<<EINE>> OFFENHEIT, DIE MEHRDEUTIGKEIT ERMÖGLICHT EIN E-MAIL-AUSTAUSCH [ An openness that allows for ambiguity. An email exchange between Uriel Orlow and Rachel Mader]

Living Wood (Forwards)
Orlow, U. 2025. Living Wood (Forwards).

Reading Wood (Backwards)
Uriel Orlow, Liliana Gómez and Fabienne ­Liptay 2025. Reading Wood (Backwards). in: Gómez, L. and Liptay, F. (ed.) Eco-Operations Diaphanes. pp. 301-314

Uriel Orlow. Forest Times
Orlow, U. Schweizer, N. (ed.) 2024. Uriel Orlow. Forest Times. K. Verlag.

The Garden, The River (A Conversation)
Orlow, U. 2024. The Garden, The River (A Conversation).

Mangoes of Goan Origin (An Archive)
Orlow, U. 2024. Mangoes of Goan Origin (An Archive).

Unmade Film, Perfomative Film, Future Film: An Ethics of Witnessing
Orlow, Uriel 2024. Unmade Film, Perfomative Film, Future Film: An Ethics of Witnessing. in: Widmann, Philip (ed.) Film Undone: Elements of a Latent Cinema Archive Books.

Haunting: Plant Ghots and Chrono-Gardening
Orlow, U. 2024. Haunting: Plant Ghots and Chrono-Gardening. in: Contemporanea: A Glossary for the 21st century MIT Press.

Forest Manifesto
Orlow, U. 2024. Forest Manifesto.

Stone Forest (An Epilogue) 1 à 11
Orlow, U. 2024. Stone Forest (An Epilogue) 1 à 11.

Interview
Orlow, U. 2023. Interview. in: Aloi, G. and Marder, M. (ed.) Vegetal Entwinements in Philosophy and Art: a Reader MIT Press.

Reveries of Collective Walkers (Geneva)
Orlow, U. 2023. Reveries of Collective Walkers (Geneva).

Reveries of Collective Walkers (Oxford)
Orlow, U. 2023. Reveries of Collective Walkers (Oxford).

Proposal for a Garden (Geneva)
Orlow, U. 2023. Proposal for a Garden (Geneva).

Tori Bari (After Yellow)
Orlow, U. 2022. Tori Bari (After Yellow).

Flora Peruana
Orlow, U. 2022. Flora Peruana. Kunst Bulletin.

Reading Wood (Backwards)
Orlow, U. 2022. Reading Wood (Backwards). https://doi.org/10.4472/9783035807141

Forest Essentials Take Two (Bobé)
Orlow, U. 2022. Forest Essentials Take Two (Bobé).

Up, Up, Up (Switzerland)
Orlow, U. 2021. Up, Up, Up (Switzerland).

Letter from Lubumbashi
Orlow, U. 2021. Letter from Lubumbashi. in: Gómez, L. (ed.) Performing Human Rights: Contested Amnesia and Aesthetic Practices in the Global South Diaphanes.

Conversing with Leaves
Orlow, U. 2020. Conversing with Leaves. Berlin Archive Books.

Artemisia in Katanga (Learning from artemisia)
Orlow, U. 2019. Artemisia in Katanga (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Malaria, Congo and the Belgians (Learning from artemisia)
Orlow, U. 2019. Malaria, Congo and the Belgians (Learning from artemisia). Lubumbashi Biennale, Lubumbashi, DRC

Learning from Artemisia
Orlow, U. 2019. Learning from Artemisia. Lubumbashi Biennale, Lubumbashi, DRC

Soil Affinities
Orlow, U., Baudelot, A., Barry, A., Vergès, F., Lizet, B., Wolf, A-E., Roy, J-M. and Volper, S. Orlow, U. and Baudelot, A. (ed.) 2019. Soil Affinities. Shelter Press, France.

Love & politics
Evgenia Giannopoulou, Hannes Schumacher, Johan Grimonprez, Michael Hardt, Alexander García Düttmann, Mikhail Karikis, Uriel Orlow and Simon Critchley Evgenia Giannopoulou and Hannes Schumacher (ed.) 2018. Love & politics. Freigeist Verlag.

Film performance, conférence performance
Orlow, U. 2018. Film performance, conférence performance. in: Bullot, E. (ed.) Du film performatif It: éditions. pp. 21-25

Theatrum Botanicum
Orlow, U., Sheikh, S., Balani, S., Boehi, M., Flint, K., van Marle, K., von Zinnenburg, K., Coussonnet, C., Makhubu, N., Malcomess, B. and Flint, J. T. Sheikh, S. and Orlow, U. (ed.) 2018. Theatrum Botanicum. Berlin Sternberg Press.

