Streaming intersectionality: Queer and trans television aesthetics in post-medium transformation

Reflections on 'Television Adaptation Specifically', CST Online
Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill
Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Adapting Television Drama: Theory & Industry
Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.

About Time: Addressing Intersectionality in the Casting and Performance of Chris Chibnall/Jodie Whittaker Era Doctor Who
Hogg, C. 2021. About Time: Addressing Intersectionality in the Casting and Performance of Chris Chibnall/Jodie Whittaker Era Doctor Who. in: Cherry, B., Hills, M. and O’Day, A. (ed.) Doctor Who: New Dawn - Essays on the Jodie Whittaker Era Manchester University Press.

Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2
Goddard, M. and Hogg, C. 2020. Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2. Critical Studies in Television. 15 (3), pp. 255-266. https://doi.org/10.1177/1749602020937566

Trans TV dossier, III: Trans TV re-evaluated, part 1
Goddard, M. and Hogg, C. 2020. Trans TV dossier, III: Trans TV re-evaluated, part 1. Critical Studies in Television: The International Journal of Television Studies. 15 (2), pp. 162-164. https://doi.org/10.1177/1749602020918957

A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama
Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670

Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines
Goddard, M. 2020. Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines. in: Herzogenrath, B. (ed.) Practical Aesthetics New York; London Bloomsbury Academic.

“This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise
Goddard, M. 2020. “This Is Radio Clash”: First-Generation Punk as Radical Media Ecology and Communicational Noise. in: McKay, G. and Arnold, G. (ed.) Punk Rock New York Oxford University Press.

“Art is Energy, Art is Power”: An Interview with Józef Robakowski
Goddard, M. 2019. “Art is Energy, Art is Power”: An Interview with Józef Robakowski. Apparatus Journal.

The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media
Goddard, M. 2019. The So-Called Groups of Militant Insanity Against the Video Police: Anti-Psychiatry and Autonomia in 1970s Italian Audiovisual Media. Son et environnement psychiatrique, Séminaire “INHALab. Association ATHAMAS – Art et antipsychiatrie". INHA Paris 03 - 03 Apr 2019

Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015
Goddard, M. 2019. Psicogeografia, Cenas de Música Popular e Métodos de Mapeamento Móvel: Experimentos Pedagógicos Transdisciplinares no Mapeamento de Cenas Urbanas na Cidade Baixa, 2014-2015. in: Goddard, M., Amaral, A., Bomfim, I., Conter, M., Fischer, G. and Silveira, F. (ed.) MAPEANDO CENAS DA MÚSICA POP Materialidade, Redes e Arquivos Volume II Porto Alegre Marca de Fantasia. pp. 212-228

Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings
Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135

From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968
Goddard, M. 2018. From the Joys of Learning to Declaring World War: Militant Subversions of the Cinematic Apparatus and Constructions of New Audiovisual Assemblages after 1968. Autumn Film School: Cinema and 1968. Slovenian Cinematheque 23 - 25 Oct 2018 Kinoteka Slovensko.

Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations
Hogg, C. and Goddard, M. 2018. Introduction: Trans TV as Intervention into Contemporary Television, Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations. Critical Studies in Television: The International Journal of Television Studies. 13 (4), pp. 470-474. https://doi.org/10.1177/1749602018798217

Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4
Goddard, M. and Hogg, C. 2018. Trans TV Dossier 1: Platform Television, Netflix and Industrial Transformations, edited by Michael Goddard and Christopher Hogg, in Critical Studies in Television, Vol. 13, Issue 4. Critical Studies in Television: The International Journal of Television Studies. 13 (4).

A Career in Popular Factual TV: An Interview with Tom Edwards (Parts 1 and 2), CST Online
Hogg, C. 2018. A Career in Popular Factual TV: An Interview with Tom Edwards (Parts 1 and 2), CST Online.

