Memorias de Papel: El Archivo Fotográfico y sus Lecturas

Dare Me Not: Photography as Adventure in Virtual Space
Gortazar, P. 2024. Dare Me Not: Photography as Adventure in Virtual Space. in: Shobeiri, A. and Westgeest, H. (ed.) Virtual Photography: Artificial Intelligence, In-game, and Extended Reality Germany transcript Verlag. pp. 135-150

Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency
Paula Gortázar 2024. Navigating subjectivity in AI-generated photography: The quest for ethics and creative agency. Philosophy of Photography. 15 (Issue 1-2: Expanded Visualities: Photography and Emerging Technologies), pp. 143-157. https://doi.org/10.1386/pop_00097_1

Plastic Borders: On the Photographic Frame and its Virtual Experience
Gortazar, P. 2024. Plastic Borders: On the Photographic Frame and its Virtual Experience. Photographies. 17 (1-2), pp. 115-127. https://doi.org/10.1080/17540763.2023.2269401

Generative Photographic Spaces: A Pixel-perfect Thrill
Gortazar, P. 2023. Generative Photographic Spaces: A Pixel-perfect Thrill. How do Humans and Machines See the World. King's College, London, UK 06 Dec 2023

Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph
Gortazar, P. 2023. Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph. Photography and Artificial Intelligence. Royal Photographic Society, Bristol, UK 09 - 10 Oct 2023

Cosmos, Fiction and Transcendence
Gortazar, P. 2023. Cosmos, Fiction and Transcendence. Third Text. 37 (1), pp. 1-117. https://doi.org/10.1080/09528822.2023.2214048

Plastic Borders: On the Photographic Frame and its Virtual Experience
Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity
Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Followers, 2020
Gortazar, P. 2020. Followers, 2020. Four Corners Gallery, London, UK 23 Jun - 03 Jul 2021

Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava
Gortazar, P. 2020. Cosmos, Fiction and Transcendence: Photography and Conceptual Art in Communist Bratislava . 52nd Annual ASEEES Convention. Washington DC, USA 08 Jun - 05 Nov 2021

Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work
Gortazar, P. 2019. Subjective Documentary Photography in ‘‘Normalised’’ Czechoslovakia (1968-89). Decoding Vladimír Birgus’ Work. Fotocinema. 19, pp. 101-123. https://doi.org/10.24310/Fotocinema.2019.v2i19.6647

Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89)
Gortazar, P. 2019. Toward an Emancipation of Photographic Vision: “Visualism” Under Czechoslovakian “Normalization” (1968–89). Photography and Culture. 12 (2), pp. 151-170. https://doi.org/10.1080/17514517.2019.1596598

Towards an Emancipation of Photographic Vision: ‘Visualism’, ‘Opsognomie’ and ‘Elementary Photography’
Gortazar, P. 2018. Towards an Emancipation of Photographic Vision: ‘Visualism’, ‘Opsognomie’ and ‘Elementary Photography’. Practices, Circulation and Legacies: Photographic Histories in Central and Eastern Europe. Ljubljana, Slovenia 08 - 10 May 2018