Grey, Green, Gold
Orlow, Uriel 2018. Grey, Green, Gold. in: Gee, Gabriel N. and Vogelaar, Alison (ed.) Changing Representations of Nature and the City: The 1960s-1970s and Their Legacies Routledge.

Muthi
Orlow, U. 2017. Muthi.

Geraniums Are Never Red
Orlow, U. 2016. Geraniums Are Never Red.

The Fairest Heritage
Orlow, U. 2016. The Fairest Heritage.

The Memory of Trees
Orlow, U. 2016. The Memory of Trees.

What Plants Were Called Before They Had A Name
Orlow, U. 2016. What Plants Were Called Before They Had A Name.

The Crown against Mafavuke
Orlow, U. 2016. The Crown against Mafavuke.

Theatrum Botanicum
Orlow, U. 2016. Theatrum Botanicum. London

Recherchieren
Orlow, U. 2015. Recherchieren. in: Badura, J., Dubach, S., Haarmann, A. and Mersch, D. (ed.) Künstlerische Forschung: Ein Handbuch Diaphanes, Zurich/ Berlin. pp. 201-204

Made-Unmade
Orlow, U. 2015. Made-Unmade.

Unmade Film
Orlow, U. 2015. Unmade Film.

Unmade Film
Orlow, U., Thal, A., Pappé, I., Gordon, A., Bullot, E., Nashif. I. and Ghanadry, Y. Orlow, U. and Thal. A. (ed.) 2014. Unmade Film. Zurich Edition Fink, Zurich.

Rituals of Filming and the Dialogic Camera
Orlow, U. 2013. Rituals of Filming and the Dialogic Camera. Moving Image Review & Art Journal . 2 (1), pp. 98-105. https://doi.org/10.1386/miraj.2.1.98_7

Archives of stone, archives of air
Orlow, U. 2013. Archives of stone, archives of air. Journal of Visual Culture. 12 (3), pp. 404-413. https://doi.org/10.1177/1470412913503533

Sounds from beneath
Orlow, U. 2013. Sounds from beneath. Japan 10 Aug - 27 Oct 2013

In Praise of Ghosts
Orlow, U. 2012. In Praise of Ghosts. in: Segal, N. and Kivland, S. (ed.) Vicissitudes: Histories and Destinies of Psychoanalysis University of London Press.

Time is a place
Lunn, Felicity, Orlow, Uriel, Reust, Hans Rudolf and Thal, A. 2012. Time is a place. Uriel Orlow - Time Is a Place. CentrePasquArt Biel 01 Jul - 26 Aug 2012 Publishers for Modern Art.

The Reconnaissance
Orlow, U. 2012. The Reconnaissance. Aargauer Kunsthaus 1 Sep - 18 Nov 2012

Seres inanimados = inanimate beings
Rodríguez Muñoz, Bárbara, López, Maribel, Alfaro, Greta, Buckingham, Matthew, Castillo Deball, Mariana, Chong, Heman, Farocki, Harun, Orlow, Uriel, Rakowitz, Michael and Satorre, Jorge 2011. Seres inanimados = inanimate beings. Caja Madrid, Obra Social.

Difficulties in Writing the Truth
Stevens, S. and Orlow, U. 2011. Difficulties in Writing the Truth. in: Leaver-Yap, I. (ed.) 8 Metaphors London Lux Productions.

The short and the long of it
Orlow, U. 2010. The short and the long of it.

Remnants of the future
Orlow, U. 2010. Remnants of the future.

In these great times
Orlow, U. 2008. In these great times.

Photography as cinema: 'La jetée' and the redemptive powers of the image (2006)
Orlow, Uriel 2007. Photography as cinema: 'La jetée' and the redemptive powers of the image (2006). in: Campany, D. (ed.) The Cinematic Whitechapel Gallery / MIT Press. pp. 177-184

The Dialectical Image
Orlow, U. 2007. The Dialectical Image. in: Campany, D. (ed.) The Cinematic Whitechapel Gallery.

The transgenerational memory of monkeys
Orlow, U. and Farqhuar, M. 2007. The transgenerational memory of monkeys. South London Gallery 07 Nov 2007

Descent
Orlow, U. 2007. Descent. Artneuland, Berlin 25 Nov 2006 - 05 Apr 2007

The Benin Project
Orlow, U. 2007. The Benin Project. BFI Southbank 16 Jun 2007

The Benin Project
Orlow, U. 2007. The Benin Project. Fribourg Kunsthalle /Centre dArt Contemporain, Switzerland 06 Jul - 19 Aug 2007

Uriel Orlow: Deposits
Orlow, Uriel 2006. Uriel Orlow: Deposits. Berlin The Green Box Kunstedition.

