‘The Very Latest, Modom’: The British Commercial Gas Association, the Gas Light and Coke Company and Content Marketing in Interwar Britain

Heller, M., Kohil, G. and Kondo, K. 2024. ‘The Very Latest, Modom’: The British Commercial Gas Association, the Gas Light and Coke Company and Content Marketing in Interwar Britain. Business History. Advanced online publication. https://doi.org/10.1080/00076791.2024.2401404

Title‘The Very Latest, Modom’: The British Commercial Gas Association, the Gas Light and Coke Company and Content Marketing in Interwar Britain
TypeJournal article
AuthorsHeller, M., Kohil, G. and Kondo, K.
Abstract

Content marketing involves the production of creative content by organizations to engage and develop relations with consumers. It has been practiced since at least the eighteenth century (Beard et al., 2021). Despite its longevity, there has been no detailed historical study of content marketing. This article seeks to fill this lacuna by examining the use of content marketing by the British gas industry in the interwar period (1918-1939). During this period, the gas industry faced fierce competition from electricity. It responded with the development of content. This included print, music, films, showrooms, exhibitions, cookery demonstrations and public housing. This paper will provide a historic case study of this content marketing. Through publicity and public relations, this content was consciously and strategically used by the gas sector alongside advertising, distribution, and sales. It was used to influence public opinion, reinforce advertising, and build a brand for the gas industry.

Keywordscontent marketing
marketing communication
gas industry
history of marketing
history of branding
JournalBusiness History
ISSN0007-6791
Year2024
PublisherTaylor & Francis
Publisher's version
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1080/00076791.2024.2401404
Publication dates
Published online01 Oct 2024

Related outputs

Entertainment Mobilisation
Hill, A. and Kondo, K. 2022. Entertainment Mobilisation. in: Trandafoiu, R. (ed.) Border Crossings and Mobilities on Screen Routledge.

Children's rights to information: The responsibility of public service media during the Corona pandemic
Kondo, K., Sjöberg, U., Kourti, E, Nyholm, M, Watanabe, K and Sundin, E. 2021. Children's rights to information: The responsibility of public service media during the Corona pandemic. in: Pielos. G, Skamnkis, A. and Theocharidis, S. (ed.) The Media and Covid Papazissis Athens Greece. pp. 183-196

Participation in Reality Television: Entertainment Mobilization in Dance Talent Shows
Kondo, K. and Hill, A. 2020. Participation in Reality Television: Entertainment Mobilization in Dance Talent Shows. in: Polson, E., Clark, L.S. and Gajjala, R. (ed.) The Routledge Companion to Media and Class Oxon Routledge. pp. 51-62

Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence
Hill, A., Askanius, T., Kondo, K. and Urueta, J.L. 2019. Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence. International Journal of Cultural Studies . 22 (5), p. pp. 662–677. https://doi.org/10.1177/1367877919849961

Live Reality Television: care structures within the production and reception of talent shows
Hill, A., Askanius, A. and Kondo, K. 2019. Live Reality Television: care structures within the production and reception of talent shows. Critical Studies in Television: The International Journal of Television Studies. 14 (1), pp. 7-21. https://doi.org/10.1177/1749602018774458

Media Audiences: Local to Global (Implications for international business strategies)
Kondo, K. 2017. Media Audiences: Local to Global (Implications for international business strategies). Big in Japan. Tallinn University 22 - 22 Nov 2017

Seeking for a sense of place: beyond the digital space
Kondo, K. 2017. Seeking for a sense of place: beyond the digital space. ECREA 2017 Audiences 2030. Catholic University Lisbon 28 - 29 Sep 2017

Seeking for a sense of place: beyond the digital space
Kondo, K. 2017. Seeking for a sense of place: beyond the digital space. Audiences 2030: Lisbon Conference. Universidade Católica Portuguesa 28 - 29 Sep 2017

Children’s media engagement in the U.K: a case of Got to Dance audiences and performers
Kondo, K. 2016. Children’s media engagement in the U.K: a case of Got to Dance audiences and performers . IAMCR 2016. Leicester 27 - 31 Jul 2016

The Bridge fans in the UK: case of older generation’s media engagement
Kondo, K. 2016. The Bridge fans in the UK: case of older generation’s media engagement. Ageing celebrities and ageing fans in popular media culture. University of Copenhagen 19 May 2016

Classic fandom? The Bridge fans in the UK.
Kondo, K. 2016. Classic fandom? The Bridge fans in the UK. Media Engagement: Connecting Production, Texts and Audiences. University of Westminster 04 May 2016

‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’
Kondo, K. and Hill, A. 2015. ‘Reality talent shows: children as performers, contestants and audiences in Got to Dance’. Comparing Children's Media Around the World: Policies, Texts and Audiences. University of Westminster 04 Sep 2015

Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home
Tsekleves, E., Whitham, R., Kondo, K. and Hill, A. 2013. Investigating pay-as-you-go to address issues of trust, privacy and security around media use at home. Universal Access in the Information Society. 12 (2), pp. 217-231. https://doi.org/10.1007/s10209-012-0270-3

Children’s Perspectives through the Camera Lens Reflections on Meaning-making Processes and Participatory Research
Kondo, K. and Sjöberg, U. 2013. Children’s Perspectives through the Camera Lens Reflections on Meaning-making Processes and Participatory Research. Nordicom Review. 33 (1), pp. 3-18 1. https://doi.org/10.2478/nor-2013-0001

Media as an Identity Negotiator Among “Swedish” Children in Athens and “Japanese” in London
Kondo, K. 2012. Media as an Identity Negotiator Among “Swedish” Children in Athens and “Japanese” in London. Journalism and Mass Communication. 2 (1), pp. 250-262.

Research Methods Used in Studying Media Consumption and Children in a Diaspora. A Case of Japanese Families in London
Kondo, K. 2008. Research Methods Used in Studying Media Consumption and Children in a Diaspora. A Case of Japanese Families in London. in: Rydin, I. and Sjöberg, U. (ed.) Mediated Crossroads. Identity, Youth Culture and Ethnicity Theoretical and Methodological Challenges Göteborg, Sweden UNESCO International Clearinghouse on Children, Youth and Media, Nordicom, Goteborg University. pp. 93-112

Can television be good for children?
Kondo, K. and Steemers, J. 2007. Can television be good for children? London Save Kids’ TV.

The roles of Global and diasporic media in the process of developing children’s identities
Kondo, K. 2004. The roles of Global and diasporic media in the process of developing children’s identities. merz. 48 (6), pp. 59-71.

Permalink - https://westminsterresearch.westminster.ac.uk/item/wwq38/-the-very-latest-modom-the-british-commercial-gas-association-the-gas-light-and-coke-company-and-content-marketing-in-interwar-britain


Share this

Usage statistics

11 total views
4 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.