Capitulation to the Laibach Kunst War Machine
Goddard, M. 2018. Capitulation to the Laibach Kunst War Machine. in: Kirschstein, D., Lughofer, J.G. and Schutte, U. (ed.) Gesamtkunstwerk Laibach Klagenfurt, Austria Drava Verlag.

Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division
Goddard, M. 2018. Missions of Dead Souls: A Hauntology of the Industrial, Modernism, and Esotericism in the Music of Joy Division. in: Heart and Soul: Critical Essays on Joy Division London Rowman & Littlefield. pp. 3-16

Well-being and the Television Actor: Challenges and Coping Strategies
Hogg, C. and Smith, C. L. 2018. Well-being and the Television Actor: Challenges and Coping Strategies. in: Hogg, C. and Cantrell, T. (ed.) Exploring Television Acting London Bloomsbury. pp. 171-186

Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies
Goddard, M. 2018. Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies. Amsterdam Amsterdam University Press.

An Exploration of the Non-Linear History of Immersive Media
Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017

Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality
Goddard, M. 2017. Towards a Genealogy of Audiovision: From Expanded Cinemas to Virtual Reality. After VR: the archaeology and potential of immersive media. Winchester School of Arts 01 - 01 Nov 2017

Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker
Goddard, M. 2017. Televisions, Tractations and Folklore: Raúl Ruiz as a Transmedia Filmmaker. in: Lopez-Vicuna, I. and Marinescu , A. (ed.) Raúl Ruiz's Cinema of Inquiry Detroit Wayne State University Press. pp. 49-68

Arqueologia das mídias, 'anarqueologia' e ecologias das mídias
Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video
Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180

Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge
Goddard, M. 2017. Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge. in: Liz, M. (ed.) Portugal's Global Cinema: Industry, History and Culture I.B. Tauris.

Acting in British Television
Cantrell, T. and Hogg, C. 2017. Acting in British Television. Palgrave Macmillan.

Introduction: Twin Peaks’ persistent cultural resonance
Smith, A.N., Goddard, M. and Fairclough, K. 2016. Introduction: Twin Peaks’ persistent cultural resonance. Series: International Journal of Television Serial Narratives. 2 (2), pp. 5-8. https://doi.org/10.6092/issn.2421-454X/6587

David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks
Goddard, M. and Silveira, F 2016. David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks. Questões Transversais - Revista de Epistemologias da Comunicação. 3 (6), pp. 120-126.

Take a Look at the Lawman: Interrogating Critical Responses to the US Version of Life on Mars
Hogg, C. 2016. Take a Look at the Lawman: Interrogating Critical Responses to the US Version of Life on Mars. in: Aveyard, K., Moran, A. and Jensen, P.M. (ed.) New Patterns in Global Television Formats Intellect.

Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks
Goddard, M. 2016. Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in Twin Peaks. Senses of Cinema. 79 4.

Returning to an old question: What do television actors do when they act?
Cantrell, T. and Hogg, C. 2016. Returning to an old question: What do television actors do when they act? Critical Studies in Television: The International Journal of Television Studies. 11 (3), pp. 283-298. https://doi.org/10.1177/1749602016662430

Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality
Goddard, M. 2015. Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality. New Media and Society. 17 (11), pp. 1761-1766. https://doi.org/10.1177/1461444814532193

Media Ecology
Goddard, M. 2014. Media Ecology. in: Ryan, M-L., Emerson, L. and Robertson, B. (ed.) Johns Hopkins Guide to Digital Media Johns Hopkins University Press. pp. 331-333

Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era
Goddard, M. 2014. Félix and Alice in Wonderland: The Encounter Between Guattari and Berardi and the Post-Media Era. in: Apprich, C., Slater, J.B., Iles, A. and Schultz, O.L. (ed.) Provocative Alloys: A Post-Media Anthology Mute Books. pp. 44-61

Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski
Goddard, M. 2014. Beyond Moral Realism: The Subversive Cinema of Andrzej Zulawski. in: Mazierska, E. and Goddard, M. (ed.) Polish Cinema in a Transnational Context Boydell & Brewer. pp. 236-257

