“What Are All Those Things He Once Thought He Knew, and Where Have They Gone?”: The End of the Wor(l)d in Margaret Atwood’s Oryx and Crake (2003)

Ghost-Tours, Body Snatchers, and Optical Illusions: An Introduction to Haunted Scotlands
Germanà, M. 2022. Ghost-Tours, Body Snatchers, and Optical Illusions: An Introduction to Haunted Scotlands. Gothic Studies. 24 (1), pp. 1-17. https://doi.org/10.3366/gothic.2022.0117

The Haunted Landscape of the Uncanny North: Scott Graham’s Shell (2012) and Gordon Napier’s 1745 (2017)
Germanà, M. 2022. The Haunted Landscape of the Uncanny North: Scott Graham’s Shell (2012) and Gordon Napier’s 1745 (2017). Gothic Studies. 24 (1), pp. 93-109. https://doi.org/10.3366/gothic.2022.0124

Ali Smith
Germanà, M. 2020. Ali Smith. in: The Wiley-Blackwell Encyclopedia of Contemporary British and Irish Literature Oxford Wiley. pp. 451-460

Bond Girls: Body, Fashion and Gender
Germanà, M. 2019. Bond Girls: Body, Fashion and Gender. London and New York Bloomsbury Academic.

Ali Smith, Girl Meets Boy (2007)
Germanà, M. 2017. Ali Smith, Girl Meets Boy (2007). Studies in Scottish Literature. 43 (2), pp. 209-210.

Other Stories: Strangers and Intrusions in Ali Smith’s Fiction
Germanà, M. 2017. Other Stories: Strangers and Intrusions in Ali Smith’s Fiction. in: Acheson, J. (ed.) The Contemporary British Novel since 2000 Edinburgh Edinburgh University Press. pp. 99-108

Community Spirit? Haunting Secrets and Displaced Selves in Contemporary Scottish Fiction
Germanà, M. 2016. Community Spirit? Haunting Secrets and Displaced Selves in Contemporary Scottish Fiction. in: Lyall, S. (ed.) Community in Modern Scottish Literature Leiden Brill. pp. 235-253

The Coming of Age of Graphic Narratives
Germanà, M. 2015. The Coming of Age of Graphic Narratives . in: Berberich, C. (ed.) The Bloomsbury Introduction to Popular Fiction London Bloomsbury. pp. 163-181

Brownies
Germanà, M. 2014. Brownies. in: Weinstock, J. (ed.) Ashgate Encyclopedia of Literary and Cinematic Monsters Ashgate. pp. 61-66

The Awakening of Caledonias? Scottish Literature in the 1980s
Germanà, M. 2014. The Awakening of Caledonias? Scottish Literature in the 1980s. in: Wilson, L.G., Horton, E. and Tew, P. (ed.) 1980s: A Decade of Contemporary British Fiction London Bloomsbury Academic. pp. 51-74

The Death of the Lady: Haunted Garments and (Re-)Possession in Sarah Waters’s The Little Stranger’
Germanà, M. 2013. The Death of the Lady: Haunted Garments and (Re-)Possession in Sarah Waters’s The Little Stranger’. in: Mitchell, K. (ed.) Contemporary Critical Perspectives: Sarah Waters London Bloomsbury. pp. 114-128

‘The Uncanny can happen’: Desire and Belief in Ali Smith’s The Seer’
Germanà, M. 2013. ‘The Uncanny can happen’: Desire and Belief in Ali Smith’s The Seer’. in: Germanà, M. and Horton, E. (ed.) Contemporary Critical Perspectives: Ali Smith London Bloomsbury. pp. 115-129

Madness and the city: the collapse of reason and sanity in Alan Moore’s From Hell
Germanà, M. 2013. Madness and the city: the collapse of reason and sanity in Alan Moore’s From Hell. in: Green, M. (ed.) Alan Moore and the gothic tradition Manchester Manchester University Press.

Contemporary fiction
Germanà, M. 2012. Contemporary fiction. in: Norquay, G. (ed.) The Edinburgh companion to Scottish women's writing Edinburgh University Press.

Being human? Twenty-first century monsters
Germanà, M. 2012. Being human? Twenty-first century monsters. in: Edwards, J.D. and Soltysik Monnet, A. (ed.) The Gothic in Contemporary Literature and Popular Culture: Pop Goth Routledge.

Introduction: the sick body and the fractured self: (contemporary) Scottish gothic
Germanà, M. 2011. Introduction: the sick body and the fractured self: (contemporary) Scottish gothic. Gothic Studies. 13 (2), pp. 1-8.

Becoming Hyde: excess, pleasure and cloning
Germanà, M. 2011. Becoming Hyde: excess, pleasure and cloning. Gothic Studies. 13 (2), pp. 98-115. https://doi.org/10.7227/GS.13.2.9

The dear green place
Germanà, M. 2011. The dear green place. in: Book Ashby-de-la-Zouch Inkermen Press.

From hijab to sweatshops: segregated bodies and contested space in Monica Ali’s Brick Lane
Germanà, M. 2011. From hijab to sweatshops: segregated bodies and contested space in Monica Ali’s Brick Lane. in: Teverson, A. and Upstone, S. (ed.) Postcolonial spaces: the politics of place in contemporary culture London Palgrave Macmillan.

Beyond the gaps: postmodernist representations of the metropolis
Germanà, M. 2011. Beyond the gaps: postmodernist representations of the metropolis. in: Berberich, C., Hudson, R. and Campbell, N. (ed.) Land and identity: theory, memory and practice Amsterdam Rodopi.

Scottish women's gothic and fantastic writing: fiction since 1978
Germanà, M. 2010. Scottish women's gothic and fantastic writing: fiction since 1978. Edinburgh Edinburgh University Press.

Red stiletto
Germanà, M. 2009. Red stiletto. in: Cold turkey: a Christmas selection Ashby-de-la-Zouch Inkermen Press.

Lost and found
Germanà, M. 2009. Lost and found. in: Loss Ashby-de-la-Zouch Inkermen Press.

Plagiarising the Ettrick shepherd? A note on the manuscript of Charlotte Brontë's tales of the islanders and Winifred Gérin's Emily Brontë
Germanà, M. 2008. Plagiarising the Ettrick shepherd? A note on the manuscript of Charlotte Brontë's tales of the islanders and Winifred Gérin's Emily Brontë. Notes and Queries. 55 (4), pp. 461-463. https://doi.org/10.1093/notesj/gjn144

In and outside post-devolution Scotland: Scottish national identity and women writers
Germanà, M. 2008. In and outside post-devolution Scotland: Scottish national identity and women writers. in: Lunan, L., Macdonald, K.A. and Sassi, C. (ed.) Re-Visioning Scotland: new readings of the cultural canon Frankfurt am Main ; Oxford Peter Lang.

Crossing dream boundaries: decoding nonsense and fantastic ambiguities in Naomi Mitchison’s beyond this limit
Germanà, M. 2008. Crossing dream boundaries: decoding nonsense and fantastic ambiguities in Naomi Mitchison’s beyond this limit. in: MacPherson, P., Murray, C., Spark, G. and Corstorphine, K. (ed.) Sub-versions: cultural status, genre and critique Newcastle Cambridge Scholars Publishing. pp. 135-148