Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014)

Angeli, S. and Quaranta, C. 2023. Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014). Studies in European Cinema. 20 (1), pp. 20-35. https://doi.org/10.1080/17411548.2021.1921931

TitleConfirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014)
TypeJournal article
AuthorsAngeli, S. and Quaranta, C.
Abstract

This article considers the representation of the adolescent female body and the relevance of corporeality in Catholicism in three Western European films, which have at their centre the religious confirmation. These are: Un poison violent (Love Like Poison, 2010, Katell Quilléveré), Corpo celeste (Heavenly Body, 2011, Alice Rohrwacher), and Kreuzweg (Stations of the Cross, 2014, Dietrich Brüggemann). The sacrament of confirmation as portrayed in the three films becomes the axis around which the dynamics of adolescence (i.e., changing body, blossoming sexuality, family conflicts) unfold, opening up a space for the analysis of the interplay between female subjectivities and Catholicism’s regulatory role. We look at the often-subtle violence exerted by Catholicism in an attempt to tame the female body and the ways female adolescents (re)negotiate their identity against the backdrop of religious authority. Our contention is that, in the films, the female protagonists’ subtraction from the confirmation becomes a way to distance themselves from the Catholic obedient body and reaffirm their individual, embodied subjectivity. To this end, we engage with the complex relationship between Catholicism, women, and women’s bodies, exploring the dichotomy between the Catholic ideal, unchangeable body and the continually-changing, desiring female bodies.

KeywordsCommunication
Visual Arts and Performing Arts
JournalStudies in European Cinema
Journal citation20 (1), pp. 20-35
ISSN1741-1548
Year2023
PublisherTaylor & Francis
Accepted author manuscript
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Publisher's version
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1080/17411548.2021.1921931
Web address (URL)https://www.tandfonline.com/doi/full/10.1080/17411548.2021.1921931
Publication dates
Published online19 May 2021
Published in print2023
Supplemental file
License
CC BY 4.0
File Access Level
Open (open metadata and files)
Page range1-16

Related outputs

The Tragedy of the Knight of Faith
Sticchi, Francesco and Angeli, Silvia 2024. The Tragedy of the Knight of Faith. Film and Philosophy. 28, pp. 91-110. https://doi.org/10.5840/filmphil202382124

The Ultimate Freedom? Suicide as ‘Exit Strategy’ in Marco Bellocchio’s Il regista di matrimoni (2006) and Sorelle Mai (2010)
Angeli, S. 2022. The Ultimate Freedom? Suicide as ‘Exit Strategy’ in Marco Bellocchio’s Il regista di matrimoni (2006) and Sorelle Mai (2010). The Italianist. 42 (2), pp. 229-245. https://doi.org/10.1080/02614340.2021.2010020

Apocalyptic films have lulled us into a false sense of security about climate change
Angeli, S. 2021. Apocalyptic films have lulled us into a false sense of security about climate change. The Conversation.

‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012)
Angeli, S. 2021. ‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012). Empedocles: European Journal for the Philosophy of Communication. 12 (1), pp. 75-89. https://doi.org/10.1386/ejpc_00029_1

Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957)
Angeli, S. 2021. Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957). Forum Italicum: A Journal of Italian Studies. 55 (3), pp. 850-864. https://doi.org/10.1177/00145858211025486

A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste
Angeli, S. 2021. A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste. Film-Philosophy. 25 (1), pp. 1-17. https://doi.org/10.3366/film.2021.0154

Lina Wertmüller Symposium: A report, 13 December 2019, University of Westminster
Angeli, S. 2020. Lina Wertmüller Symposium: A report, 13 December 2019, University of Westminster. Journal of Italian Cinema & Media Studies. 8 (3), pp. 419-423. https://doi.org/10.1386/jicms_00033_7

From the margins: Alice Rohrwacher’s liminal adolescents
Angeli, S. 2020. From the margins: Alice Rohrwacher’s liminal adolescents. Journal of Italian Cinema & Media Studies. 8 (3), pp. 339-356. https://doi.org/10.1386/jicms_00026_1

Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971)
Angeli, S. 2018. Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971). Religions. 9 (9) 252. https://doi.org/10.3390/rel9090252

"Lars von Trier’s Women, edited by Rex Butler and David Denny.”
Angeli, S. 2017. "Lars von Trier’s Women, edited by Rex Butler and David Denny.”. Alphaville: Journal of Film and Screen Media. 13, pp. 162-167. https://doi.org/10.33178/alpha.13.10

An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016)
Angeli, S. 2017. An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016). New Cinemas: Journal of Contemporary Film. 15 (2), pp. 141-155. https://doi.org/10.1386/ncin.15.2.141_1

Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978)
Angeli, S. 2017. Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978). PhD thesis University of Westminster

Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968)
Angeli, S. 2017. Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968). Journal of Religion & Film. 21 (2) 16.

Etty Hillesum. Le pratiche di scrittura come trasformazione
Angeli, S. 2010. Etty Hillesum. Le pratiche di scrittura come trasformazione. Rome Edizioni Universitarie Romane.

Permalink - https://westminsterresearch.westminster.ac.uk/item/v529q/confirmations-that-were-not-meant-to-be-religion-violence-and-the-female-body-in-un-poison-violent-2010-corpo-celeste-2011-and-kreuzweg-2014


Share this

Usage statistics

191 total views
92 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.