Followers, 2020

Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021

CreatorsGortazar, P.
Description

During the Communist period in Czechoslovakia (1948-89), the secret police followed indiscriminately thousands of citizens. Through a constant surveillance activity, they captured everyday moments and encounters that could potentially form a case for anti-revolutionary behaviour. The photographs were often captioned with detailed information on the place that they were taken, the date and time of day, and the people with whom the suspect had been seen.

'Followers' combines reproductions from the archive of the Czechoslovakian secret police with contemporary photographs shot by the artist in the streets of Prague. Both archival and recent images were taken with a 35mm Robot II; the most commonly used camera for spying activities during communist times. The resulting fictional archive aims to draw attention to new forms of online surveillance, as well as the widespread tolerance of social media users with such practices.

KeywordsPh: The Photography Research Network, Photography Exhibition, Contemporary Art
Year15 Sep 2020
FunderDe Montfort University
Web address (URL)https://www.ph-research.net/bridging-the-distance

Related outputs

Dare Me Not: Photography as Adventure in Virtual Space
Gortazar, P. 2024. Dare Me Not: Photography as Adventure in Virtual Space. in: Shobeiri, A. and Westgeest, H. (ed.) Virtual Photography: Artificial Intelligence, In-game, and Extended Reality Germany transcript Verlag. pp. 135-150

Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency
Paula Gortázar 2024. Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency. Philosophy of Photography. 15 (Issue 1-2: Expanded Visualities: Photography and Emerging Technologies), pp. 143-157. https://doi.org/10.1386/pop_00097_1

Plastic Borders: On the Photographic Frame and its Virtual Experience
Gortazar, P. 2024. Plastic Borders: On the Photographic Frame and its Virtual Experience. Photographies. 17 (1-2), pp. 115-127. https://doi.org/10.1080/17540763.2023.2269401

Generative Photographic Spaces: A Pixel-perfect Thrill
Gortazar, P. 2023. Generative Photographic Spaces: A Pixel-perfect Thrill. How do Humans and Machines See the World. King's College, London, UK 06 Dec 2023

Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph
Gortazar, P. 2023. Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph. Photography and Artificial Intelligence. Royal Photographic Society, Bristol, UK 09 - 10 Oct 2023

Cosmos, Fiction and Transcendence
Gortazar, P. 2023. Cosmos, Fiction and Transcendence. Third Text. 37 (1), pp. 1-117. https://doi.org/10.1080/09528822.2023.2214048

Plastic Borders: On the Photographic Frame and its Virtual Experience
Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity
Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Memorias de Papel: El Archivo Fotográfico y sus Lecturas
Gortazar, P. 2022. Memorias de Papel: El Archivo Fotográfico y sus Lecturas. in: Historias de la Fotografía del Siglo XXI Madrid, Spain Comunicación Social. pp. 29-50

Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava
Gortazar, P. 2020. Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava . 52nd Annual ASEEES Convention. Washington DC, USA 08 Jun - 05 Nov 2021

Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work
Gortazar, P. 2019. Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work. Fotocinema. 19, pp. 101-123. https://doi.org/10.24310/Fotocinema.2019.v2i19.6647

Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89)
Gortazar, P. 2019. Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89). Photography and Culture. 12 (2), pp. 151-170. https://doi.org/10.1080/17514517.2019.1596598

Towards an Emancipation of Photographic Vision: ‘Visualism’, ‘Opsognomie’ and ‘Elementary Photography’
Gortazar, P. 2018. Towards an Emancipation of Photographic Vision: ‘Visualism’, ‘Opsognomie’ and ‘Elementary Photography’. Practices, Circulation and Legacies: Photographic Histories in Central and Eastern Europe. Ljubljana, Slovenia 08 - 10 May 2018

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