Quince Duncan Moodie

Costa Rican Exceptionalism: Nostalgia, Costumbrismo, and Patriotism in Maikol Yordan de viaje perdido (Miguel Gómez, 2014)
Harvey-Kattou, L. 2023. Costa Rican Exceptionalism: Nostalgia, Costumbrismo, and Patriotism in Maikol Yordan de viaje perdido (Miguel Gómez, 2014). in: Espinoza, M. and List, J. (ed.) The Rise of Central American Film in the Twenty-First Century University of Florida Press.

Collective Culpability in Costa Rica: The Case of Quince Duncan’s Kimbo
Harvey-Kattou, L. 2019. Collective Culpability in Costa Rica: The Case of Quince Duncan’s Kimbo . in: Lange, C. and Peate, A. (ed.) Crime Scenes: Latin American Crime Fiction from the 1960s to the 2010s Peter Lang.

Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film
Harvey-Kattou, L. 2019. Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film. Liverpool Liverpool University Press.

Living Behind Bars: Representations of the Costa Rican Home in Cinematic Works by Hernán Jiménez
Harvey-Kattou, L. 2018. Living Behind Bars: Representations of the Costa Rican Home in Cinematic Works by Hernán Jiménez. Journal of Romance Studies. 18 (2), pp. 205-225. https://doi.org/10.3828/jrs.2018.14

Performing for Hollywood: Coloniality and the Tourist Image in Esteban Ramírez’s Caribe (2004)
Harvey-Kattou, L. 2018. Performing for Hollywood: Coloniality and the Tourist Image in Esteban Ramírez’s Caribe (2004). Studies in Spanish and Latin American Cinemas. 15 (2), pp. 249-266. https://doi.org/10.1386/slac.15.2.249_1

The Supernatural as Decolonial Tactic: Afro-Costa Rican Motifs in Quince Duncan’s Fiction
Harvey-Kattou, L. 2017. The Supernatural as Decolonial Tactic: Afro-Costa Rican Motifs in Quince Duncan’s Fiction . in: Hart, S.M. and Biedermann, Z. (ed.) From the Supernatural to the Uncanny Newcastle upon Tyne Cambridge Scholars Publishing. pp. 192-203

Rendering the Invisible Visible: Reflections on the Costa Rican Film Industry in the Twenty-First Century
Harvey-Kattou, L. 2017. Rendering the Invisible Visible: Reflections on the Costa Rican Film Industry in the Twenty-First Century. in: Delgado, M.M., Hart, S.M. and Johnson, R. (ed.) A Companion to Latin American Cinema Wiley. pp. 325-340