A Domestic Revolution: Feminist Awakening in the Home in Rosario Castellanos’s ‘Lección de cocina’ ['Cooking Lesson’] (1971) and Antonella Sudasassi’s El despertar de las hormigas [The Awakening of the Ants] (2019)

Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema
Harvey-Kattou, L. 2025. Forthcoming. Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema. in: Vania Barraza and María Helena Rueda (ed.) Female Agency in Films Made by Latin American Women Palgrave Macmillan.

Imagining Latin America: Magical Realism, Cosmopolitanism, and the ¡Viva! Film Festival, By Nicola Jones. Woodbridge: Tamesis, 2021. Pp. 231. £75 (hardback). ISBN 9781855663299
Harvey Kattou, Liz 2024. Imagining Latin America: Magical Realism, Cosmopolitanism, and the ¡Viva! Film Festival, By Nicola Jones. Woodbridge: Tamesis, 2021. Pp. 231. £75 (hardback). ISBN 9781855663299. Hispanic Research Journal. 24 (1), pp. 104-105. https://doi.org/10.1080/14682737.2024.2318987

Book Review: Whiteness in Puerto Rico by Guillermo Rebollo Gil, London, Bloomsbury Academic, 2023, 145 pp., £85.00 (hardback), ISBN: 9780755635504
Harvey-Kattou, Liz 2024. Book Review: Whiteness in Puerto Rico by Guillermo Rebollo Gil, London, Bloomsbury Academic, 2023, 145 pp., £85.00 (hardback), ISBN: 9780755635504. National Identities. Advanced online publication. https://doi.org/10.1080/14608944.2024.2314799

Costa Rican Exceptionalism: Nostalgia, Costumbrismo, and Patriotism in Maikol Yordan de viaje perdido (Miguel Gómez, 2014)
Harvey-Kattou, L. 2023. Costa Rican Exceptionalism: Nostalgia, Costumbrismo, and Patriotism in Maikol Yordan de viaje perdido (Miguel Gómez, 2014). in: Espinoza, M. and List, J. (ed.) The Rise of Central American Film in the Twenty-First Century University of Florida Press.

Quince Duncan Moodie
Harvey-Kattou, L. 2021. Quince Duncan Moodie . Literary Encyclopedia.

Collective Culpability in Costa Rica: The Case of Quince Duncan’s Kimbo
Harvey-Kattou, L. 2019. Collective Culpability in Costa Rica: The Case of Quince Duncan’s Kimbo . in: Lange, C. and Peate, A. (ed.) Crime Scenes: Latin American Crime Fiction from the 1960s to the 2010s Peter Lang.

Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film
Harvey-Kattou, L. 2019. Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film. Liverpool Liverpool University Press.

Living Behind Bars: Representations of the Costa Rican Home in Cinematic Works by Hernán Jiménez
Harvey-Kattou, L. 2018. Living Behind Bars: Representations of the Costa Rican Home in Cinematic Works by Hernán Jiménez. Journal of Romance Studies. 18 (2), pp. 205-225. https://doi.org/10.3828/jrs.2018.14

Performing for Hollywood: Coloniality and the Tourist Image in Esteban Ramírez’s Caribe (2004)
Harvey-Kattou, L. 2018. Performing for Hollywood: Coloniality and the Tourist Image in Esteban Ramírez’s Caribe (2004). Studies in Spanish and Latin American Cinemas. 15 (2), pp. 249-266. https://doi.org/10.1386/slac.15.2.249_1

The Supernatural as Decolonial Tactic: Afro-Costa Rican Motifs in Quince Duncan’s Fiction
Harvey-Kattou, L. 2017. The Supernatural as Decolonial Tactic: Afro-Costa Rican Motifs in Quince Duncan’s Fiction . in: Hart, S.M. and Biedermann, Z. (ed.) From the Supernatural to the Uncanny Newcastle upon Tyne Cambridge Scholars Publishing. pp. 192-203

Rendering the Invisible Visible: Reflections on the Costa Rican Film Industry in the Twenty-First Century
Harvey-Kattou, L. 2017. Rendering the Invisible Visible: Reflections on the Costa Rican Film Industry in the Twenty-First Century. in: Delgado, M.M., Hart, S.M. and Johnson, R. (ed.) A Companion to Latin American Cinema Wiley. pp. 325-340