Oxford Wiley. pp. 472-489

Paranormal media: audiences, spirits and magic in popular culture
Hill, A. 2011. Paranormal media: audiences, spirits and magic in popular culture. Abingdon Routledge.

Big formats, small nations: does size matter?
Hill, A. and Steemers, J. 2011. Big formats, small nations: does size matter? in: Lowe, G.F. and Nissen, C. (ed.) Broadcasting in smaller states Göteborg Nordicom. pp. 203-218

Research Methods Used in Studying Media Consumption and Children in a Diaspora. A Case of Japanese Families in London
Kondo, K. 2008. Research Methods Used in Studying Media Consumption and Children in a Diaspora. A Case of Japanese Families in London. in: Rydin, I. and Sjöberg, U. (ed.) Mediated Crossroads. Identity, Youth Culture and Ethnicity Theoretical and Methodological Challenges Göteborg, Sweden UNESCO International Clearinghouse on Children, Youth and Media, Nordicom, Goteborg University. pp. 93-112

Documentary modes of engagement
Hill, A. 2008. Documentary modes of engagement. in: Austin, T. and de Jong, W. (ed.) Rethinking documentary: new perspectives, new practices Maidenhead Open University Press.

Designing interactive TV with users in mind
Cruickshank, L., Sekleves, E.T., Whitham, R., Hill, A. and Kaoruko, K. 2007. Designing interactive TV with users in mind. User Experience Magazine. 6 (3), pp. 201-206.

Public and popular: British and Swedish audience trends in factual and reality television
Hill, A., Weibull, L. and Nilsson, A. 2007. Public and popular: British and Swedish audience trends in factual and reality television. Cultural Trends. 16 (1), pp. 17-41. https://doi.org/10.1080/09548960601106920

Can television be good for children?
Kondo, K. and Steemers, J. 2007. Can television be good for children? London Save Kids’ TV.

Mapping lifestyle
Hill, A. and Dover, C. 2007. Mapping lifestyle. in: Heller, D. (ed.) Makeover television: realities remodelled London, UK I.B. Tauris.

Vampire hunters: the UK marketing and reception of Buffy the Vampire Slayer and Angel
Hill, A. and Calcutt, I. 2007. Vampire hunters: the UK marketing and reception of Buffy the Vampire Slayer and Angel. in: Levine, E. and Parks, L. (ed.) Undead TV: essays on Buffy the Vampire Slayer Durham, USA Duke University Press. pp. 43-56

Restyling factual TV: audiences and news, documentary and reality genres
Hill, A. 2007. Restyling factual TV: audiences and news, documentary and reality genres. London, UK Routledge.

Mapping genres: broadcaster and audience perceptions of makeover television
Dover, C. and Hill, A. 2007. Mapping genres: broadcaster and audience perceptions of makeover television. in: Heller, D. (ed.) Makeover television: realities remodelled London, UK I.B. Tauris. pp. 23-38

Making interactive TV easier to use: interface design for a second screen approach
Cruickshank, L., Sekleves, E.T., Whitham, R., Hill, A. and Kaoruko, K. 2007. Making interactive TV easier to use: interface design for a second screen approach. Design Journal. 10 (3), pp. 41-52. https://doi.org/10.2752/146069207789271920

Value, form and viewing in current affairs television: Tonight with Trevor McDonald
Corner, J. and Hill, A. 2006. Value, form and viewing in current affairs television: Tonight with Trevor McDonald. Journal of British Cinema and Television. 3 (1).

A case study of British factual television
Hill, A. 2006. A case study of British factual television. The Stationary Office.

Synen pa icke-fiktion i TV: resultatredovisning
Nilsson, A., Weibull, L. and Hill, A. 2005. Synen pa icke-fiktion i TV: resultatredovisning. Goteborgs Universitet, Institutionen fur Journalistik och Masskommunikation, Arbetsrapport. 33.

Audiences and factual and reality television in Sweden
Hill, A., Weibull, L. and Nilsson, A. 2005. Audiences and factual and reality television in Sweden. Jonkoping, Sweden Hogskolan i Jonkoping.

Reality TV: performance, authenticity, and television audiences
Hill, A. 2005. Reality TV: performance, authenticity, and television audiences. in: Wasko, J. (ed.) A companion to television Oxford, UK Blackwell.

The roles of Global and diasporic media in the process of developing children’s identities
Kondo, K. 2004. The roles of Global and diasporic media in the process of developing children’s identities. merz. 48 (6), pp. 59-71.

The idea of learning: young viewers of reality TV in the UK
Hill, A. 2004. The idea of learning: young viewers of reality TV in the UK. in: von Feilitzen, C. (ed.) Young people, soap operas and reality TV Goteborg, Sweden Nordicom.

Watching Big Brother
Hill, A. 2004. Watching Big Brother. in: Mathijs, E. and Jones, J. (ed.) Big brother international: format, critics and publics London, UK Wallflower. pp. 25-39

Reality TV: audiences and popular factual television
Hill, A. 2004. Reality TV: audiences and popular factual television. London, UK Routledge.

Fernsehzuschauer und factual-TV in Grossbrittannien (Television audiences and British factual programming)
Hill, A. 2004. Fernsehzuschauer und factual-TV in Grossbrittannien (Television audiences and British factual programming). TV Diskurs. 30, pp. 4-9.

Children watching reality TV
Hill, A. 2004. Children watching reality TV. in: von Feilitzen, C. (ed.) Young people, soap operas and reality TV Goteborg, Sweden UNESCO International Clearinghouse on Children, Youth and Media, Nordicom, Goteborg University. pp. 181-188

TV audiences and everyday life (British Film Institute audience tracking study)
Hill, A. 2003. TV audiences and everyday life (British Film Institute audience tracking study). in: Miller, T. (ed.) Television studies London, UK British Film Institute. pp. 64-66

Big Brother: the real audience
Hill, A. 2002. Big Brother: the real audience. Television & New Media. 3 (3), pp. 323-340.

Media risks: the social amplification of risk and the media violence debate
Hill, A. 2001. Media risks: the social amplification of risk and the media violence debate. Journal of Risk Research. 4 (3), pp. 209-225. https://doi.org/10.1080/13669870152023773

'Looks like it hurts': women's responses to shocking entertainment
Hill, A. 2001. 'Looks like it hurts': women's responses to shocking entertainment. in: Barker, M. and Petley, J. (ed.) Ill effects: the media/violence debate. 2nd ed. London, UK Routledge. pp. 135-149

TV living: television, culture and everyday life
Gauntlett, D. and Hill, A. 1999. TV living: television, culture and everyday life. Routledge.