Dial ‘P’ for panties: Narrative photography in the 1990s

Introduction: Global Photographies and Questions of Cultural Translation
Soutter, L. 2025. Introduction: Global Photographies and Questions of Cultural Translation. in: Soutter, L. and Wooldridge, D. (ed.) The Routledge Companion to Global Photographies London Routledge. pp. 1-12

Photography in Flux: The Global Contemporary
Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.

Why art photography? 2nd edition
Soutter, L. 2018. Why art photography? 2nd edition. Abingdon Routledge.

Notes on Photography and Cultural Translation
Soutter, L. 2018. Notes on Photography and Cultural Translation. Photographies. 11 (2-3), pp. 329-338. https://doi.org/10.1080/17540763.2018.1445018

Showing and Telling: Narrative Photography from Pictures to Parafictions
Soutter, L. 2016. Showing and Telling: Narrative Photography from Pictures to Parafictions. in: Telling Tales: Contemporary Narrative Photography Seattle, Washington McNay Museum (San Antonio, Texas).

Expanded Photography: Persistence of the Photographic
Soutter, L. 2016. Expanded Photography: Persistence of the Photographic. PhotoResearcher. 26, pp. 36-43.

Expanding Photography circa 1970: Photographic Objects and Conceptual Art
Soutter, L. 2016. Expanding Photography circa 1970: Photographic Objects and Conceptual Art. in: Statzer, Mary (ed.) The Photographic Object 1970 University of California Press. pp. 70-78

Allan sekula: Educator
Soutter, L. 2014. Allan sekula: Educator. Photographies. 7 (1), pp. 109-111. https://doi.org/10.1080/17540763.2014.884408

Why Art Photography? 1st edition
Soutter, L. 2013. Why Art Photography? 1st edition. Abingdon Routledge.

The currency of practice: Reclaiming autonomy for the MFA
Min, S.S., Okudzeto, S., Beck, M., James, G., Odita, O.D., Soutter, L., Rubin, J. and Hershberger, A.E. 2009. The currency of practice: Reclaiming autonomy for the MFA. Art Journal. 68 (1), pp. 40-57. https://doi.org/10.1080/00043249.2009.10791335