Unmade Film

Orlow, U., Thal, A., Pappé, I., Gordon, A., Bullot, E., Nashif. I. and Ghanadry, Y. Orlow, U. and Thal. A. (ed.) 2014. Unmade Film. Zurich Edition Fink, Zurich.

TitleUnmade Film
AuthorsOrlow, U., Thal, A., Pappé, I., Gordon, A., Bullot, E., Nashif. I. and Ghanadry, Y.
EditorsOrlow, U. and Thal. A.
Abstract

Unmade Film is an expansive collection of audio-visual works that point to the structure of a film but never fully become one. Unmade Film takes as its starting point the mental hospital Kfar Sha'ul in Jerusalem. Initially specialising in the treatment of Holocaust survivors – including a relative of the artist – it was established in 1951 using the remains of the Palestinian village Deir Yassin that had been depopulated in a massacre by Zionist paramilitaries in April 1948. The work and its different elements evolved out of exchanges and collaborations with psychologists, psychiatric nurses, historians, musicians, pupils, amateur actors, curators, artists and others.

The publication of Unmade Film brings together the different works by Uriel Orlow and texts expanding on the themes of Unmade Film, including the historical context (Ilan Pappé), discussions around trauma and haunting (Yo’ad Ghanadry and Avery Gordon), film without film (Erik Bullot), a critique of ruins (Esmail Nashif).

Keywordsfilm, installation, visual arts, trauma, Holocaust, Nakba, Israel-Palestine
Year2014
PublisherEdition Fink, Zurich
Publication dates
Published2014
Place of publicationZurich
ISBN9783037461785



Web address (URL)http://editionfink.ch/php/katalog/detail.php?buchid=193&parentid=0&navid=4/

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The Garden, The River (A Conversation)
Orlow, U. 2024. The Garden, The River (A Conversation).

Mangoes of Goan Origin (An Archive)
Orlow, U. 2024. Mangoes of Goan Origin (An Archive).

Unmade Film, Perfomative Film, Future Film: An Ethics of Witnessing
Orlow, Uriel 2024. Unmade Film, Perfomative Film, Future Film: An Ethics of Witnessing. in: Widmann, Philip (ed.) Film Undone: Elements of a Latent Cinema Archive Books.

Haunting: Plant Ghots and Chrono-Gardening
Orlow, U. 2024. Haunting: Plant Ghots and Chrono-Gardening. in: Contemporanea: A Glossary for the 21st century MIT Press.

Forest Manifesto
Orlow, U. 2024. Forest Manifesto.

Stone Forest (An Epilogue) 1 à 11
Orlow, U. 2024. Stone Forest (An Epilogue) 1 à 11.

Reveries of Collective Walkers (Geneva)
Orlow, U. 2023. Reveries of Collective Walkers (Geneva).

Reveries of Collective Walkers (Oxford)
Orlow, U. 2023. Reveries of Collective Walkers (Oxford).

Proposal for a Garden (Geneva)
Orlow, U. 2023. Proposal for a Garden (Geneva).

Tori Bari (After Yellow)
Orlow, U. 2022. Tori Bari (After Yellow).

Flora Peruana
Orlow, U. 2022. Flora Peruana. Kunst Bulletin.

Forest Essentials Take Two (Bobé)
Orlow, U. 2022. Forest Essentials Take Two (Bobé).

Letter from Lubumbashi
Orlow, U. 2021. Letter from Lubumbashi. in: Gómez, L. (ed.) Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South Diaphanes.

Conversing with Leaves
Orlow, U. 2020. Conversing with Leaves. Berlin Archive Books.

Artemisia in Katanga (Learning from artemisia)
Orlow, U. 2019. Artemisia in Katanga (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Malaria, Congo and the Belgians (Learning from artemisia)
Orlow, U. 2019. Malaria, Congo and the Belgians (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Learning from Artemisia
Orlow, U. 2019. Learning from Artemisia. Lubumbashi Biennale, Lubumbashi, DRC

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Orlow, U., Baudelot, A., Barry, A., Vergès, F., Lizet, B., Wolf, A-E., Roy, J-M. and Volper, S. Orlow, U. and Baudelot, A. (ed.) 2019. Soil Affinities. Shelter Press, France.

Love & politics
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Orlow, U. 2018. Film performance, conférence performance. in: Bullot, E. (ed.) Du film performatif It: éditions. pp. 21-25

Theatrum Botanicum
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Grey, Green, Gold
Orlow, Uriel 2018. Grey, Green, Gold. in: Gee, Gabriel N. and Vogelaar, Alison (ed.) Changing Representations of Nature and the City: The 1960s-1970s and Their Legacies Routledge.

Muthi
Orlow, U. 2017. Muthi.

Geraniums Are Never Red
Orlow, U. 2016. Geraniums Are Never Red.

The Fairest Heritage
Orlow, U. 2016. The Fairest Heritage.

