Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.
| Title | From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968 |
|---|---|
| Authors | Goddard, M. |
| Type | Conference keynote |
| Abstract | The statement and call of situationist militant and filmmaker Guy Debord at the end of the 1950s that “The cinema too needs to be destroyed” (On the Passage of a Few People Through a Rather Brief Period of Time, 1959) was answered in multifarious ways during the decade of the 1970s, perhaps beginning with Godard’s own much later premonition of these developments in Le gai savoir (1969) in which the two protagonists call not for a “return to zero” but first to arrive there, as a prelude to creating something new out of the ruins of the cinematic apparatus. Paradoxically yet significantly this conversation takes place in a television studio. This reinvention of the audiovisual beyond the cinema as a technological mechanism and ideological institution is a concern that would be taken up in Godard’s work in video, television and cinema across the 1970s, but also in the work of a number of like-minded filmmakers, whether or not they actually embraced the use of new technologies like video. This paper will present the stakes of this attempted dismantling of the cinematic apparatus. It will argue that more recent methodologies such as Zielinski’s specific version of media archaeology as counter media history presented in his work Audiovisions, is able to shed light on this pragmatic reversal of apparatus theory in the 1970s via an emphasis on its radical televisual subversion. |
| Keywords | Militant cinema, apparatus, destruction, audiovisual assemblages |
| Year | 2018 |
| Conference | Autumn Film School: Cinema and 1968 |
| Publisher | Kinoteka Slovensko |
Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2
Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566
Trans TV dossier, III: Trans TV re-evaluated, part 1
Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957
Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines
Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.
“This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise
Goddard, M. 2020. “This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) Punk Rock New York Oxford University Press.
Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation
Goddard, M. and Hogg, C. 2019. Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation. Critical Studies in Television: The International Journal of Television Studies. 14 (4), pp. 429-434. https://doi.org/10.1177/1749602019875846
“Art is Energy, Art is Power”: An Interview with Józef Robakowski
Goddard, M. 2019. “Art is Energy, Art is Power”: An Interview with Józef Robakowski. Apparatus Journal.
The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media
Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019
Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015
Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228
Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings
Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135
Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations
Hogg, C. and Goddard, M. 2018. Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations. Critical Studies in Television: The International Journal of Television Studies. 13 (4), pp. 470-474. https://doi.org/10.1177/1749602018798217
Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4
Goddard, M. and Hogg, C. 2018. Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4. Critical Studies in Television: The International Journal of Television Studies. 13 (4).
Capitulation to the Laibach Kunst War Machine
Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.
Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division
Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16
Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies
Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.
An Exploration of the Non-Linear History of Immersive Media
Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017
Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality
Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017
Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker
Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68
Arqueologia das mídias, 'anarqueologia' e ecologias das mídias
Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34
Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video
Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180
Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge
Goddard, M. 2017. Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge. in: Liz, M. (ed.) Portugal's Global Cinema: Industry, History and Culture I.B. Tauris.
Introduction: Twin Peaks’ persistent cultural resonance
Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587
David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks
Goddard, M. and Silveira, F 2016. David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks. Questões Transversais - Revista de Epistemologias da Comunicação. 3 (6), pp. 120-126.
Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks
Goddard, M. 2016. Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks. Senses of Cinema. 79 4.
Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality
Goddard, M. 2015. Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality. New Media and Society. 17 (11), pp. 1761-1766. https://doi.org/10.1177/1461444814532193
Media Ecology
Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333
Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era
Goddard, M. 2014. Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era. in: Apprich, C., Slater, J.B., Iles, A. and Schultz, O.L. (ed.) Provocative Alloys: A Post-Media Anthology Mute Books. pp. 44-61
Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski
Goddard, M. 2014. Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski. in: Mazierska, E. and Goddard, M. (ed.) Polish Cinema in a Transnational Context Boydell & Brewer. pp. 236-257
No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries
Goddard, M. 2013. No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries. in: Halligan, B., Edgar, R. and Fairclough-Isaacs, K. (ed.) The Music Documentary: Acid Rock to Electropop New York, London Routledge. pp. 115-130
Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music
Goddard, M. 2013. Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music. in: Goddard, M., Halligan, B. and Spelman, N. (ed.) Resonances: Noise and Contemporary Music London; New York Bloomsbury Academic.
Cinema, Insatiability and Impure Form: Witkacy on Film
Goddard, M. 2013. Cinema, Insatiability and Impure Form: Witkacy on Film. The Polish Journal of Aesthetics/Estetyka i Krytyka. 31 (4), pp. 99-108.
