Abstract | Exiled Cuban author Amir Valle’s detective series El descenso a los infiernos [The Descent into Hell] is officially unavailable in Cuba. Contrary to Cuba’s reputation as a society in which violent crime is uncommon, the series provides a nightmarish vision of the island as one in which obscene crimes are committed. The narratives demonstrate a morally-compromised and small-minded Cuban state police as incapable of solving crimes without the support of Alex Varga, ‘rey de la marginalidad’, a neoliberal challenge to the New Man. Valle’s series is in many ways typical of the detective genre; however, this chapter discusses a view of the island which is not often so clearly evoked by Cuban authors, focusing on scenes of graphic sexual violence, and taking into consideration the allegedly factual background of the series. In a discussion on the obscene, enjoyment, and disgust, I debate the issue of representing violence and criminality within a Cuban context. This chapter asks whether the series’ scenes of abjection and violence seek to pass comment on a nation overlooked for its criminality, or whether such scenes are merely put in place to pique the reader’s interest. |
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