The Memory of Trees
Orlow, U. 2016. The Memory of Trees.

What Plants Were Called Before They Had A Name
Orlow, U. 2016. What Plants Were Called Before They Had A Name.

The Crown against Mafavuke
Orlow, U. 2016. The Crown against Mafavuke.

Theatrum Botanicum
Orlow, U. 2016. Theatrum Botanicum. London

Recherchieren
Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Made-Unmade
Orlow, U. 2015. Made-Unmade.

Unmade Film
Orlow, U. 2015. Unmade Film.

Archives of stone, archives of air
Orlow, U. 2013. Archives of stone, archives of air. Journal of Visual Culture. 12 (3), pp. 404-413. https://doi.org/10.1177/1470412913503533

Sounds from beneath
Orlow, U. 2013. Sounds from beneath. Japan 10 Aug - 27 Oct 2013

The Reconnaissance
Orlow, U. 2012. The Reconnaissance. Aargauer Kunsthaus 1 Sep - 18 Nov 2012

Seres inanimados = inanimate beings
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Difficulties in Writing the Truth
Stevens, S. and Orlow, U. 2011. Difficulties in Writing the Truth. in: Leaver-Yap, I. (ed.) 8 Metaphors London Lux Productions.

The short and the long of it
Orlow, U. 2010. The short and the long of it.

Remnants of the future
Orlow, U. 2010. Remnants of the future.

In these great times
Orlow, U. 2008. In these great times.

Photography as cinema: 'La jetée' and the redemptive powers of the image (2006)
Orlow, Uriel 2007. Photography as cinema: 'La jetée' and the redemptive powers of the image (2006). in: Campany, D. (ed.) The Cinematic Whitechapel Gallery / MIT Press. pp. 177-184

The Dialectical Image
Orlow, U. 2007. The Dialectical Image. in: Campany, D. (ed.) The Cinematic Whitechapel Gallery.

The transgenerational memory of monkeys
Orlow, U. and Farqhuar, M. 2007. The transgenerational memory of monkeys. South London Gallery 07 Nov 2007

Descent
Orlow, U. 2007. Descent. Artneuland, Berlin 25 Nov 2006 - 05 Apr 2007

The Benin Project
Orlow, U. 2007. The Benin Project. BFI Southbank 16 Jun 2007

The Benin Project
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Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.

The world possessed
Orlow, U. 2006. The world possessed. Museum of Garden History, London, UK 03 Jul - 29 October 2006

Midday/Midnight (66° 33')
Orlow, U. 2006. Midday/Midnight (66° 33'). ICA, London 24 May - 16 Jul 2006

Latent archives, roving lens
Orlow, U. 2006. Latent archives, roving lens. in: Lanyon, J. and Connarty, J. (ed.) Ghosting: the role of the archive within contemporary artists' film and video Bristol, UK Picture This Moving Image.

Housed memory
Orlow, U. 2006. Housed memory. Dark Studio, Arnolfini, 16 Narrow Quay, Bristol, UK 03 - 25 Jun 2006

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Orlow, U. 2005. What the billboard saw / la ville mode d'emploi. Fribourg, Switzerland Kunsthalle Fribourg Fri-Art.

Urban Inventory #1-4
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Talk is cheap: some notes on freedom of speech and the ethics of listening in Route 181 by Michel Khleifi and Eyal Sivan
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Still moving and moving still
Orlow, U. 2005. Still moving and moving still.

Inside the archive
Orlow, U. 2005. Inside the archive. City Gallery Leicester offsite exhibition at New Walk Museum, Leicester, UK 14 Apr - 06 May 2006

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Orlow, U. 2005. In concert. LSE, Kingsway Building, London 29 Apr - 29 May 2005

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Orlow, U. 2005. Excerpts from 'time and again'. Printed Project. 4.

The trouble with talkies
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Re: the archive, the image and the very dead sheep
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A picturesque journey
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Mnemoscapes
Orlow, U. 2004. Mnemoscapes.

Instead (dialogue with an absent friend)
Orlow, U. 2004. Instead (dialogue with an absent friend). Danielle Arnaud contemporary art gallery 16 Jan 22 Feb 2004

A dance of death and life performed by cinema and TV
Orlow, U. 2003. A dance of death and life performed by cinema and TV.

Threshold of language - threshold of light (Hebrew)
Orlow, U. 2003. Threshold of language - threshold of light (Hebrew). in: Borders of sanctity: in art, society and Jewish thought (Hebrew) Jerusalem Keter.

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Orlow, U. 2002. Deposits: a body of work comprising 1942 (Poznan), Housed memory, the Weiner library, Inside the archive.

Chris Marker: the archival power of the image
Orlow, U. 2002. Chris Marker: the archival power of the image. in: Comay, R. and Knechtel, J. (ed.) Alphabet city #8: lost in the archives Toronto, Canada Alphabet City Media Inc.. pp. 436-451

Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000)
Orlow, Uriel 2000. Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000).

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