No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries
Goddard, M. 2013. No Wave Film and the Music Documentary: From "Documents" to Retrospective Documentaries. in: Halligan, B., Edgar, R. and Fairclough-Isaacs, K. (ed.) The Music Documentary: Acid Rock to Electropop New York, London Routledge. pp. 115-130

Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music
Goddard, M. 2013. Noise from Nowhere: Exploring 'Noisyland's' Darker, Experimental and Industrial Music. in: Goddard, M., Halligan, B. and Spelman, N. (ed.) Resonances: Noise and Contemporary Music London; New York Bloomsbury Academic.

Cinema, Insatiability and Impure Form: Witkacy on Film
Goddard, M. 2013. Cinema, Insatiability and Impure Form: Witkacy on Film. The Polish Journal of Aesthetics/Estetyka i Krytyka. 31 (4), pp. 99-108.

Impossible Cartographies: Approaching Raúl Ruiz's Cinema
Goddard, M. 2013. Impossible Cartographies: Approaching Raúl Ruiz's Cinema. Em Questão. 19 (1), pp. 22-41. https://doi.org/10.19132/1808-5245191.22-41

The Punk-Rock King: Musical Anachronism in Period Film
Hogg, C. 2013. The Punk-Rock King: Musical Anachronism in Period Film. Media International Australia. 148 (1), pp. 84-93. https://doi.org/10.1177/1329878X1314800110

Fan Filmmaker and Star-struck Celebrity: An Interview with Michael Winner
Hogg, C. and Kern, D.S. 2013. Fan Filmmaker and Star-struck Celebrity: An Interview with Michael Winner. Senses of Cinema. 67.

Cracking the USA? Interpreting UK-to-US TV Drama Translations
Hogg, C. 2013. Cracking the USA? Interpreting UK-to-US TV Drama Translations. New Review of Film and Television Studies. 11 (2), pp. 111-132. https://doi.org/10.1080/17400309.2012.708266

The Cinema of Raul Ruiz: Impossible Cartographies
Goddard, M. 2013. The Cinema of Raul Ruiz: Impossible Cartographies. London Wallflower Press.

Noise as Cultural Subversion: The Return of Postpunk
Goddard, M. 2012. Noise as Cultural Subversion: The Return of Postpunk. in: Cieslak, M. and Rasmus, A. (ed.) Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance Newcastle upon Tyne Cambridge Scholars Publishing. pp. 20-34

The Impossible Polish New Wave and its Accursed Auteurs
Goddard, M. 2012. The Impossible Polish New Wave and its Accursed Auteurs. in: Imre, A. (ed.) Blackwell Companion to Eastern European Cinema New York; London Wiley. pp. 291-310

"Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm
Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.

Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics
Goddard, M. and Halligan, B 2012. Filming the Post-Fordist Worker: From Industrial Hollywood to Digital Biopolitics. Framework: The Journal of Cinema and Media. 53 (1), pp. 172-189.

Cinematic and Aesthetic Cartographies of Subjective Mutation
Goddard, M. 2012. Cinematic and Aesthetic Cartographies of Subjective Mutation. Subjectivity. 5 (1), pp. 75-94. https://doi.org/10.1057/sub.2011.24

The Autumn in Germany: A Dialogue on Fassbinder and Terrorism
Goddard, M. and Halligan, B 2011. The Autumn in Germany: A Dialogue on Fassbinder and Terrorism. in: Vighi, F. and Nouss, A. (ed.) Pasolini, Fassbinder and Europe: Between Utopia and Nihilism Cambridge Cambridge Scholars Publishing. pp. 151-170

From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri
Goddard, M. 2011. From the Multitudo to the Multitude: The Place of Spinoza in the Political Philosophy of Toni Negri. in: Lamarche, P., Rosenkrantz, M. and Sherman, D. (ed.) Reading Negri Chicago Open Court Press. pp. 171-192

Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle
Goddard, M. 2011. Eastern Europe as Site of Monstrosity in Import-Export and La Vie Nouvelle. in: Horeck, T. and Kendall, T. (ed.) The New Extremism in Cinema: From France to Europe Edinburgh Edinburgh University Press. pp. 82-92

Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios
Goddard, M. 2011. Towards an Archaeology of Media Ecologies: The Case of Italian Free Radios. Fibreculture. 17 FCJ-114.

