Valuable Space: Nicole Polonsky Profile

Song of the Wind
Peters, T. 2024. Song of the Wind.

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Twomey, C. and Brown, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA 58th Annual Conference: Coalescence. Greater Richmond Convention Center, Richmond, Virginia, USA 20 - 23 Mar 2024

Leaving a mark: gesture and performance in clay
Peters, T. 2024. Leaving a mark: gesture and performance in clay. The Performing Object: Ceramics and Performance . Department of Drama, Theatre & Dance, Royal Holloway, University of London. 24 Apr 2024

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

A Question of Visibility
Peters, T. Forthcoming. A Question of Visibility.

Member of Panel: In Flux Ceramics Exhibition, City Lit
Peters, T. 2023. Member of Panel: In Flux Ceramics Exhibition, City Lit.

From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles
Peters, T. 2023. From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles. in: Pung-Mi: Exquisite Taste of Seaweed Recipes for Collaborative Artists South Korea Project 7 1/2. pp. 93-113

Challenging the Rules of the Game
Peters, T. 2023. Challenging the Rules of the Game. Stadtmuseum Siegburg.

Reframing the Past
Peters, T. 2023. Reframing the Past. in: Meekyoung Shin, Time/Material: Performing Museology Seoul, South Korea Coreana Museum of Art, Seoul, South Korea. pp. 202 - 205

Doing it Together! Public participation and performance within contemporary clay practice
Peters, T. 2022. Doing it Together! Public participation and performance within contemporary clay practice. Claytalks. Lecture Theatre, Central Saint Martins, London N1C 4AA 08 Apr 2022

Look Who's Talking
Peters, T. 2022. Look Who's Talking.

White Gold
Peters, T. 2021. White Gold. in: Oh, Sunyoung (ed.) Critical Reading: Functional Dissonance Korea Project 7 1/2. pp. 47-54

Cultural Icons
Peters, T. and Brown, C. 2020. Cultural Icons. Clay, Mindfulness and Memory: National Council on the Education for the Ceramic Arts 54th Annual Conference. Richmond, Virginia 25 - 28 Mar 2020

Tacit Knowledge and Creative Possibility
Peters, T. 2020. Tacit Knowledge and Creative Possibility. in: Cho Jang-hyun: Bak-Go-Ji-Geum, Southward-bound Buncheong Bandung, Indonesia Institut Teknologi Bandung.

Cultural Icons: Remaking a Popular Pottery Tradition
Peters, T. 2019. Cultural Icons: Remaking a Popular Pottery Tradition. The Potteries Museum & Art Gallery, Stoke-on-Trent 21 - 22 Sep 2019

Chair of panel: Future of Craft & Clay
Peters, T. 2019. Chair of panel: Future of Craft & Clay. Future of Craft symposium, London Craft Week 2019. Bargehouse, Oxo Tower Wharf, South Bank, London 09 - 12 May 2019

Member of panel: History & Persistence of Clay
Peters, T. 2019. Member of panel: History & Persistence of Clay.

Chair of panel: I Am an Artist: Listen Louder
Peters, T. 2019. Chair of panel: I Am an Artist: Listen Louder.

Clay + Culture + Society
Peters, T. 2019. Clay + Culture + Society. SYMPOSIUM: Ceramic For The Real World 2019 – Indonesian Contemporary Ceramic Biennal. Jebor Hall – Jatiwangi art Factory, Jatisura, Indonesia 28 Oct 2019

Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444

Member of panel: Curating Clay: What are the challenges in 2018 and beyond?
Peters, T. 2018. Member of panel: Curating Clay: What are the challenges in 2018 and beyond? Restating Clay Conference: Making, Learning, Communicating & Collecting Contemporary Studio Ceramics. Centre of Ceramic Art (CoCA), York Art Gallery 19 - 20 Mar 2018

Humanism, Existentialism and Art
Peters, T. 2018. Humanism, Existentialism and Art. in: Humanism - Poem of Earth for Human South Korea Clayarch Gimhae Museum. pp. 166-173

The history and development of the Ceramic Research Centre-UK
Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Participatory Art: Ceramic and social praxis
Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017

Narrative Strategies, Christie Brown
Peters, T. 2017. Narrative Strategies, Christie Brown. New Ceramics: the European Ceramics Magazine. 1 (2017), pp. 8-13.

Text for Christie Brown: Rara Avis exhibition leaflet
Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Guest curator of Anthony Shaw Collection
Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Ceramic Art in Social Contexts
Peters, T. 2016. Ceramic Art in Social Contexts. in: Brown, C., Stair, J. and Twomey, C. (ed.) Contemporary Clay & Museum Culture London and New York Routledge. pp. 97-104

Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton
Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Laura Potter: Fictional Final Goal
Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015

Ceramics, Collections, Collaborations and Communities
Peters, T. 2014. Ceramics, Collections, Collaborations and Communities. Ceramics in the Expanded Field. University of Westminster, London 17 - 19 Jul 2014

Christie Brown: DreamWork
Peters, T. 2013. Christie Brown: DreamWork. Interpreting Ceramics. 15.

Tradition & Innovation: Five Decades of Harrow Ceramics
Peters, T. 2012. Tradition & Innovation: Five Decades of Harrow Ceramics. Contemporary Applied Arts, London W1 20 Apr - 09 Jun 2012

Memoranda
Peters, T. and West, J. 2011. Memoranda. Farnham 26 Jul - 01 Oct 2011

Brazil: The Cultural Contemporary
Peters, T. 2011. Brazil: The Cultural Contemporary. Craft Research. 2. https://doi.org/10.1386/crre.2.195_7

Memoranda: Maisie Broadhead, Stephen Dixon, Laura Potter and Elaine Wilson
Peters, T. Peters, T. and West, J. (ed.) 2011. Memoranda: Maisie Broadhead, Stephen Dixon, Laura Potter and Elaine Wilson. Luminous Books.

Ceramic Narratives
Peters, T. 2010. Ceramic Narratives. Ceramics on Show: Public and Private Displays. Victoria & Albert Museum, London 24 - 25 Sep 2010

From 'The Uncanny Room' to 'The House of Words'
Peters, T. 2009. From 'The Uncanny Room' to 'The House of Words'. The Go Between: The Artist as Mediator between Collections & Audiences. National Museum Wales, Cardiff and University of Glamorgan 09 - 11 Sep 2009

Dissolving Boundaries: Possibilities and Challenges in British ceramic art
Peters, T. 2003. Dissolving Boundaries: Possibilities and Challenges in British ceramic art. Ceramics in Society.

Points of Departure
Peters, T. 2001. Points of Departure. Ceramic Review. 190, pp. 18-21.

Momentum - Eine Rezension
Peters, T. 2000. Momentum - Eine Rezension. Keramik Magazin.

Raum und Materie: Die Plastiken von Martin Smith
Peters, T. 1999. Raum und Materie: Die Plastiken von Martin Smith. Keramik Magazin. pp. 30-34.

Atlantic Crossings
Peters, T. 1998. Atlantic Crossings. Keramik Magazin. pp. 30-34.