Overwritten Memories: The Representation of Sexual Violence in the Arts and Memory Space Fragmentos

Delgado Rojas, C., Peate, A. and Posada Villada, V. 2025. Overwritten Memories: The Representation of Sexual Violence in the Arts and Memory Space Fragmentos. in: Ashton, J.C. (ed.) The Routledge Handbook of Heritage and Gender Oxford Routledge. pp. 224-242

Chapter titleOverwritten Memories: The Representation of Sexual Violence in the Arts and Memory Space Fragmentos
AuthorsDelgado Rojas, C., Peate, A. and Posada Villada, V.
EditorsAshton, J.C.
Abstract

After five decades of internal conflict, Colombia's 2016 Peace Agreement acknowledged sexual violence as an act primarily affecting women who had been previously understood as indirect victims, suffering the murders and disappearances of their loved ones. One of the three memorials for the Peace Agreement built as part of Colombia's effort to make symbolic restitution serves as evidence of this. Doris Salcedo's Fragmentos: Space of Art and Memory (2018) spotlights sexual and gender-based violence, enlisting the participation of 20 women victims of sexual violence during the conflict. This chapter examines how Fragmentos, by originally offering itself as a platform to elevate and amplify the voices of women, confronts the invisibility of women as direct victims of armed conflict. However, as an art space which hosts temporary exhibits linked to the theme of conflict, the women participants’ contributions have been but tangential; this chapter argues that these victims have been potentially invisibilised by the introduction of these new incurrences. The chapter questions the limitations of women victims’ participation in the context of transitional justice in Colombia, especially in relation to artistic license and control, concluding that, once visibilised, victims’ contributions, having once been testimonial and crucial, become merely referential.

Book titleThe Routledge Handbook of Heritage and Gender
Page range224-242
Year2025
PublisherRoutledge
Publication dates
PublishedMay 2025
Place of publicationOxford
Edition1st
ISBN9781003258193
9781032192086
Digital Object Identifier (DOI)https://doi.org/10.4324/9781003258193-20

Related outputs

Criminology in Post-Violence Transitions: Exploring the Intersections between Human Rights, Grassroots Activism, Transitional Justice, Memory, and Criminology
Ailsa Peate, Natalia Maystorovich Chulio and Camilo Tamayo Gómez 2025. Criminology in Post-Violence Transitions: Exploring the Intersections between Human Rights, Grassroots Activism, Transitional Justice, Memory, and Criminology. International Journal for Crime, Justice and Social Democracy. 14 (2), pp. i-xi. https://doi.org/10.5204/ijcjsd.3945

Symbolic Reparations, Buchonas, and Gore Capitalism in Mayra Martell’s Gore (2017) and Chulada (2018)
Peate, A. 2025. Symbolic Reparations, Buchonas, and Gore Capitalism in Mayra Martell’s Gore (2017) and Chulada (2018). in: Fiona Noble and Nadia Albaladejo Garcia (ed.) Authoring Female Identities in Spanish and Latin American Art and Media Palgrave Macmillan.

Subverting Sex, Gender and Genre in Cuban and Mexican Detective Fiction
Peate, A. 2024. Subverting Sex, Gender and Genre in Cuban and Mexican Detective Fiction. Liverpool Liverpool University Press.

'El Narco Está de Moda': Corporeality, Gender Violence and Narcoculture in Culiacán, Sinaloa
Peate, A. 2024. 'El Narco Está de Moda': Corporeality, Gender Violence and Narcoculture in Culiacán, Sinaloa. Bulletin of Hispanic Studies. 100 (10), pp. 1027-1051. https://doi.org/10.3828/bhs.2023.70

A Museum for Me: Place and Memory Making with Mujer Diáspora
Peate, A. and Brandi, L. 2024. A Museum for Me: Place and Memory Making with Mujer Diáspora. in: Wang, C. and Lamb, T. (ed.) Negotiating Identities, Language and Migration in Global London: Bridging Borders, Creating Spaces Bristol Multilingual Matters.

Cuestiones de representación en Miss Museo: Mujer, Nación, Identidad y Ciudadanía (2007)
Peate, A. 2023. Cuestiones de representación en Miss Museo: Mujer, Nación, Identidad y Ciudadanía (2007). in: Trimiño Velásquez, Celina (ed.) Feminismos y Derechos Humanos: Mujeres, Trayectorias, Resistencias, Memoria y Construcción de Paz en algunos territorios de Colombia Colombia Sello Editorial Universidad Pedagógica y Tecnológica de Colombia UPTC.

Fragmentos (2018): The Counter-Monument Addressing Colombia’s Armed Conflict and Sexual Violence Against Women
Peate, A., Delgado-Rojas, C. and Posada-Villada, P. 2022. Fragmentos (2018): The Counter-Monument Addressing Colombia’s Armed Conflict and Sexual Violence Against Women. Museological Review. 26, pp. 10-16.

Disturbing Scenes in Amir Valle's Detective Series El descenso a los infiernos
Peate, A. 2019. Disturbing Scenes in Amir Valle's Detective Series El descenso a los infiernos. in: Lange, C. and Peate, A. (ed.) Crime Scenes: Latin American Crime Fiction from the 1960s to the 2010s Oxford Peter Lang. pp. 197-217

'Travestido, Transformado, Definitivamente Distinto’? Transgenericidad and Gender Trouble in Leonardo Padura’s Máscaras
Peate, A. 2018. 'Travestido, Transformado, Definitivamente Distinto’? Transgenericidad and Gender Trouble in Leonardo Padura’s Máscaras. Bulletin of Latin American Research. 37 (4), pp. 449-463. https://doi.org/10.1111/blar.12667

Permalink - https://westminsterresearch.westminster.ac.uk/item/x0wv1/overwritten-memories-the-representation-of-sexual-violence-in-the-arts-and-memory-space-fragmentos


Share this

Usage statistics

2 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.