The world possessed
Orlow, U. 2006. The world possessed. Museum of Garden History, London, UK 03 Jul - 29 October 2006

Midday/Midnight (66° 33')
Orlow, U. 2006. Midday/Midnight (66° 33'). ICA, London 24 May - 16 Jul 2006

Latent archives, roving lens
Orlow, U. 2006. Latent archives, roving lens. in: Lanyon, J. and Connarty, J. (ed.) Ghosting: the role of the archive within contemporary artists' film and video Bristol, UK Picture This Moving Image.

Housed memory
Orlow, U. 2006. Housed memory. Dark Studio, Arnolfini, 16 Narrow Quay, Bristol, UK 03 - 25 Jun 2006

What the billboard saw / la ville mode d'emploi
Orlow, U. 2005. What the billboard saw / la ville mode d'emploi. Fribourg, Switzerland Kunsthalle Fribourg Fri-Art.

Urban Inventory #1-4
Orlow, U. 2005. Urban Inventory #1-4. Fri-Art centre d'art contemporain/Kunsthalle, Fribourg, Switzerland 01 Jul - 04 Sep 2005

Talk is cheap: some notes on freedom of speech and the ethics of listening in Route 181 by Michel Khleifi and Eyal Sivan
Orlow, U. 2005. Talk is cheap: some notes on freedom of speech and the ethics of listening in Route 181 by Michel Khleifi and Eyal Sivan. 1+1+1. 2.

Still moving and moving still
Orlow, U. 2005. Still moving and moving still.

Inside the archive
Orlow, U. 2005. Inside the archive. City Gallery Leicester offsite exhibition at New Walk Museum, Leicester, UK 14 Apr - 06 May 2006

In concert
Orlow, U. 2005. In concert. LSE, Kingsway Building, London 29 Apr - 29 May 2005

Excerpts from 'time and again'
Orlow, U. 2005. Excerpts from 'time and again'. Printed Project. 4.

The trouble with talkies
Chodzko, A., Ellard, G., Johnstone, S., Irvine, J., Orlow, U. and Panting, L. 2005. The trouble with talkies.

"Stets gern für Sie beschäftigt ..." : [28. Januar bis 27. März 2005, ifa-Galerie Berlin]
Barsch, Barbara, Fischer, Ev, Qaṣ Ben-Šālôm, Yāʿēl., Orlow, Uriel, Stern, Heidi, Stih, Renata, Schnock, Frieder and Ury, Tanya 2004. "Stets gern für Sie beschäftigt ..." : [28. Januar bis 27. März 2005, ifa-Galerie Berlin]. IFA-Galerie Berlin.

Re: the archive, the image and the very dead sheep
Orlow, U. and Maclennan, R. 2004. Re: the archive, the image and the very dead sheep. London, UK Double agents.

A picturesque journey
Orlow, U. 2004. A picturesque journey. Aine Art Museum, Tornio, Finland 06 Feb - 21 Mar 2004

Mnemoscapes
Orlow, U. 2004. Mnemoscapes.

Instead (dialogue with an absent friend)
Orlow, U. 2004. Instead (dialogue with an absent friend). Danielle Arnaud contemporary art gallery 16 Jan 22 Feb 2004

A dance of death and life performed by cinema and TV
Orlow, U. 2003. A dance of death and life performed by cinema and TV.

Threshold of language - threshold of light (Hebrew)
Orlow, U. 2003. Threshold of language - threshold of light (Hebrew). in: Borders of sanctity: in art, society and Jewish thought (Hebrew) Jerusalem Keter.

Deposits: a body of work comprising 1942 (Poznan), Housed memory, the Weiner library, Inside the archive
Orlow, U. 2002. Deposits: a body of work comprising 1942 (Poznan), Housed memory, the Weiner library, Inside the archive.

Chris Marker: the archival power of the image
Orlow, U. 2002. Chris Marker: the archival power of the image. in: Comay, R. and Knechtel, J. (ed.) Alphabet city #8: lost in the archives Toronto, Canada Alphabet City Media Inc.. pp. 436-451

Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000)
Orlow, Uriel 2000. Housed memory: 60000 books, 2500 runs of periodicals, 1000 original document collections, 2 million newspaper cuttings, 1200 eyewitness accounts, 100 unpublished memoirs, 10000 photographs, 1400 videos (including 5500 individual programs (2000).