Gub Neal: Cracking the Business of TV Drama Production
Hogg, C. 2011. Gub Neal: Cracking the Business of TV Drama Production. Journal of British Cinema and Television. 8 (1), pp. 118-132. https://doi.org/10.3366/jbctv.2011.0009

‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies
Goddard, M. 2010. ‘Our Theatre of Cruelty’: Reading Terror and Political Violence in the 1970s as Aesthetic Strategies. in: Identity, Alterity, Hybridity - (IDAH): proceedings of the International Conference, Galaţi, 14-16 May 2009 Galati, Romania "Dunarea de Jos" University of Galati, Romania.

Introduction: 'Messing up the Paintwork'
Goddard, M. and Halligan, B. 2010. Introduction: 'Messing up the Paintwork'. in: Goddard, M. and Halligan, B. (ed.) Mark E Smith and The Fall: Art, Music and Politics Ashgate. pp. 1-15

Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70
Goddard, M. 2010. Escapando al Realismo Socialista: El Ruiz 'Pudico' de los Anos 60 Y 70. in: Rios, V.D.L. and Pinto, I. (ed.) El Cine de Raul Ruiz: Fantasmas, simulacros y artificios Santiago de Chile Uqbar Editor. pp. 88-99

Gombrowicz, Polish Modernism and the Subverison of Form
Goddard, M. 2010. Gombrowicz, Polish Modernism and the Subverison of Form. West Lafayette, Indiana Purdue University Press.

“Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”
Goddard, M. 2009. “Unravelling HollyŁódż: The Industrial and Cinematic Imaginary of Łódż”. in: Rasmus, A. and Cieslak, M. (ed.) Images of the City Cambridge Scholars Publishing. pp. 323-333

Raymond Bellour
Goddard, M. 2009. Raymond Bellour. in: Colman, F. (ed.) Film, Theory and Philosophy: The Key Thinkers Durham Acumen Press. pp. 256-265

Interminable Autonomy: Bifo's Smptomatologies of the Present
Goddard, M. 2009. Interminable Autonomy: Bifo's Smptomatologies of the Present. Metamute. 2 (14).

Re-evaluating the Archive in Stephen Poliakoff's Shooting the Past
Hogg, C. 2009. Re-evaluating the Archive in Stephen Poliakoff's Shooting the Past. Journal of British Cinema and Television. 6 (3), pp. 437-451. https://doi.org/10.3366/E1743452109001125

Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk
Goddard, M. 2008. Eurotrash Between Trash Culture and the Avant-Garde: The Strange Case of Walerian Borowczyk. in: Rachwal, T. (ed.) Rubbish, Waste and Litter: Culture and its Refus(e)als Warsaw, Poland SWPS Academica. pp. 270-281

Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema
Goddard, M. 2008. Kontrol, Apparitions and Taxidermia: New Corporeal Cartographies in Hungarian Cinema. in: Christensen, M. and Erdogan, N. (ed.) Shifting Landscapes: Film and Media in a European Context Newcastle, UK Cambridge Scholars Publishing. pp. 172-187

Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema
Goddard, M. 2008. Figure of Post-Communist Desire?: The Performance of Katarzyna Figura and the Becoming-Popular of Polish Cinema. in: Klejsa, K. and Nurczyńska-Fidelska, E. (ed.) Kino Polskie: Re-Interpretacje Lodz University of Lodz Press.

Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle
Goddard, M. 2008. Sonic and Cultural Noise as Production of the New: The Industrial Music Media Ecology of Throbbing Gristle. in: O'Sullivan, S. and Zepke, S. (ed.) Deleuze, Guattari and the Production of the New Continuum. pp. 162-172

BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality
Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media
Goddard, M. 2007. Creative Cultural Differentiation: The New Pop Art of Laibach/NSK and Lodz Kaliska; Introduction: Transnationality in Arts and Media. in: Kujawinski-Courtney, K. and Lukowska, M. (ed.) Multiculturalism at the Start of the 21st Century: The British-Polish Experience; Australian Theory and Practice Lodz Lodz University Press. pp. 335-346

East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu
Goddard, M. 2007. East-West European Superpositions as Transvergent Cinema: Greg Zglinski's 'Tout un hiver sans feu. Studies in French Cinema. 7 (2), pp. 107-117.

We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition
Goddard, M. 2006. We Are Time: Laibach/NSK, Retro-Avantgardism and Machinic Repetition. Angelaki. 11 (1), pp. 45-54. https://doi.org/10.1080/09697250600797856

The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety
Goddard, M. 2005. The Surface, the Fold and the Subversion of Form: Towards a Deleuzian Aesthetic of Sobriety. Pli: Warwick Journal of Philosophy. 16.

68-77-99 and Beyond: Bifo's Futural Thought
Goddard, M. 2005. 68-77-99 and Beyond: Bifo's Futural Thought. Cultural Studies Review. 11 (2), pp. 49-56. https://doi.org/10.5130/csr.v11i2.3638

Diagram for a Transversal, Molecular Feminism?
Goddard, M. 2005. Diagram for a Transversal, Molecular Feminism? Women: A Cultural Review. 16 (3), pp. 271-283. https://doi.org//10.1080/09574040500321339

The Saragossa Manuscript
Goddard, M. 2004. The Saragossa Manuscript. in: Hames, P. (ed.) 24 Frames: The Cinema of Central Europe London Wallflower Press. pp. 87-96

Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz’s Poetics of Cinema
Goddard, M. 2004. Towards a Perverse Neo-Baroque Cinematic Aesthetic: Raúl Ruiz’s Poetics of Cinema. Senses of Cinema. 30 (4).

The Fold, Cinema and Neo-Baroque Modernity
Goddard, M. 2004. The Fold, Cinema and Neo-Baroque Modernity. Traces: A Multilingual Series of Cultural Theory and Translation. 3, pp. 209-228.

Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm
Goddard, M. 2003. Dialektyka Apoteozy i Szyderstwa: Wajda, Grotowski i Polski Romantyzm. in: Kuilogowska-Korzeniewska, A. and Pacek, K. (ed.) Teatralny Swiat Andrzeja Wajdy Krakow Universitas. pp. 167-180

Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision
Goddard, M. 2003. Wajda, Grotowski and Mickiewicz: The Dialectics of Apotheosis and Derision. in: Orr, J. and Ostrowska, E. (ed.) The Cinema and Theatre of Andrzej Wajda: The Art of Irony and Defiance London Wallflower Press. pp. 132-145

Hypothesis of the Stolen Aesthetics
Goddard, M. 2002. Hypothesis of the Stolen Aesthetics. Contretemps: An Online Journal of Philosophy. 3, pp. 75-84.

The Scattering of Time Crystals: Deleuze, Mysticism and Cinema
Goddard, M. 2001. The Scattering of Time Crystals: Deleuze, Mysticism and Cinema. in: Bryden, M. (ed.) Deleuze and Religion London Routledge. pp. 53-64

The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm
Goddard, M. 2000. The Violence of Form: Gombrowicz, Polish Modernity and World Cataclysm. in: Walker, R., Brass, K. and Byron, J. (ed.) Anatomies of Violence: an interdisciplinary investigation Sydney RIHSS, Sydney University. pp. 62-73