Impossible Cartographies: Approaching Raúl Ruiz's Cinema
Goddard, M. 2013. Impossible Cartographies: Approaching Raúl Ruiz's Cinema. Em Questão. 19 (1), pp. 22-41. https://doi.org/10.19132/1808-5245191.22-41
The Cinema of Raul Ruiz: Impossible Cartographies
Goddard, M. 2013. The Cinema of Raul Ruiz: Impossible Cartographies. London Wallflower Press.
Noise as Cultural Subversion: The Return of Postpunk
Goddard, M. 2012. Noise as Cultural Subversion: The Return of Postpunk. in: Cieslak, M. and Rasmus, A. (ed.) Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance Newcastle upon Tyne Cambridge Scholars Publishing. pp. 20-34
The Impossible Polish New Wave and its Accursed Auteurs
Goddard, M. 2012. The Impossible Polish New Wave and its Accursed Auteurs. in: Imre, A. (ed.) Blackwell Companion to Eastern European Cinema New York; London Wiley. pp. 291-310
"Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm
Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.
Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics
Goddard, M. and Halligan, B 2012. Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics. Framework: The Journal of Cinema and Media. 53 (1), pp. 172-189.
Cinematic and Aesthetic Cartographies of Subjective Mutation
Goddard, M. 2012. Cinematic and Aesthetic Cartographies of Subjective Mutation. Subjectivity. 5 (1), pp. 75-94. https://doi.org/10.1057/sub.2011.24
The Autumn in Germany: A Dialogue on Fassbinder and Terrorism
Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170
From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri
Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192
Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle
Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92
Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios
Goddard, M. 2011. Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios. Fibreculture. 17 FCJ-114.
‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies
Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.
Introduction: 'Messing up the Paintwork'
Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15
Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70
Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99
Gombrowicz, Polish Modernism and the Subverison of Form
Goddard, M. 2010. Gombrowicz, Polish Modernism and the Subverison of Form. West Lafayette, Indiana Purdue University Press.
“Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”
Goddard, M. 2009. “Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”. in: Rasmus, A. and Cieslak, M. (ed.) Images of the City Cambridge Scholars Publishing. pp. 323-333
Raymond Bellour
Goddard, M. 2009. Raymond Bellour. in: Colman, F. (ed.) Film, Theory and Philosophy: The Key Thinkers Durham Acumen Press. pp. 256-265
Interminable Autonomy: Bifo's Smptomatologies of the Present
Goddard, M. 2009. Interminable Autonomy: Bifo's Smptomatologies of the Present. Metamute. 2 (14).
Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk
Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281
Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema
Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187
Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema
Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.
Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle
Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172
BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality
Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196
Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media
Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346
East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu
Goddard, M. 2007. East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu. Studies in French Cinema. 7 (2), pp. 107-117.
We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition
Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856
The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety
Goddard, M. 2005. The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety. Pli: Warwick Journal of Philosophy. 16.
68-77-99 and Beyond: Bifo's Futural Thought
Goddard, M. 2005. 68-77-99 and Beyond: Bifo's Futural Thought. Cultural Studies Review. 11 (2), pp. 49-56. https://doi.org/10.5130/csr.v11i2.3638
Diagram for a Transversal, Molecular Feminism?
Goddard, M. 2005. Diagram for a Transversal, Molecular Feminism? Women: A Cultural Review. 16 (3), pp. 271-283. https://doi.org//10.1080/09574040500321339
The Saragossa Manuscript
Goddard, M. 2004. The Saragossa Manuscript. in: Hames, P. (ed.) 24 Frames: The Cinema of Central Europe London Wallflower Press. pp. 87-96
Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz’s Poetics of Cinema
Goddard, M. 2004. Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz’s Poetics of Cinema. Senses of Cinema. 30 (4).
The Fold, Cinema and Neo-Baroque Modernity
Goddard, M. 2004. The Fold, Cinema and Neo-Baroque Modernity. Traces: A Multilingual Series of Cultural Theory and Translation. 3, pp. 209-228.
Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm
Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180
Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision
Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145
Hypothesis of the Stolen Aesthetics
Goddard, M. 2002. Hypothesis of the Stolen Aesthetics. Contretemps: An Online Journal of Philosophy. 3, pp. 75-84.
The Scattering of Time Crystals: Deleuze, Mysticism and Cinema
Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64
The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm
Goddard, M. 2000. The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm. in: Walker, R., Brass, K. and Byron, J. (ed.) Anatomies of Violence: an interdisciplinary investigation Sydney RIHSS, Sydney University. pp. 62-73
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